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Kitty Calash

~ Confessions of a Known Bonnet-Wearer

Kitty Calash

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Adventures in Public Transit

22 Wednesday May 2013

Posted by kittycalash in Museums

≈ 5 Comments

Tags

Amtrak, first world problems, MetroNorth, Metropolitan Museum of Art, Museums, Peter Pan Bus, trains, Travel

The backdrop for Imran Qureshi’s piece

Occasionally, I get a slightly wild idea and actually act upon it. My son probably has the best sense of when this is about to happen, so I no longer tell him my wild ideas plans. Of course, if the MetroNorth train collision hadn’t happened just in front of my Amtrak train, I wouldn’t have had the extra eight-block walk and the two-and-a-half hour line wait for the bus…and then I wouldn’t have ended up leaving the MFA two hours earlier than I wanted to on Tuesday.

Qureshi

Credit: Chang W. Lee/The New York Times

It began with the trip to New York: a slightly whimsical, spur-of-the-moment trip to see Impressionism, Fashion and Modernity before it closed, and everything else I could manage, including lunch on the roof. (It is weird to see children, babies, sitting, sobbing, on Imran Qureshi’s bloody chrysanthemum painting. The work itself is beautiful, though a reviewer asked if it is out of place. If you have ever walked past the site of a murder or bar fight and seen the stained pavement, this piece might creep you out. And once upon a time in Providence, I saw the blood-stained pavement near the bus stop whilst taking my dog to a vet…)

So, trip: all good, hop on the 6:42 Acela and get into Penn at 9:42, up to the Met by 10. That leaves all day for exploring, until about 4:15, when I had to beat it for the M1 back to Penn. One unfortunate act of vandalism of a Beaux-Arts railroad station later, we’re chugging along on the 5:43 Regional back up to Providence. We’re not even to New Rochelle when the train stops…and remains stopped. By 7:11 I’d figured out that there would be no trains up, and had purchased a bus ticket online thanks to my iPad with a rapidly depleting charge. By 8:00, we were back at Penn and I was fast-walking up to 40th Street where I got in line, got the ticket printed, and then trotted downstairs to get into another line: the line of no movement.

Eventually, a bus appeared. And then another bus appeared. The first bus left for a town in Pennsylvania that sounded like “West Coastville” but was probably Coatesville. A third bus appeared: rumor spread that this was the bus from Providence.

“Where have you been?” we interrogated the disembarked. “What took so long?”
“Bumper to bumper traffic,” someone said. And the line of no movement groaned.

No one dared move out of line if they did not have a blood relative to hold their place. Scouts from family groups were sent out to discover which gate had a bus, and intrepid men with girlfriends to hold their place went forth to count the line. I was in the low 40s, thank you, with about 60 people stretching behind my spot. Agitation behind me rose as line-cutting appeared to happen. Scenes from Lord of the Flies came to mind as I heard a mild wheeze from a fellow-stander. Cell phones began to die.

A typical Green Chariot, in Kennedy Plaza.

But, at last, 75 minutes after the alleged 9:30 PM departure, we were able to board the bus. I found a seat in nearly the last row, but it was a seat. At 10:56, I called home to report that we did in fact have forward movement, and were now leaving the PABT…for a short tour of Harlem. Eventually, we were on the highway (I love the quaintness of the sign for New England) and by 3:15 AM I was home, 22 and a half hours after I’d gotten up to start my day.

Now, just because I wrote the story in this tone doesn’t mean I don’t think that the people injured in MetroNorth accident, and inconvenienced in their commute since Friday, have had a far worse time than I did—I do. I’m both stunned and pleased with how quickly train service has been restored, and I have real sympathy for the anxiety of people who take the train to work every day, thanks to my husband’s daily 100-mile-roundtrip on the MBTA. Which, in a fitting moment of transit ironyy, found him delayed last night behind a broken-down Amtrak train, finally headed south…

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Impressionism, Fashion, and Modernity

21 Tuesday May 2013

Posted by kittycalash in Art Rant, Museums

≈ 1 Comment

Tags

Exhibitions, exhibits, fashion, Impressionism Fashion and Modernity, Metropolitan Museum of Art, Museums, painting

The authentic matters, the real matters. It is different. Great art leaps from the surface of the paper and lives. Photographs may burn into the paper, but in that depth, they, too, live and glow.

Gallery 2: En Plein Air

Gallery 2: En Plein Air

The Met’s installation of Impressionism, Fashion, and Modernity is worth seeing for the coalescence of so many real things in such a [relatively] small space. The monumental paintings, especially Monet’s Luncheon on the Grass in Gallery 2, En Plein Air, need to be seen for real, in the actual matter, to really be appreciated. The brushstrokes, the color, the enormity, all need to be in front of you to be appreciated—to be experienced. It doesn’t work any other way. (Click here for better views of the paintings and costumes; photography was not permitted.)

Gallery 5: The Dictates of Style

Gallery 5: The Dictates of Style

By way of an intimate contrast, consider the portrait of the gown and the gown itself in Gallery 5, The Dictates of Style. Here’s a lesson in the power of art, of paint, and an artist’s vision—and it’s Bartholomé, not Monet or some other genius, though a solid painter all the same.

Behold the cotton dress in conservator-approved lighting and yawn. Well designed, beautifully made, and real, right down to the stain on the upper bodice or collar, a pleat slightly misaligned at the hem. But yawn all the same. Now, the Bartholomé: bam! It’s not about the dress: it’s about light. This contrast is beyond a doubt one of the best lessons I have ever seen on the real nature of painting, and of impressionism: Light.

And if the authentic, the real is important, going to see the real thing is also important.

Here’s the Met’s catalog shot and record for a Degas drawing:

Degas

MMA, 29.100.185

And my iPad photo of the same drawing:

MMA, 29.100.185.

I’m not a wild fan of Degas; I’m more a Joseph Beuys/Caravaggio kind of art lover, but seen in person, this sketch was amazing.

This is an unfair comparison, and I had expected the catalog shot to be in color, because color is so important to this piece. In black and white, you miss the pop of the color contrast between the medium and the paper; you miss the bleed of the oil spot, more subtle in the black and white. You miss the way that image is fast and messy, the simmering tension between the artist and the sitter. Incredible as it seems, there is nothing like the real thing.

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Way Finding & the Social Museum

20 Monday May 2013

Posted by kittycalash in Art Rant, History, Museums

≈ Comments Off on Way Finding & the Social Museum

Tags

Exhibitions, Metropolitan Museum of Art, Museum of Fine Art Boston, Museums

open storage at the Met Museum

Open Storage: Luce Center at the Met

I can’t say this enough: museums are best when they are social experiences. The happiest moment of my day came early, when I was in the Ipswich room of the American wing. Another iPad toting guy and I talked about the lowness of the ceiling, the large fireplace, the bed, and how cozy the room was. (I told him to go to Plimoth if he got a chance.) but it was exciting to talk and share: that’s the best part of discovery, and that’s what museums are about. They’re about finding things, or yourself, or ideas.

The Luce Center was nearly empty of people. A school passed through on their way to someplace else, but I had it pretty much to my self. None of the computers were being used. I saw very few of any screened devices used in the Museum, aside from personal devices.

baby rattle at the Met

Late 17th-early 18th century rattle. Appears to be missing its coral

The Met collection is astounding, no doubt. But I was pleased to see that there are some finer pieces in Rhode Island storerooms and museum rooms. And I think that the way finding could use some real attention. The MFA, last time I was there, had it down: interns, stationed throughout the galleries, to ask if you needed directions whenever you looked lost. NY, not so friendly but maybe more necessary. Also, the galley number for one show I wanted to see was not even included in its web listing. That was a serious annoyance, but I was able to find it eventually.

Replica furniture at the MFA Boston

American Wing at the MFA Boston

The installations are excellent, though standard and in some cases unimaginative. I know: I just dissed the Met. And I’m sticking with that. The exploded chest in the Luce storage wing was one of the best items spotted. I’d say that when it comes to furniture, American furniture, the MFA bests the Mets installation. And I like some other period rooms just as well. Like my own. They just need to be cleaner. What’s wrong with those housemaids? Oh, right. One’s in England, and the other one’s exhausted from her trip back from New York.

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Punk is Dead and Buried at the Met

18 Saturday May 2013

Posted by kittycalash in Art Rant, Clothing, Museums

≈ 5 Comments

Tags

art history, arts, Clothing, couture, Exhibitions, fashion, fine art, Metropolitan Museum of Art, Museums, punk, reviews

So, I went to New York yesterday and spent the day at the Met. It was a good, if epically long, trip. I saw everything my feet could bear. One show I even went through twice, Punk: Chaos to Couture. I was trying to “get” it.

The [In]famous Bathroom

The [In]famous Bathroom

Punk got a lot of hype in the NYer and the NYT but it was the least imaginative installation in the Museum. Oh, so what about the CBGB bathroom! If we had to walk through it to get to the gallery, now that would be something. Instead, the bathroom and the “store” are offset, afterthoughts to the main drag, which is a drag.

Hall of Classics. Worship these Gods of Fashion.

Hall of Classics. Worship these Gods of Fashion.

The galleries main attractions are mannequins lined up as if on a catwalk, above us, so couture, so not punk. Rainbow colored spike wigs do not make Gianni Versace punk. Or, honestly, Vivienne Westwood at this late juncture, let alone Zandra Rhodes. I found the mannequins trite, and the clothing uninspired and only vaguely reminiscent of what I remember of punk.

Naked Raygun at the Metro

As for the store: I never shopped at Clothes for Heroes, or even Trash & Vaudeville (I had to send my Dad for my Johnson’s motorcycle boots) but I did buy Trash & Vaudeville label and band t shirts at Wax Trax, in the back. I wore the zip minis and fishnet stockings (real stockings) and vintage from the AmVets. I made my own tshirts, with spray paint, markers, and my dad’s castoffs. And even in 1980 Chicago, even at The Exit or Lucky Number or the Cubby Bear, I knew I was ersatz. I knew I was not really punk.

Graffiti & Agitpror

Graffiti & Agitpror

The Met show shines with the Alexander McQueen dresses. They are by far the most interesting and best made pieces. They’re clearly genius. Everything else, save for Rei Kawakubo, is merely derivative.

The sections of the show, Hardware, Graffiti & Agitprop, and Destroy, make sense. Yes, safety pins, chains, spikes and belts (hardware) were typical. Slogans and hand-made clothes, also typical, as well as shredded (purposeful or not, often not, but worn), are fitting descriptors or sub-genres of the punk aesthetic. But the clothes displayed disappointed and dismayed, a grand “So what?” And why?

Maybe it’s Andy Warhol, Mr. Anti-Punk in my mind. But I think it is the great postmodernist movement, where by at this point anything once ironic or referential is now merely self-referential. Punk could have a sense of humor. With few exceptions (Kawabuko, mostly) the clothes in this show lack the intelligence for humor, let alone politics.

Am I glad I went? Yes, absolutely. Because now I know there are bigger risks to take installing shows, and I’m ready to think about what they might be. I’d put a couple of those Kawabuko black-sleeve dresses, or McQueen’s black “bubble-wrap” gowns on display with over in Impressionism, Fashion and Modernity, and see what happens. That’s when chaos and couture would really meet.

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On the Rails

17 Friday May 2013

Posted by kittycalash in Museums

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Tags

Travel

20130517-071119.jpg

Headed down to New York today for a day at the museum. Just because I keep track of revenue doesn’t mean I don’t appreciate what that revenue can provide. Looking forward to ideas, and getting a truly worthwhile museum headache.

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