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~ Confessions of a Known Bonnet-Wearer

Kitty Calash

Category Archives: Research

The Drowsy Dame

14 Tuesday May 2013

Posted by kittycalash in Clothing, History, Research

≈ 2 Comments

Tags

18th century, history, knitting, Research, resources

The Drowsy Dame, 1769. LWDL, 769.00.00.11+

The Drowsy Dame, 1769. LWDL, 769.00.00.11+

Like many people, I could sleep better. Lately, the middle-of-the-night waking has been caused by the Young Mr sneaking down the creaking stairs at 2:30, ostensibly to get a drink. Sounded more like a snack to me, but either way, I was awake at in the middle of the night and am yawning this morning.

The 18th century prints are full of domestic details not always found in formal portraits– and certainly this is  an image never to be found in a formal portrait. Prints gave artists a chance to play with light in a different way; lithographs, by their nature, allow this kind of chiaroscuro imagery and informality.

knittingNeedles 1768

On the table next to the “Drowsy Dame” is what really caught my eye: the stocking. This print, from 1769, goes very nicely withWm. and Joseph Russell’s ad in the Providence Gazette and Country Journal, 1768. That ad included knitting needles.

Young Knitter Asleep, Jean-Baptiste Greuze, ca. 1759. Huntington Museum, 78.20.8

Young Knitter Asleep, Jean-Baptiste Greuze, ca. 1759. Huntington Museum, 78.20.8

At this time, needles are slender steel rods, not bamboo or wood or anodized aluminum (or plastic) we use today. Hand knitting is done in the round, as you can see in the hands of this sleepy young knitter. (Is it the repetitive nature of stockings that lulls these knitters to sleep?) For more in historical knitting, there’s Colleen Humphrey’s blog, Mara Riley’s website, as well as English sources. It’s not my thing–I’m able, but like these women, I cannot finish a stocking, though there are plenty of published patterns.

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Chintz? Check!

10 Friday May 2013

Posted by kittycalash in 1763 Project, Clothing, History, Research

≈ 4 Comments

Tags

18th century, 18th century clothes, advertising, fabric, newspapers, Providence, Rhode Island

Les Fleur d' Inde

Les Fleur d’ Inde: delicious!

Because I am prey to a pretty print as much as the next princess costume blogger tenant farmer’s wife, I thought I should go  looking for evidence before I launch into any cotton sacques, and to justify the use of the print remnant I’m stitching up into a jacket. (Apologies in advance to my friend who bought enough for a gown, because you know we’ll wear them to the same event…)

Providence Gazette and Country Journal, March 16, 1765

Providence Gazette and Country Journal, March 16, 1765

American Historical Newspapers to the rescue, once again. Here’s an ad for Alexander Black and Archibald Stewart, from the Providence Gazette and Country Journal of March 16, 1765.  Chintz and calico: it’s here in Providence in 1765. I knew there were merchants selling calicoes and chintzes in Providence in 1768 (including Samuel Young, who printed his broadside in red).

Chintz and chip hatsThree years later, Joseph and Wm. Russell at the sign of the Golden Eagle are selling (lately imported from London and Bristol) “A neat and genteel assortment of dark ground calicoes and chintz.” This ad runs to four columns in the Providence Gazette and Country Journal, 1768, April 9. It’s a tantalizing list, and no, I did not miss those chip hats and bonnets!

forks!

Digression: I was attracted to this bit about forks as I recall being told by a historic house tour guide once that “forks were not in common use until the Civil War.” It’s an early house, maybe he meant the English Civil War, but I think forks were here to stay and be bought for a variety of prices long before the American Civil War. How else to explain those archaeological finds that show forks of some kind at Rev War forts and camp sites? /Digression. New digression: OMG, knitting needles! /New digression.

William Eliot

Back to chintz: Here, in 1771, is William Eliot, selling chintzes in Providence, and advertising in the Providence Gazette and Country Journal of June 1, 1771. He also has “flowered and sprigged lawn in aprons,” and Kenting and check handkerchiefs.  (Kenting was a fine linen fabric)

In the limited search I ran (1754-1783 newspapers), plenty of references to chintz appear in Providence alone (there were 166 hits, but the ads repeat). This completely unscientific approach in which I stopped looking in 1771*, has turned up 5 merchants, if you count the RIHS Library’s broadside for Samuel Young. Chintzes and calicoes were everywhere. Dark grounds were “genteel,” checks and spots and stripes are popular and common.

Paul Sandby, London Cries: Black Heart cherries... ca. 1759. YCBA,  B1975.3.206

Paul Sandby, London Cries: Black Heart cherries… ca. 1759. YCBA, B1975.3.206

I begin to see 18th century Providence, if not all of the Colonies, as a variegated, kaleidoscopic place of pattern and color. I think there was more than we realize, even if only in small amounts.

Look again at the cherry seller: her petticoat is yellow and blue, if not yellow, blue, and white striped,  her apron is blue, her stockings brown or faded reddish, her cap is affixed with a pink or red ribbon, and she wears a checked kerchief. She’s poor and sort of faded, but she’s colorful–more colorful, perhaps, than we have credited.

*I do have to head out to work, but I can search again.

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Sampler Resources

08 Wednesday May 2013

Posted by kittycalash in History, Research

≈ 2 Comments

Tags

18th century, auctions, embroidery, Museums, Research, resources, Rhode Island, Sampler Archive Project, Sampler Consortium, samplers, Sotheby's

Sew 18th Century had a fun post recently about “Which State House is it?”

Sotheby's Sale N08832, Lot 563: The Sarah Waterman sampler

Sotheby’s Sale N08832, Lot 563: The Sarah Waterman sampler

I’m not usually a sampler fan (you know this is not an area in which I shine), but I have learned a lot more about samplers through work than I ever expected to. And what do you know? Some of it stuck!

I thought I would pass along some helpful resources for sampler fans. Last year, one of the (if not THE) premier sampler collections was sold at auction by Sotheby’s. Through the magic of the interwebs, you can see the catalog online:

Important American Schoolgirl Embroideries: The Landmark Collection of Betty Ring 

Even I say “Yum!” to all those pictures. I like color and texture, but sometimes samplers make me feel like all the air has been sucked out of the room. Walker Evans has the same effect. But when you look at them like this–or arrayed on a worktable–they turn into pictures, and those I enjoy. You page through the catalog and see what Betty Ring had, and whimper a little about these going in to private and not public hands. I know we whimpered…how I covet a green-background sampler!

But wait–there’s more! Be sure to check out  American Needlework Treasures, and Girlhood Embroidery Volumes I & Volume II which are available as full-text PDFs with images. In Girlhood Embroidery, you can read more about the Mary Balch School.

If you like samplers, and want to learn more or support sampler work, visit The Sampler Consortium website. You can become a lifetime member free of charge, and enjoy email updates with sampler news. The Consortium is connected to The Sampler Archive Project, which is funded by the NEH. We’re pleased to be part of the SAP’s first phase, and I am pleased to have learned so much just by cataloging.

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