• Home
  • Shop
  • Completed Costumes/Impressions
  • Emma and Her Dresses
  • Patterns & Kits
  • Free Patterns and Instructions

Kitty Calash

~ Confessions of a Known Bonnet-Wearer

Kitty Calash

Tag Archives: tailoring

Reflecting Fashion

21 Thursday Jan 2016

Posted by kittycalash in Clothing, History, Museums, Research

≈ 1 Comment

Tags

fashion plates, Federal style, frock coats, menswear, miniatures, portraits, tailoring

Whilst serving as the commandant for a research-paper writing prison*, I spent some time perusing the Met’s digital collections, in particular the Costume Institute’s collection of Men’s Fashion Plates, because, you know, stuff.

Men's Wear 1790-1829, Plate 002, 1807. Gift of Woodman Thompson Costume Institute Fashion Plates Metropolitan Museum of Art
Men’s Wear 1790-1829, Plate 002, 1807. Gift of Woodman Thompson Costume Institute Fashion Plates Metropolitan Museum of Art
John Myers. Oil on canvas by Thomas Sully, 1814. MFA Boston 45.894 Gift of Maxim Karolik for the M. and M. Karolik Collection of American Paintings, 1815–1865
John Myers. Oil on canvas by Thomas Sully, 1814. MFA Boston 45.894 Gift of Maxim Karolik for the M. and M. Karolik Collection of American Paintings, 1815–1865

I stopped at Plate 002, because I knew I’d seen that coat somewhere before. Why, yes: at the MFA in the Art of the Americas Wing, where I recently spent a pleasant afternoon with the Drunk Tailor. After some initial joy at discovering dust on a teapot, we got down to the business of setting off proximity alarms, reading labels, and contemplating  the occasional neck stock.

Mr Myers stopped me, though: what a handsome coat. High shoulder seams, long cuffs, buttoned all the way up. Nifty high-waisted grey trousers, too, and what seems to be a yellow waist coat. The portrait is dated 1814, and the fashion plate 1807.

Detail, 1807 fashion plate

Detail, 1807 fashion plate

Hmmmm…

Men's Wear 1790-1829, Plate 005, 1807. Gift of Woodman Thompson, Metropolitan Museum of Art

Men’s Wear 1790-1829, Plate 005, 1807. Gift of Woodman Thompson, Metropolitan Museum of Art

The brown M-notch collar coat is clearly a thing in 1807. It’s popular in 1802. So popular. 1802 on the left. On the right, 1812.

Portrait of a Gentleman of the Society of the Cincinnati. Miniature by James Peale, American, 1802. Philadelphia Museum of Art, 2000-137-11
Portrait of a Gentleman of the Society of the Cincinnati. Miniature by James Peale, American, 1802. Philadelphia Museum of Art, 2000-137-11
Portrait of a Young Man by James Peale, 1812. Philadelphia Museum of Art, 1944-47-1
Portrait of a Young Man by James Peale, 1812. Philadelphia Museum of Art, 1944-47-1

 

And our friend Sully paints one in 1814.

After seeing Copley and other early American painters use English prints as references for portraiture, I wondered if Sully was at all influenced by fashion plates, and then to what degree American men and their tailors were influenced by published fashion plates.

Portrait of the Artist. Thomas Sully, 1821. Metropolitan Museum of Art, 94.23.3

Brown coats are clearly classic: Sully’s got one himself in 1821. I’m sure there’s a dissertation out there somewhere on the influence of fashion plates on American men’s  fashion and representation in portraiture–  I can almost remember stumbling across the reference. So that echoes and re-echoes and reflects through time even as I recall not just the the folk wisdom about brown suits, but the significance of well-tailored suit. Maybe from 1802-1821, brown is the new black.

 

 

 

*Ah, teenagers. The Young Mr failed to complete a paper by the due date, so I spent some quality time ensuring he got back on track.

Share this:

  • Facebook
  • Pinterest
  • Email
  • Twitter

Like this:

Like Loading...

Proper Sewing for Proper Garments

20 Saturday Jun 2015

Posted by kittycalash in Clothing, Making Things, Research

≈ 4 Comments

Tags

advice, Clothing, menswear, sewing, tailoring, technique, thimble

Synchronized sewing

Synchronized sewing

Tailoring: It’s the thing, right? A well-cut, well-fitted, and well-crafted garment fits like no other. Why do you think I prefer my historical clothes? They’re fitted to me, so they feel right.

There are lots of resources, if you’re willing to dig a bit. Last year, thanks to Mr Cooke, I brought you The Taylors’ Instructor. Good stuff, right?

But wait: there’s more. So much more. Not just the V&A Tailoring Reading List. Actual media. You can watch tailors using thimbles properly, and pad stitching with grace and ease. Prepare yourself for the bona fide English accent as Rory (winner of the 2009 Golden Shears Award) Duffy teaches you a thing or two in these videos.

Just want to know about thimbles? Here’s Savile Road Training to teach you technique.

Share this:

  • Facebook
  • Pinterest
  • Email
  • Twitter

Like this:

Like Loading...

Good Enough Coat

05 Monday Jan 2015

Posted by kittycalash in Clothing, Events, Living History, Making Things, Research

≈ 3 Comments

Tags

1820s, 19th century clothing, fashion, fashion plates, Federal style, greatcoat, sewing, sewing project, style, tailoring, winter, winter coat

The great coat is nice, but how ’bout them gaiters?

Winter is firmly here, with the snow, fog and ice that marks the season in the Ocean State. It’s not fun weather for living in the past, though there’s not a lot of that happening right now. Even so, there’s a February program on the horizon and what better excuse for fastening on a garment and making it?

Even if I’ll likely spend the day in a kitchen interpreting life below stairs in 1820 (while the light infantry occupies my living room and denudes my kitchen), an early 19th century event on a winter weekend seemed a worthwhile excuse for making a greatcoat, and, eventually, gaiters.

IMG_2733

With no pattern, and only 2 and 3/4 yards of thick, soft, grey double faced wool*,  I’m adapting my standard Spencer pattern. I didn’t upsize this too much, because women didn’t have frock coats and waistcoats to wear under their greatcoats or Carrick [carriage?] coats or Reding cotes. (I’m too engrossed with sewing to parse garment names.) The skirts will be attached at the waist, with a belt to hide the seam. At my height, cutting a back in one piece takes yardage I do not possess. Happily, the Taylor’s Instructor describes Redingcoats or Habits for women with attached skirts.

It's a new collar shape.
It’s a new collar shape.
IMG_2732

The collar shape diverges from my usual 1790s collar, and is based on another fashion plate, this time from 1815. The program I’ll be doing with Sew 18th Century is set in 1820. As a maid, I think an 1815 coat is pushing it a bit, since red wool cloaks hold up well, but I’ll take any excuse for some tailoring, I suppose.

1815, with a round collar that can stand up.

I plan to use this button arrangement, too, stylish as it is in not-quite-double breasted. Bring on the button-making– we all have to go death’s head sometime, and this wool is too thick for covered buttons without much heartbreak.

IMG_2735
IMG_2736

The lower front pins are there from the moment when I realized the front was hanging strangely — because I had neither marked nor sewn the bust darts. That oversight, and the pain in my ear, do suggest that the delightful cold I’ve had for weeks may be affecting me more than I think– but that’s just another argument in favor of a cozy wool coat.

IMG_2737

The sleeve pattern (again, not upsized) is once again the old standby two-piece sleeve from Henry Cooke’s 1770s unlined man’s frock coat, so of course it fits well.

I’m hoping to stitch up the sleeves this evening, and set them later this week. I’m still pondering lining materials– there’s just enough silk “persian” to do the body and sleeves–but I have some twilled wool that would increase the warmth and still provide some ‘slip’ in the sleeves.

And those blue gaiters? They’ll come in time, from the scraps of blue wool a friend is making his first ditto suit from. I’ll spot him some remnant table chintz for a summer waistcoat, and expect greater sartorial splendor will grace the spitting stamp inspector in Newport this August in exchange for my blue wool ankles.

*Holy burned hair smell, Batman! Mr Cooke’s right when he says this almost feels like foam, but put a flame to it, and you might as well be smoking sheep.

Share this:

  • Facebook
  • Pinterest
  • Email
  • Twitter

Like this:

Like Loading...

Kitty Calash FB

Kitty Calash FB

Kitty Calash on IGram

Prototyping. #bonnets #millinery #milliner #fashionplates #19thcenturyfashion #1800

The Etsy Shop!

Kitty Calash Swag on Teespring

Archives

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 1,927 other followers

Blogroll

  • A Most Beguiling Accomplishment
  • Afroculinaria: Michael Twitty
  • British Tars
  • Clothing the Carolinas
  • Drunk Tailor
  • History Research Shenanigans
  • Kleidung um 1800
  • New Vintage Lady
  • Not Your Momma's History
  • Our Girl History
  • Picking for Pleasure
  • Places in Time
  • Ran Away From the Subscriber
  • Slave Rebellion Reenactment
  • The Hidden Wardrobe
  • The Quintessential Clothes Pen
  • Worn Through

Etsy Shop

  • Kitty Calash on Etsy

Resources

  • Casey Fashion Plate Collection, LAPL

Sutlers

  • Burnley & Trowbridge
  • Wm Booth, Draper
wordpress statistics

Creative Commons License
Kitty Calash blog by Kirsten Hammerstrom is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

A WordPress.com Website.

  • Follow Following
    • Kitty Calash
    • Join 1,927 other followers
    • Already have a WordPress.com account? Log in now.
    • Kitty Calash
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...
 

    %d bloggers like this: