That moment of regret…promised work a cake and punch, promised myself a new dress, it’s going to be 99 today, and there’s still an exhibit to install. Once again, what was I thinking? Apparently I was thinking that all I have to do is want something enough and I can make it happen.

So the bodice muslin is cut out, I’ve asked someone else to find a punch receipt while I make cake and lemonade, and I’ve got labels underway. This is manageable, maybe.

The way I start with patterns, as you can see in the top image, is by tracing them. I use architectural trace, AKA onionskin or drafting paper, mostly because it is cheap and readily available, and because I got into the habit just because it was around. (I am a refugee from a graduate program in architecture, which explains a lot about why I have drafting tools, keep way too busy, and am comfortable working with construction projects.) I use the trace patterns to cut the muslin from, and after JennyLaFleur’s workshop at Dress U, I fit muslins and recut final patterns in Pellon pattern ease. Formerly I saved muslins, now I re-trace. So much smarter, much less space.

So tonight, I’ll stitch up the muslin and see where I am. Today, I work on labels. The lower image definitely illustrates the process. There’s a big whole where a uniform will go, and we’re still using the ladder. Why is there a doll in an exhibit about war? Because how else do you fit in a dress when the case is small?!