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Kitty Calash

~ Confessions of a Known Bonnet-Wearer

Kitty Calash

Category Archives: Reenacting

Vogue for the Lower Sorts

01 Friday Jun 2012

Posted by kittycalash in Clothing, Reenacting

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ads, Clothing, common dress, newspapers, Research, Rhode Island

How does a reenactor know what to wear? There’s a wide range of choices for any decade, so how do you know what’s right?

Well, you don’t, not without documentation. This is where it can be nice to be a soldier. There’s griping in my house about “plain old white linen grumble frocks grumble waistcoat grumble” but really, the man and boy know who they are and what to put on. (Doesn’t stop them wanting regimentals, and I know they’re casting sidelong covetous glances at British coats.)

What about the women? The range is vast, from Mr. and Mrs. Ralph Izard

to the  Oyster Seller.

Both are ca. 1775, though the original Oyster Seller was probably earlier, but here’s the thing: how differently would she have dressed in 1775 than she would have in 1765?

It’s a point taken up, to a degree, in The Dress of the People, which I devoured in the orthopedist’s waiting room yesterday.

So if you know you’re not Alice Delancey Izard, but you’re not really an oyster seller, either, what do you do?

You check the ads.

I search runaway ads for Rhode Island to check my choices. That’s how I came to make a blue wool cloak, because I found Lucy, who ran away in December 1776 in a “blue Baize cloak.” There was Polly Young, who ran away in June, 1777, in a “black skirt petticoat and a short calico gown with long sleeves.” What did that short gown look like? I wish I knew. But it does place short gowns in Rhode Island (Lucy wore a short striped Dark Flannel gown when she ran away). Now, if only we knew what “short gown” meant in New England.

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Rhode Island’s Early Veterans

30 Wednesday May 2012

Posted by kittycalash in History, Reenacting

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2nd Rhode Island, Holidays, Memorial Day, Records, Research, Revolutionary War

In the process of helping to create a year of programming based on “Rhode Island at War,” and as a member of a re-enacted Revolutionary War regiment, I hear and think a fair amount about the need not to glorify or romanticize war. I don’t always hear a counter point about remembering what war means, and still less about remembering the men who served. “We’re not glorifying war, are we?” someone asks, and feels they’ve done their duty.

That’s not enough, not really. What about remembering the effects of war, beyond treaties made and boundaries changed, the effects of fighting a war on the men who serve? An organization I belong to, the Brigade of the American Revolution, is dedicated to recreating the life and times of the common soldier of the American War for Independence, 1775-1783. I mention this because what I think is most important is the adjectivecommon. Officers get fancier uniforms and better food, larger tents and nicer equipment. There were also far fewer of them. We have more diaries and letters from officers, more personal effects and portraits. What we do have for the common soldiers, aside from the amazing and idiosyncratic journal kept by Jeremiah Greenman of the 2nd RI, are records.

In considering the men who served, and what happened to them, we are fortunate to have, in the transcribed Records of the State of Rhode Island and Providence Plantations, a “list of Invalids resident in the State of Rhode Island, who have been disabled in the service of the United States during the late war, and are in consequence thereof entitled to received a monthly pension during life.”  This list was assembled after the Congressional act passed June 7, 1785 establishing pensions for wounded veterans.

The list includes the soldiers’ names, monthly pay, age, rank, and Regiment (or Corp or Ship) in which they served, as well as the disability and its causes. The range is moving, and all the more so because the injuries often make real the simple facts we absorb as early as grade school: Washington’s soldiers had no shoes. Here is Joseph A. Richards, Corporal, age 37 in 1785, who served with the Rhode Island Regiment commanded by Jeremiah Olney. “Loss of part of all the toes on the left foot, by reason of severe frost when on the Oswego expedition, commanded by Col. Willet, in Feb., 1783; also a wound in the knee in the battle of Springfield, June 23, 1780.”

Richards is not the only man to have suffered from frost on theOswego expedition. Oswego! I had to look at a map; the last time I’d heard Oswego named was in Room Service. Oswego, as geographically-savvy readers will know, is a port city on Lake Ontario, home to a fort held by the British throughout the revolution, despite being challenged by the Americans. Let us take a moment to consider how far from Rhode Island Oswego, New York actually is (about 330 miles), and that Corporal Richards would have walked there, and that the action in Oswego took place in January and February 1783, and that Oswego is in a region well-known for snow fall.

Other disabilities call to mind the shabby condition and privations of Continental Soldiers. Benvil Laroach, born in 1746, Sergeant in Olney’s Regiment, lost the use of his left arm “by reason of a fall from a sleigh when on public service, after clothing for troops, from Saratoga to New Winsor, in January 1783.” Washington’s soldiers were dressed in rags. January of 1783 is very nearly the end of the war, and this disability resulted from a fall while going out to get clothing for the troops. This is dull business, but very necessary.

These are but two examples of young men, men who would have been just 30, or thereabouts, when they enlisted. There are older men, too, and we forget that men of all ages served. An excellent additional resource is the Regimental Book, Rhode Island Regiment, 1781 Etc. recently published by Bruce MacGunnigle, Cherry Bamberg, and the R.I. Society of the Sons of the American Revolution.

William Parker, age 69 in 1785, Private in Olney’s Regiment: “A very bad rupture in the groin, occasioned by a fall, when on a march from Red Bank to Mount Holly, in November, 1777, together with the infirmities of old age, which renders him incapable of obtaining a livelihood.”  1777 is the year of the Defense of the Delaware, when Washington’s army tried desperately, and ultimately failed, to keep Philadelphia from falling to the British. The march from Red Bank to Mount Holly was a retreat following battles at Red Bank and Fort Mifflin on the Delaware River, when the army headed to winter quarters. The following summer, at the excruciating Battle of Monmouth, George Bradford, serving under Colonel Israel Angell, received the wound that caused his disability: “A lame arm, occasioned by a wound received in the battle of Monmouth, June 28, 1778, which fractured the bone and renders the arm weak, and the wound has several times broken out, per certificate from Dr. Mason.” Bradford would have been about 21 when wounded.

When I think about opening an exhibit on June 28, the 234th anniversary of the Battle of Monmouth, and celebrating the opening with cake and punch, I have a sense of unease. How can we celebrate such a miserable anniversary, of a lengthy and confusing battle fought in heat that reached over 100 degrees Fahrenheit, a battle that got Major General Charles Lee a court martial, and resulted British official losses of 65 killed, 59 dead of “fatigue”, 170 wounded and 64 missing, and American losses of 69 killed, 161 wounded and 132 missing (37 of whom were found to have died of heat-stroke).

Bradford was but one of 161 wounded, out of an estimated 11,000 American soldiers.  Losses were fewer than in a comparable Civil War battle because of the inaccuracy of smooth-bore muskets in the Revolutionary War period. That the men lost were a smaller percentage of the whole force makes them no less important, or meaningful, than any other loss or casualty in battle. To die of heat stroke in battle is still to die in battle; to suffer for the rest of your life from a wound received while collecting clothing for troops is still to be wounded and disabled. Let us take a moment to remember all the soldiers present and past, their sacrifices great and small, and thank them for all they have done for those of us lucky enough to remain in the comforts of home.

(from the work blog, because writing for two blogs this week is proving challenging)

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Stitch Counting

29 Tuesday May 2012

Posted by kittycalash in Clothing, Reenacting

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There are other derisive terms for the authenticity snobs, but stitch counter will do well enough for me.

I didn’t mean to turn out this way, but I did. It might have something to do with being interested in historical costume for as long as I can remember, or spending summer afternoons at the Chicago Historical Society, or a grandmother who could turn fabric and thread into anything. But inauthentic clothing and gear grates on me, and that’s one reason I’m incredibly unlikely to trail along with the “colonial” women behind a militia unit in a local parade. I just can’t trot along next to a woman wearing Hush Puppies and a short gown made of fabric last seen on Bob Ross’s couch.

This is not to say that I’m perfectly authentic—I have problems with gear and clothing, mostly revolving around fit and using a sewing machine on some long seams, or seams that get stressed, and let’s not get into what I carry in my sewing basket. But I keep trying to learn more, and trying to figure out what would fit my persona of the past. Here’s what I do know:

Like my grandmother, I’m picky. I would never have given up stays unless my child would starve if I didn’t sell them.

And like Elsa, I care about my appearance—I’m just less successful in presentation. So how my clothes went together would have mattered to me.

Shoes. Guaranteed, we would have managed shoes, since my great-great grandmother made her own.

As much as I try to get into a real lower-sorts place, I can’t. Tidy, orderly, as clean as possible. That’s just part of who I am.

So what about those women in their upholstery-like prints, plastic glasses and little cotton caps plopped atop modern haircuts? What to do about them–and their men? One man asked us yesterday where we’d gotten Dave’s uniform–where’d we find the hunting frock and overalls?

I made them, I said. By hand.

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Seasonal Eating

16 Wednesday May 2012

Posted by kittycalash in Food, Reenacting

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food, recipe

When there is a weekend event, I have to start thinking on Wednesday about lunch on Saturday and Sunday. Sunday is the more troublesome day, because there won’t be much time on Saturday to prep for Sunday: the work has to be done now.

This is not so much fun when you’re still trying to work out lunches and dinners for the regular 21st century week.

One solution, based on suggestions made for Battle Road this year, is pasties. They’re delicious and easy to carry, keep well, and are very satisfying. They’re also a meal that can be made with seasonal ingredients, like those outlined  in The compleat housewife: or, Accomplished gentlewoman’s companion, Cookery, etc. by Eliza Smith, 1742.

She presents a Bill of Fare for May that includes:

Chicken pye and a grand sallad might work, if the pretense is that I’m visiting camp. The Battle Road pasty filling was made as follows:

  • Olive oil
  • 1 poached chicken breast, diced (a whole does well for 4 -6 people, half for 3 or fewer)
  • 1 small onion, diced
  • 1 parsnip, scrubbed and sliced
  • 1 carrot, ditto
  • 1 small to medium red potato, cubed
  • 1 apple, cored and cubed
  • Small handful dried cranberries
  • Herbs de Provence, generously applied
  • Salt & pepper to taste
  • A little water
  • A little milk (optional)

Poach the chicken breast the day before, when you are making the crust. I use Martha Stewart’s perfect pâte brisée, but a Joy of Cooking crust works just as well. I toss into the water a bay leaf, a celery stalk top, an old carrot, and slice an old onion—we usually have scraps about from previous meals—and boiling these vegetables with the chicken breast tends to make the meat taste better.

Pre-heat the oven to 350 degrees.

Heat a little oil in a skillet and add the onions and the herbs.
When the onions are soft, add the carrot, parsnip and potato.When these are just beginning to soften, add the chicken and dried cranberries.  Add just a little water—you want the filling to be a little dry so it does not soak the crust—and the apple.
Taste for seasoning and adjust.
Stir and cook over medium heat until all ingredients are hot and the root vegetables only medium-soft. Remove from heat.

Divide the pastry crust into as many balls as you will make pasties; from a double-crust recipe, you can make at least 4 good-sized pasties.

Roll the dough into circles and add filling to one side (you’ll make a semi-circle heap of filling). Wet the edge of the circle with a brush, and fold over the crust, pressing edges together with a fork. Some people have the skill to make a twisted, decorative edge; I don’t. Brush the top of the pasty with water or milk for a brown crust. Poke several steam vents in the top with a fork, or slit with a knife.

Bake at 350 until the filling bubbles and the crust is browned, about 30 minutes. Let the pasties cool, wrap in paper and tie with string.

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Extreme Something

12 Saturday May 2012

Posted by kittycalash in Reenacting

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Continentals advance at Ft Lee

National Geographic’s Extreme Reenactor aired Thursday night and we watched with a kind of…intrigued horror.

It was a reality show with wool and black powder, and as much as the men boasted that they were getting as close as they could to experiences of the soldiers, they didn’t seem all that different from us in the Rev War reenactments. There’s a bottom line, a wall of time: you cannot re-create the past.

I can no more truly start a day over, go back downstairs and re-create the moment of making coffee this morning than I can re-create an 18th century experience. There’s no way to truly re-live a moment or a feeling or an action. You’ll never get it exactly right—and that may in fact be the point.

We are always experimenting. Perhaps the best re-enactors are the ones continually seeking to polish their impressions, expand their knowledge, attempt something new. Maybe encouraging growth, renewal and on going research is more important than delineating the lines between the mainstream, the authentic, and the hardcore or progressive re-enactors.

That’s probably just the museum professional in me talking…

There’s an interesting, if slightly old, study of re-enactors done by the NPS that explores some of these questions for the RevWar time period.

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