• Home
  • Shop
  • Completed Costumes/Impressions
  • Emma and Her Dresses
  • Patterns & Kits
  • Free Patterns and Instructions

Kitty Calash

~ Confessions of a Known Bonnet-Wearer

Kitty Calash

Tag Archives: embroidery

Washington Memorialized

14 Saturday Dec 2013

Posted by kittycalash in History, Museums

≈ 1 Comment

Tags

commemoration, embroidery, George Washington, memorials, samplers

An Indian Mourning Washington, Chinese School ca. 1799. American Museum in Britain, 58.124

Today marks the 214th anniversary of the death of George Washington, memorialized here in a Chinese reverse-on-glass painting. I suspect that the figure of the Indian personifies the North American continent rather than the actual tribes, given Washington’s role in the French and Indian war, but that’s only a guess.

Lucy Child, 1800. RIHS Museum Collection, 1922.4.1

Washington was memorialized in Rhode Island as he was everywhere else, with eulogies and speeches, and letter of condolence to his widow, who wrote back to four young ladies of Providence, enclosing a lock of hair.

Memorial samplers and embroidered pictures were popular projects for girls and young women in 1799, and the RIHS Collection holds a [sadly worn] tribute to Washington.

Fortunately, the National Society of Colonial Dames of America holds a sampler with the same text, made in 1803.

Columbia’s fair daughters forever shall / mourn While genius stands weeping at / Washington’s Urn. Let hope still support / you Fair daughters arise. In faith that your / Washington’s soard to the skies. Where / still as your guardian he’ll ever preside. / To virtue and goodness the Polestar and / guide.

They just don’t write poetry quite like that anymore.

Share this:

  • Facebook
  • Pinterest
  • Email
  • Twitter

Like this:

Like Loading...

Missing the ‘maid’?

17 Tuesday Sep 2013

Posted by kittycalash in Events, History, Living History, Museums, Research

≈ 3 Comments

Tags

18th century, embroidery, John Brown, John Brown House Museum, Rhode Island, Ruth Smith, Sarah Brown, servant girls, servants, widows

Ruth’s seat is for a side chair. But there’s value in them thar seats. MMA 50.228.3

Sarah Brown had a sister, Ruth Smith. Ruth was good with a needle, and there is an extant chair seat made by Ruth. I’d always thought, in a fuzzy, not-thinking-too-hard kind of way, that Ruth had made the chair seat for her sister and brother-in-law because they were family, and how else would a lady spend her time but with her needle?

My thinking sharpened radically late last week when a colleague said, “Didn’t Ruth make shirts for John and James [Brown]?”

Yes, she did. In Ruth Smith’s 1785 daybook there are two entries, though the pages are lined for more.

The first records 5 shirts made for John Brown February; against this, in March, Ruth received a pair of shoes, and a pound of Hyson tea.

In April, she made 4 shirts for John Brown’s son, James; in May, she received 9 yards of lutestring from James.

The values didn’t seem to quite line up, so I’ll have to pull the day book again, but what seemed most important was Ruth’s trading shirts for shoes, silk, and tea. In “Dress of the People,” John Styles writes about servants drawing goods from merchants on their masters’ credit; did this transactional relationship allow Ruth wider access to the world of goods than her means might otherwise allow?

Shirt, ca. 1780. MMA 2009.300.62

And if Ruth makes shirts for John and James, are there other, less-well-off relations doing other work for the Browns? There are records of servants or slaves of African descent working in the house on Power Street, but we can only find evidence of three, one dedicated to the horses. That’s not nearly enough people to run a house with a dozen fireplaces and a kitchen, and six or seven occupants. It seems unfathomable that the Browns tended their fireplaces, hauled their water and cooked all their food themselves. John Brown writes to a daughter of “your Marr baking pies,” but it seems radically unlikely that Mrs John Brown, wife of the wealthiest man in Providence, would handle the heavy round of chores required to keep a household and its visitors fed, clothed, cleaned, and entertained.

Direct it, yes. Do it all herself, no.

Could we be missing the maids? Could we be overlooking evidence of work being done by extended family members “visiting” or “come to stay?” Could the poor and widowed and never married women of the Brown and Smith families be the people we should be looking for along with the servants or slaves of African descent? (By 1790 and later, it is not clear if the Browns’ slaves are working in the Power Street house, or if they are at the farm at Spring Green or Bristol, Rhode Island. Many records remain in private hands and others remain badly processed and arranged. I have referred herein to collections publicly held and well-processed.)

What this means, as always, is more research and more looking. It also means that the relationships between Mrs Brown and her ‘maids’ might be more complicated and more interesting. She knows these women, and their families, and how they fit into her world and her family. Could one be a distant cousin, a daughter of a mother no longer living, whose father is abroad, perhaps on a boat owned by John Brown or his companies? Might a young, unmarried woman in her twenties exchange work for room and board and credit with Brown & Francis? Perhaps.

Mourning Embroidery by Ann Barton, 1800. RIHS 1840.1.14

Mourning Embroidery by Ann Barton, 1800. RIHS 1840.1.14

That takes care of one or two of us–I’m looking for a widowed niece, with a son gone to  sea on a Brown ship to India. Mr S will have to tell me which battle he wants to widow me in, as he has rejected “lost at sea” and “frozen to death on the Oswego expedition” as possibilities. Actually, at my advanced age, I might have been widowed twice already. You’d think I would have done better with it.

Share this:

  • Facebook
  • Pinterest
  • Email
  • Twitter

Like this:

Like Loading...

Sampler Resources

08 Wednesday May 2013

Posted by kittycalash in History, Research

≈ 2 Comments

Tags

18th century, auctions, embroidery, Museums, Research, resources, Rhode Island, Sampler Archive Project, Sampler Consortium, samplers, Sotheby's

Sew 18th Century had a fun post recently about “Which State House is it?”

Sotheby's Sale N08832, Lot 563: The Sarah Waterman sampler

Sotheby’s Sale N08832, Lot 563: The Sarah Waterman sampler

I’m not usually a sampler fan (you know this is not an area in which I shine), but I have learned a lot more about samplers through work than I ever expected to. And what do you know? Some of it stuck!

I thought I would pass along some helpful resources for sampler fans. Last year, one of the (if not THE) premier sampler collections was sold at auction by Sotheby’s. Through the magic of the interwebs, you can see the catalog online:

Important American Schoolgirl Embroideries: The Landmark Collection of Betty Ring 

Even I say “Yum!” to all those pictures. I like color and texture, but sometimes samplers make me feel like all the air has been sucked out of the room. Walker Evans has the same effect. But when you look at them like this–or arrayed on a worktable–they turn into pictures, and those I enjoy. You page through the catalog and see what Betty Ring had, and whimper a little about these going in to private and not public hands. I know we whimpered…how I covet a green-background sampler!

But wait–there’s more! Be sure to check out  American Needlework Treasures, and Girlhood Embroidery Volumes I & Volume II which are available as full-text PDFs with images. In Girlhood Embroidery, you can read more about the Mary Balch School.

If you like samplers, and want to learn more or support sampler work, visit The Sampler Consortium website. You can become a lifetime member free of charge, and enjoy email updates with sampler news. The Consortium is connected to The Sampler Archive Project, which is funded by the NEH. We’re pleased to be part of the SAP’s first phase, and I am pleased to have learned so much just by cataloging.

Share this:

  • Facebook
  • Pinterest
  • Email
  • Twitter

Like this:

Like Loading...

Details. All in the Details.

04 Saturday May 2013

Posted by kittycalash in Clothing, History, Living History, Making Things, Museums

≈ 4 Comments

Tags

18th century, authenticity, embroidery, muse, pockets, Research, Rhode Island, sewing project

Detail, pair of pockets. Gallery of Costume, Platt Hall, Manchester City Galleries. MCAG.1922.2150

This image is from the fantastic VADS site‘s  gallery of pockets. I need new pockets, or a pocket update and overhaul, so I went looking for inspiration.

Child's Pocket, 1720-1760. RIHS 1985.1.9.

Child’s Pocket, 1720-1760. RIHS 1985.1.9.

This is a dangerous path to go down if you are as unskilled with a crewel needle as I am.

Sew18thCentury can do it– so, sew, lovely. Me…well, everything I knew about embroidery I learned as a child, and promptly forgot with puberty. So my skills remain appropriate for reproducing this, from a Rhode Island collection. The pocket is child-sized, at 14 inches, and the embroidery has a crabbed, angry look, as if the girl would much rather have been outside, chasing her dog or brother.  I can relate, at least to the dog part.

My copy, on the clearance-bin frame.

My copy, on the clearance-bin frame.

I  made a pattern of the embroidery, traced it onto linen, and started working on dredging up those long-forgotten skills. As a child, I had a sewing or embroidery book, but what I remember most about the projects I made was how far their finished form was from what I had envisioned.

Jane, and the Oldest Inhabitant

Jane, and the Oldest Inhabitant

This is not an uncommon experience for children; my son has certainly experienced this, and even adults are subject to it. I think the best rendition of it, sewing-wise, is Eleanor Estes’ portrayal in The Middle Moffat of Jane Moffat attempting to make a “brocated bag” for Mama’s Christmas present.

The image of Jane sewing or crocheting under a tree while talking to Cranbury’s Oldest Inhabitant, a Civil War veteran, sums up every reenactment I’ve ever been part of… but I digress.

DSC_0283

A detail. Sigh. I know, practice, but…

My embroidery stitches lack a lot, but most of what they lack is practice–and that’s what makes reproducing that RIHS pocket a perfect project for me. Pockets were “sampler” projects, and suitable for girls to learn on. This combines plain sewing with embroidery, and ends up as something useful and authentic, so what more can I ask?

Pocket, single, embroidered. Snowshill Costume Collection, National Trust (UK). mid 1700s. SNO1452

Pocket, single, embroidered. Snowshill Costume Collection, National Trust (UK). mid 1700s. SNO1452

The VADS site has tons of images to inspire me, and with practice, someday I could manage something as beautiful as this. I need only make sure that it fits my time period and station–and for some events it will, but for most, the plain pocket or the crabbed-stitch embroidered pocket, are probably far more appropriate.

Share this:

  • Facebook
  • Pinterest
  • Email
  • Twitter

Like this:

Like Loading...

Kitty Calash FB

Kitty Calash FB

Kitty Calash on IGram

Prototyping. #bonnets #millinery #milliner #fashionplates #19thcenturyfashion #1800

The Etsy Shop!

Kitty Calash Swag on Teespring

Archives

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 1,928 other followers

Blogroll

  • A Most Beguiling Accomplishment
  • Afroculinaria: Michael Twitty
  • British Tars
  • Clothing the Carolinas
  • Drunk Tailor
  • History Research Shenanigans
  • Kleidung um 1800
  • New Vintage Lady
  • Not Your Momma's History
  • Our Girl History
  • Picking for Pleasure
  • Places in Time
  • Ran Away From the Subscriber
  • Slave Rebellion Reenactment
  • The Hidden Wardrobe
  • The Quintessential Clothes Pen
  • Worn Through

Etsy Shop

  • Kitty Calash on Etsy

Resources

  • Casey Fashion Plate Collection, LAPL

Sutlers

  • Burnley & Trowbridge
  • Wm Booth, Draper
wordpress statistics

Creative Commons License
Kitty Calash blog by Kirsten Hammerstrom is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

A WordPress.com Website.

  • Follow Following
    • Kitty Calash
    • Join 1,928 other followers
    • Already have a WordPress.com account? Log in now.
    • Kitty Calash
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...
 

    %d bloggers like this: