I have been thinking a great deal about Surprise Number 4, issues of authenticity in reenacting, and what is really important. As tempting as it would be to post an image of Surprise Number 4, I remember how ticked I was at the comments about an image of someone’s unkempt tent at Fort Frederick, so I can’t. It would be wrong. I may have missed the Dalai Lama today (HVAC will be my undoing, I think) but I didn’t miss the point about “doing unto others.”
So instead of philosophizing, have some photos.
The large one actually captures the entire Kitty Calash family, from Mr S at the right of the rank of soldiers to the Young Mr, in close proximity: a rare sighting indeed. Mr S’s calves stand out nicely in his new overalls, if I say so myself. Two more buttonholes, two more buttons, two more straps and those suckers are done. He did a good job, too, getting them dirty before Nathan Hale.
Yes, that’s my attempt at the “Ale House Door” jacket. The fit is OK, the style a little late for RevWar, but it’s what I have in wool for now, made from a Wm Booth Draper remnant, and that’s the first wearing of the Sharon Burnston apron.
Sew 18th Century has a nice post on baskets, and where to get them, but wondered about the documentation of the market basket. What I can find is 1732, Plate 1 of Hogarth’s series, The Harlots’ Progress, based on Moll Flanders.
Would these have been out of use by 1770? Hard to say—I think I may have seen this form in catchpenny prints, but I have only a print source for those and it’s buried in one of the many stacks of books at home.
Still, I love my newly-arrived basket, ordered from Jeanne Beatrice for $24.
And there I am running away. Coventry, Connecticut, here I come!