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Kitty Calash

~ Confessions of a Known Bonnet-Wearer

Kitty Calash

Tag Archives: Clothing

Short Gown Alert! Griselle en négligé du matin

13 Wednesday Mar 2013

Posted by kittycalash in Clothing, History, Living History

≈ 10 Comments

Tags

18th century clothes, Clothing, common dress, fashion plates, Historical Sew Fortnightly, resources

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Griselle en négligé du matin, faisant sa provision au Marché des Quinze-vingts

Griselle en négligé du matin, faisant sa provision au Marché des Quinze-vingts

Very roughly, Griselle, in morning undress, goes to the “Three Hundred” market for provisions.

Said to be on Paris maps of 1760 and 1771, the Quinze-vingts Market was probably razed for the Rue de Rivoli. Interestingly, the major ophthalmic hospital in Paris is the Three Hundred, and there has been a Three Hundred hospital since 1260. (Sorry, Mr S: even in history, there is no escaping hospitals or eyeballs.) The neighborhood takes its name from the hospital, so Griselle is headed to her neighborhood market. You wouldn’t go far from home in négligé du matin.

Let’s look at what she’s wearing: It’s the reenactor’s frenemy, the short gown. Griselle here is post-1789, check the raised waist line and the non-cone bosom shape. Is it 1790, 1792ish? Probably in that range. If you don’t want to wing a version of this based on illustrations and Costume Close Up, you can get a pattern for a similar garment. It was workshop tested; my version is here.

What I like are the basic details: turban scarf, kerchief, simple short gown, striped petticoat, clocked stockings, slippers, just a bundle for the market.

The simplicity is key here, also tiny details. Look at the end of her sleeve: buttons. This is fantastic news for those of us who need to get our enormous hands through slender 18th-century sleeves. It’s taking a lot of will power not to head down to the stash and start on a mock up of this short gown right this minute…

The silhouette matches the pouter-pigeon, full-bust look of more formal wear of ca. 1792, so I don’t think she’s gone stay-less. The striped petticoat could be cotton or linen; Wm Booth had some variegated stripe linen that could work for a version of this. Are we seeing her shift, or another petticoat under the stripes? It’s so similar in length, and her shape so full, that I think it is second petticoat and not shift.

The stockings and what I will call their clocks, but look like decorative gussets, that coordinate with the slippers, are a nice touch. Visible beneath this shorter hem, they provide another bit of color and decorative accent to this plain look.

If I didn’t have those guys to sew for, this is what I would have chosen for Peasants and Pioneers. Not that I don’t love my boys…but menswear is time consuming.

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What’s in your pocket?

01 Friday Mar 2013

Posted by kittycalash in Clothing, Historical Sew Fortnightly, Making Things

≈ 5 Comments

Tags

18th century, 18th century clothes, chamois, Clothing, common dress, living history, Making Things, menswear, pockets, sewing

A typical rough linen lining

My son’s pockets used to be full of acorns: he collected them at the bus stop, but I don’t know if it was because he planned to feed the squirrels, or if he thought he was a squirrel. Later, he moved on to rocks. Now, rocks, fish hooks, a pocket knife, change and a hankie fill the pockets of his 18th century breeches.

We’ve had some moments of unhappiness when things have gone missing from the pockets, though we’ve usually found them again. When you look at the contents list, you wonder how the linen stands up as well as it does.

There’s a clever way to upgrade pocket bags in menswear, and it’s authentic: leather bags, instead of linen. Original garments have leather bags, probably deerskin, and they’re deliciously soft and very durable. Stuff all the heavy, sharp things you want to in that pocket, and it will probably take it.

1895.4.3A-C

1895.4.3A-C

Based on a suit in the RIHS Collection, I decided to modify the pocket bags on the Young Mr’s new workman’s jacket-in-progress, which I plan to have finished by March 11 for HSF #5, Peasants and Pioneers.

Made of a heavy, rough-finished brown broadcloth (possibly manufactured in New England), both jacket and breeches pocket bags are made of deerskin.

Pocket bag in progress.

To recreate this, I took a trip to the auto parts store, and purchased a large chamois.  Instead of cutting the bags from linen, I cut them from the chamois and trimmed the seam allowances: chamois won’t ravel, so the seam won’t need to be folded over at the top.

A little fuzzy, but you get the idea

I backstitched the bag seam, and in general, I’m pleased with the way it has turned out. I think I’ll look into additional leather options, but otherwise, it seems like a fairly successful experiment.

The real test, of course, will be user testing. How many sharp, heavy things can the kid load in a pocket before it gives out?

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Better Backstitching

25 Monday Feb 2013

Posted by kittycalash in Clothing, Making Things, Reenacting

≈ 2 Comments

Tags

18th century clothes, Clothing, Costume, overalls, Revolutionary War, sewing, uniforms

Almost ready for fitting!

Practice: that’s the key. That’s the only key. Just keep stitching…and eventually, the stitches will get smaller and you will get faster.

I spent the week transforming last Monday’s stack of pieces into overalls. This sewing business is amazing! Flat pieces turn into something wearable, and it’s all made out of string in various arrangements. (I may need to get out more…)

The pattern from Henry Cooke goes together very nicely. The pockets are a nice element, and their installation is simpler (I’d call it elegant) than other breeches or trouser pockets I’ve made thus far (this is pair six of breeches/overalls/trousers, pattern four).

That sounds like a lot, doesn’t it? Here’s the spool of thread I bought 18 months ago on the left, and the new one on the right. Along the way, I’ve also used up several spools of colored linen thread, a couple of silk and a few of cotton. The new spool is 1150 feet of linen thread, which seems like a lot to start with. It goes fast, though. The used-up spools were smaller, but when you aim for 10-12 spi, that’s a lot of stitches. Best not to count.

With the fall dropped, you can see the bearer/waistband connection

Very cleverly done, this pocket-bearer-waistband arrangement. My sewing has improved, and luckily for me, these are heavy plain weave linen (acting as osnaburg, here) rather than heavy drill. Heavy drill kills my hands, but this has been pretty pleasant to stitch thus far. Who’s to say what fresh hell the buttonholes will bring–but that’s another week away, at least.

And then it will start all over again on pair number two…but not before I’ve altered the frock coat and possibly breeches, made a jacket and a hunting shirt, and, I hope, a gown. Six weeks to go!

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Dressing and Undressing in Newport

24 Sunday Feb 2013

Posted by kittycalash in Clothing, History

≈ 3 Comments

Tags

18th century clothes, Clothing, common dress, Costume, history, living history, Research

A lady and her maid

The Ladies, Dressed, in Newport

Last Thursday evening, my friend and I went to the Colony House in Newport  for the “Undressing History: What Women Wore in the 18th Century” program presented by the Newport Historical Society.

There were excellent questions from children (I loved, “What would you wear for pajamas?”) and adults, including:

If you were not a wealthy woman, or you were an enslaved woman, what did you wear on laundry day?

At Sandpit Gate, Paul Sandby, 1765. RCIN 914329

At Sandpit Gate, Paul Sandby, 1765. RCIN 914329

The image that sprang into my mind was Paul Sandby’s women at Sandpit Gate, doing laundry work. They’re wearing their shifts, stays, petticoats, neck handkerchiefs, caps and shoes. (I particularly like the woman working at the tub; you can see the angle of her stays diverging from her spine as she bends forward; it’s a fine little detail and very accurate.)

So women wore one of their shifts, their stays, petticoat(s), stockings and shoes.

And that brings us to the question, How many shifts did they have?

Several months ago I had the luxury of doing some research in the manuscript collections at work, and found MSS 957, the Stafford Family Papers. In those papers there is an undated estate inventory, thought to be from ca. 1780-1799. It’s extensive, and while I have a hand-writen transcription of the whole, I’ll quote the most relevant entry:

5 shifts [illegible]

Yes, five shifts. A woman who owned five slaves had five shifts. They were not for her slaves (though that leads to yet another set of questions about people who were property owning property…and where might that be enumerated?). And if she was laid out in a shift, or wearing one when she died, was it counted, too?

With five shifts, this unidentified woman could have worn each for two days and managed a washing every week–or rather, managed for another day or two or three while her slave women washed, dryed, and ironed her clothing.

In The Dress of the People, Styles points out in Chapter 2 that the largest differences between what the rich and poor wore lay in “numbers, quality and value,” (p. 31) and tables in the back lay out the different number of shifts lost by different women in a fire on an afternoon in May, 1789, in Brandon, Suffolk, England. A blacksmith’s wife lost six shifts, the mantua maker lost one. We can’t know if that emphatically means the mantua maker had but two shifts, or if she saved more than the blacksmith’s wife; one servant lost seven shifts! What we can tell is that women had more than one shift.

We can’t take one undated inventory as typical of 18th century clothing inventories in Rhode Island, (more research lies ahead of me) but counting shifts would be an interesting exercise. Based on my own experience, I can verify that one wants more than one shift. I think it likely that inventories will turn up multiple shifts for women, and shirts for men, no matter where we look, and that this will probably hold true even for slaves. Styles reminds us that the differences are not just numbers, but quality and value.

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Shoe Envy

21 Thursday Feb 2013

Posted by kittycalash in Clothing, Making Things

≈ 3 Comments

Tags

1914-1918, Clothing, Edwardian, Essex Steam Train, fashion, Making Things, Museums, Research, sewing, shoes

Suit, 1914-1918. MMA

Suit, 1914-1918. MMA

Yes, I am as shallow as stereotypes might suggest: I see shoes, I often want shoes. Even my current co-workers know about the red leather Cuban-heeledAdrienne Vittadini pumps I passed up when they were on post-Christmas sale at Marshall Field’s way back in the Dark Ages. They would have gone nicely with this red wool suit from the Met.

There’s a Steam Railway in Essex, CT and when we went on Staff Day, we were told the train car was from 1914, an excellent year for fashion–at least before that August. It seemed like a great plan: make 1914 clothes and ride the train again next fall, possibly carrying vintage luggage or a basket with a delicious picnic. Really, who’s in? Let’s book it!

The World War I era has fascinated me for a long time, from Vera Brittain to Siegfried Sassoon,  from Wobblies (perhaps because I grew up in Chicago) to war memorials, so the Steam Train Outing in Period Dress was particularly tempting, and I started a board for early 20th century costume. Downton Abbey fans will enjoy it, too, and while I tired of Swedish murders and finally caved to Downton’s charms, my film choice for the period is Testament of Youth.

Libby Hall Dog Photo from flickr

When I saw the American Duchess pre-order for Gibson shoes, I was sorely tempted. (They’re quite similar to what the lady on the right is wearing.) Fortunately, I am saved by my pedal extremities, for which my size is not yet available.

But what really holds me back is the thought of sewing the corset. It’s like the hip surgery I don’t want to have: I know how painful it is, and how inescapable. There is no way to properly dress in the past unless you do it from the skin out. But shoes–and those fantastic Edwardian hats–might just get me to make that corset. Shallow, isn’t it?

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