, , , , , , , , , , , , ,

Some gentlemen I know should consider what they might want to do to avoid (or alternately, encourage) having this coat made for them. It’s really a lovely thing, found as the best things are, while looking for something else.

It reminded me, too, of the textile sample book at the Met, currently on display in the Interwoven Globe exhibition. (No, I haven’t seen it; I’m going to try, but…).

Wm Booth has a new linen coming in the winter, and as the men in my house have outgrown or outworn their shirts, I am thinking of making new check shirts. I did finish a white shirt at Fort Lee, which will go to the Young Mr (his small clothes being now his too-small clothes). I will have to make Mr S a white shirt for best wear, but they could each use a second working shirt. At least with checks you get “cut here” and “sew here” lines.

Last week, I found a weavers’ book in the Arkwright Company Records (Box 1, Folder 1, 1815). It’s a slim, blue paper-covered volume with small samplers glued in to the pages, and full of checks and stripes. Blue and white, red and blue, checks and stripes were prevalent in the late 18th and early 19th centuries. The more I look at extant garments, sample books, and ads, the more I think the streets must have been a vibrant, if grimy, visual riot.