Cats don’t like travel. You might, therefore, expect that Kitty Calash would prefer to stay home, but I’ve had a few travel adventures, and the hardest part is usually finding decent and strong coffee early in the morning, though sometimes dinner is a challenge: like my cats, I like my own bowl.
Happily, we’ll be cooking our meals for real tomorrow, boiling roots and meat and slabbing cheese on bread. Thank goodness for the 10th Massachusetts’s own John Buss and his love of cheese, but why did I forget the Massachusetts man who carried a pound of chocolate in his militia knapsack? We could have had drinking chocolate!
We’ll be at the New Windsor Cantonment tomorrow, but today, the last blustery snow-squally day of April School Vacation, we spent at Storm King.* The Young Mr enjoyed our visit last year, so we went back again.
This year, we did another quarter or so of the park, mostly di Suveros but also Magdalena Abakanowicz and Andy Goldsworthy. It was an interesting exercise in scale, and specificity. I used to joke that the worst part about making sculpture was that once it was done, you’d have to dust it forever, but Storm King presents another issue: the sculpture that must be weeded.
In St. Louis, we experienced Mark di Suvero pieces at Laumeier Sculpture Park , but not on this scale. They’re more interesting together; as with so many things, mass makes a difference—though with di Suvero, acres of ‘gallery’ are required for mass.
Goldsworthy has long been a favorite, the site-specific and temporal nature of the work appealing and similar to the kind of immersive, living history performance I prefer. Here, the wall wraps the trees and runs through the lake like a low, grey and solid version of Running Fence .
It’s a funny thing, walking the acres of art, and thinking about the kind of parkland gentlemen used to maintain—Pemberley and Stately Homes—and how yesterday’s folly is today’s site-specific sculpture.
*Not for nothin’ is it called Storm King, as they would say in No’t Providence.