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Kitty Calash

~ Confessions of a Known Bonnet-Wearer

Kitty Calash

Tag Archives: Costume

Better Backstitching

25 Monday Feb 2013

Posted by kittycalash in Clothing, Making Things, Reenacting

≈ 2 Comments

Tags

18th century clothes, Clothing, Costume, overalls, Revolutionary War, sewing, uniforms

Almost ready for fitting!

Practice: that’s the key. That’s the only key. Just keep stitching…and eventually, the stitches will get smaller and you will get faster.

I spent the week transforming last Monday’s stack of pieces into overalls. This sewing business is amazing! Flat pieces turn into something wearable, and it’s all made out of string in various arrangements. (I may need to get out more…)

The pattern from Henry Cooke goes together very nicely. The pockets are a nice element, and their installation is simpler (I’d call it elegant) than other breeches or trouser pockets I’ve made thus far (this is pair six of breeches/overalls/trousers, pattern four).

That sounds like a lot, doesn’t it? Here’s the spool of thread I bought 18 months ago on the left, and the new one on the right. Along the way, I’ve also used up several spools of colored linen thread, a couple of silk and a few of cotton. The new spool is 1150 feet of linen thread, which seems like a lot to start with. It goes fast, though. The used-up spools were smaller, but when you aim for 10-12 spi, that’s a lot of stitches. Best not to count.

With the fall dropped, you can see the bearer/waistband connection

Very cleverly done, this pocket-bearer-waistband arrangement. My sewing has improved, and luckily for me, these are heavy plain weave linen (acting as osnaburg, here) rather than heavy drill. Heavy drill kills my hands, but this has been pretty pleasant to stitch thus far. Who’s to say what fresh hell the buttonholes will bring–but that’s another week away, at least.

And then it will start all over again on pair number two…but not before I’ve altered the frock coat and possibly breeches, made a jacket and a hunting shirt, and, I hope, a gown. Six weeks to go!

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Dressing and Undressing in Newport

24 Sunday Feb 2013

Posted by kittycalash in Clothing, History

≈ 3 Comments

Tags

18th century clothes, Clothing, common dress, Costume, history, living history, Research

A lady and her maid

The Ladies, Dressed, in Newport

Last Thursday evening, my friend and I went to the Colony House in Newport  for the “Undressing History: What Women Wore in the 18th Century” program presented by the Newport Historical Society.

There were excellent questions from children (I loved, “What would you wear for pajamas?”) and adults, including:

If you were not a wealthy woman, or you were an enslaved woman, what did you wear on laundry day?

At Sandpit Gate, Paul Sandby, 1765. RCIN 914329

At Sandpit Gate, Paul Sandby, 1765. RCIN 914329

The image that sprang into my mind was Paul Sandby’s women at Sandpit Gate, doing laundry work. They’re wearing their shifts, stays, petticoats, neck handkerchiefs, caps and shoes. (I particularly like the woman working at the tub; you can see the angle of her stays diverging from her spine as she bends forward; it’s a fine little detail and very accurate.)

So women wore one of their shifts, their stays, petticoat(s), stockings and shoes.

And that brings us to the question, How many shifts did they have?

Several months ago I had the luxury of doing some research in the manuscript collections at work, and found MSS 957, the Stafford Family Papers. In those papers there is an undated estate inventory, thought to be from ca. 1780-1799. It’s extensive, and while I have a hand-writen transcription of the whole, I’ll quote the most relevant entry:

5 shifts [illegible]

Yes, five shifts. A woman who owned five slaves had five shifts. They were not for her slaves (though that leads to yet another set of questions about people who were property owning property…and where might that be enumerated?). And if she was laid out in a shift, or wearing one when she died, was it counted, too?

With five shifts, this unidentified woman could have worn each for two days and managed a washing every week–or rather, managed for another day or two or three while her slave women washed, dryed, and ironed her clothing.

In The Dress of the People, Styles points out in Chapter 2 that the largest differences between what the rich and poor wore lay in “numbers, quality and value,” (p. 31) and tables in the back lay out the different number of shifts lost by different women in a fire on an afternoon in May, 1789, in Brandon, Suffolk, England. A blacksmith’s wife lost six shifts, the mantua maker lost one. We can’t know if that emphatically means the mantua maker had but two shifts, or if she saved more than the blacksmith’s wife; one servant lost seven shifts! What we can tell is that women had more than one shift.

We can’t take one undated inventory as typical of 18th century clothing inventories in Rhode Island, (more research lies ahead of me) but counting shifts would be an interesting exercise. Based on my own experience, I can verify that one wants more than one shift. I think it likely that inventories will turn up multiple shifts for women, and shirts for men, no matter where we look, and that this will probably hold true even for slaves. Styles reminds us that the differences are not just numbers, but quality and value.

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Curtains for Gowns as Menswear Beckons

18 Monday Feb 2013

Posted by kittycalash in Clothing, Making Things

≈ 2 Comments

Tags

18th century clothes, Clothing, Costume, curtain-a-long, fashion, sewing, weekend

Curtain Along Gown…so close!

Or perhaps bellows, considering it’s soldiers’ clothes I’ll be sewing for a while.  I made significant progress on the Curtain Along gown since last weekend, when it was a mere bodice. It’s meant to be worn with the fluffy Ikea curtain petticoat for maximum “I’m not a window, but I dress like one” effect.  There’s a set on Flickr to show you the pitfalls of 18th century sleevils on Cassandra (without a scapula, poor thing, she can’t really fill a sleeve).

1795-1800, V&A

1795-1800, V&A

It’s based on the chintz gown from the V&A seen here before. For a pattern, I used the Past Patterns Front Closing Gown because I know how it fits. The waistline has been dropped on the bodice just as I did on the wool version I made, to suit my age. There’s more to do than the hem; I plan to add a thin band at the bottom edge of the bodice to carry the drawstring and drop the waist in front just a bit. I think it will fit better, and hide the petticoat’s waistband.

It won’t be done today, but I think I have made enough progress for something I won’t need until the end of May. It’s time now to switch to menswear. We have an overall appointment this afternoon, which could diverge into fitting coats. I’ll be seated at the feet of a master, and for that I am grateful. Scheming about how to get a wool gown down by April while basting and stitching and buttonholing, but grateful nonetheless.

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HSF # 3: Under it All: A shift, and a petticoat

11 Monday Feb 2013

Posted by kittycalash in Clothing, Historical Sew Fortnightly, Living History, Making Things

≈ 10 Comments

Tags

18th century clothes, Clothing, Costume, fashion, Making Things, sewing, weather, weekend

Done at last: the shift. Plus bonus bonnet

Remember that shift I couldn’t finish in time for HSF # 2, UFO? I did get it finished for HSF # 3, and a bonus petticoat as well. They don’t go together, but in honor of the excessive amount of snow we got this weekend, they’re both white. The snow is also how they got done: nothing like snow days and travel bans to keep one home and sewing.

How ‘Bout Them Facts?

Fabric:

  • For the shift, lightweight linen, probably this one.
  • For the petticoat, one of a pair of Ikea curtains found on sale one day. The light-weight cotton appealed to me and suggested filmy late 18th century petticoat better than anything I had seen at a fabric store.

The petticoat, over another petticoat. It’s that sheer.

Back view (again with cat bowl)

Pattern:

Shift:

  • Kannik’s Korner Woman’s shift, 1750-1800 with some amendments. If you haven’t already, read Sharon Burnston on shifts before you make another one.
  • Petticoat: None, draped & patterned myself based on the late 18th/early 19th century riding skirt in Janet Arnold.

Year:

  • Shift: 1775-1783
  • Petticoat: 1795-1800

Notions: Both: Just thread. And some left over white cotton twill tape.

How historically accurate is it?

The shift is pretty close. The fabric is, well, not the linen they had, but it’s as fine as I could afford. It is entirely hand-sewn, and the sleeves have bands and tie closed.

The petticoat is also hand sewn, and uses a historic garment for a basis. (I also looked at bodiced petticoats at the Met.) However, it is made from a curtain and while I unpicked all the seams, the machine stitching holes remain. It gets the job done that I wanted it to do, though: fluffy white stuff.

Hours to complete:

Shift: Killer. Started it last August and have worked on it off and on since then. It went to so many events in the basket that it smelled like woodsmoke. Intensively completing it probably took 24 -30 hours, so it could be a 40+ hour shift. After a while I stop paying attention.

Petticoat: Like candy. Started it Saturday morning, finished it Sunday afternoon. Best guess, about 10 hours.

First worn:

Shift, probably April 13.

Petticoat? Probably Dress U.

Total cost:

No good way to know…the fabric was bought so long ago! The petticoat curtains, when not on sale, are $20, so $10, because I only used one. For the shift, it’s harder to say. I piece aggressively when cutting out, so I bought less than the pattern recommends. Remnants were used for the petticoat bodice and various linings, including the Curtain-Along robe currently underway.

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Shameful and Shifty: HSF #2,UFO

06 Wednesday Feb 2013

Posted by kittycalash in Historical Sew Fortnightly, Making Things

≈ 2 Comments

Tags

Clothing, Costume, Historical Sew Fortnightly, sewing, work

Chaos on deck, assistant elsewhere

Chaos on deck, assistant elsewhere

It’s not done, it’s as simple as that. I had a shift in hand for HSF #2: UFO. Along the way, I made significant progress: side seams sewn up, sleeve seams sewn up, and all of them flat-felled, until, at last: One sleeve band and a hem stood between me and completion. Whatever week that was, on that Sunday evening, reader, I slept. Work does that to me.

Dining/sewing/library room with "assistant"

Assistant has been howling more of late

Luckily, I can kick it forward to HSF#3, Under it All, because that petticoat isn’t cutting itself out. It’s not its fault: there’s homework piled on top of the table, a bill from the dentist, and other assorted bonnet-related chaos. All day long the linen and cotton listen to my howling assistant, then the Young Mr comes home and coughs, and what’s yardage to do? Drape over a chair, flat-out, folded, and exhausted.

It’s not history until it hurts, and I can assure you that from how my colleagues and I feel, our Library is chock-full of history goodness (along with 18,240 moved books and a great deal of newly assembled Ikea furniture).

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