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Kitty Calash

~ Confessions of a Known Bonnet-Wearer

Kitty Calash

Tag Archives: Clothing

Dresses and Evidence

09 Wednesday Jan 2013

Posted by kittycalash in Clothing, Museums

≈ 6 Comments

Tags

18th century, 18th century clothes, Clothing, Costume, dress, fashion plates, resources

Sandby: Sara Hough, YCBA

Here is Sara Hough, Mrs. T. P. Sandby’s Nursery Maid drawn by Paul Sandby ca. 1805, from the Yale Center for British art. She’s rather lovely, and though I’d tend to put her date earlier than 1805 based on the clothing, I don’t know enough (anything) about the Sandbys, and it may be that the dates of Sara’s employment fixed the date of the drawing. But doesn’t that robe and train look distinctly 1790s?

What I like about it is that here is a maid wearing an open robe and train–how impractical, especially in a nursery–so the drawing makes a third kind of evidence in addition to fashion plates and extant examples.

1794, V&A

1794, V&A

1795, MMA

1795, MMA

1794 and 1795 fashion plates from the V&A and the Met show similar robes, though the V&A is described as a walking dress, and the Met’s plate shows evening dress. Extant examples include the Kyoto chintz gown, and this chintz gown at the V&A.

1795-1800, V&A

1795-1800, V&A

1780s, KCI

1780s, KCI

I like how art once again blows up my expectations and makes me think more about the time frame when styles can be worn, and why: maids lag mistresses in style? Comfort and personal taste? or is the assigned date just not right? It’s an evasive “circa,” which can wiggle 5 to 10 years either way, depending on the collection’s standards. The drawing could be 1795, and it’s not later than 1809, when Sandby died.

Aside from the questions and quibbles over the date, the image gives us great information about how to wear an open robe with an apron, how to carry scissors, what watering cans looked like around 1800, the profile of shoes and caps, and how hair might be styled.

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Projects & Supplies

08 Tuesday Jan 2013

Posted by kittycalash in Clothing, Making Things

≈ Comments Off on Projects & Supplies

Tags

18th century, 18th century clothes, Clothing, Costume, fashion, fashion plates, frock coat, sewing, shopping, silk taffeta, supplies, weekend

From the Franklin Mill store

On Saturday, my friend Dana and I went to the Franklin Mill Store in, yes, Franklin, MA. Their 20% off everything sale ends this coming Saturday, when Dana is working and I am taking the Young Mr to an admissions open house at a local school. So off we went, and here’s what I came back with.

From the left:

  • Green English broadcloth for Mr S’s frock coat.
  • Dark blue Italian linen-cotton blend heavy weight plain weave for Mr S’s summer frock coat, to be modeled in part on one at work that a historic costume specialist calls “Joe Providence.”
  • Interfacing for waistcoats and frock coats, already successfully applied to the Young Mr’s new waistcoat collar.
  • Green ribbon for a black taffeta bonnet to be made from the black taffeta seen here, and enough taffeta for a petticoat.
  • Brown wool for buttons. Expect tangling.
Magasin des Modes, June 1787, thanks to Dames a la Mode

Magasin des Modes, June 1787, thanks to Dames a la Mode

The taffeta for the petticoat seems out of character for my linen and wool life, but I have a plan. At the Artee Fabrics store in Pawtucket, I picked up a remnant of green silk taffeta, but not enough for a full dress or gown. There is enough for an open robe, though, and I got an idea watching The Duchess.  One costume is dark redingcote over a rose petticoat: not my colors. But then I found this fashion plate, with green over black, and there you are. Pure costume fantasy, but  fun to make. Or at least fun to think about making–there’s always swearing.

To keep track of these insane plans, I started a projects page to list the schemes and deadlines. We’ll see how it goes.

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HSF #0: Waistcoat, Bloody Waistcoat

02 Wednesday Jan 2013

Posted by kittycalash in Clothing, Historical Sew Fortnightly, Making Things, Reenacting

≈ 6 Comments

Tags

18th century, 18th century clothes, Clothing, common dress, Costume, Historical Sew Fortnightly, living history, Making Things, sewing project, waistcoats

Challenge garment peers from jacket. Calm thyselves, fellow authenticity hounds. New buttons for jacket are on order.

(Actually, the jacket was bloody where I jabbed myself with the needle inserting the sleeve, but that’s fun for another day. And how you know your historical sewing project is complete. I bled for this, man.)

The Challenge: #0, Starting Simple

Fabric: Body: ¾ yard remnant from Wm Booth Draper WWB816 Broadcloth, light brown. Lining: Left over heavy-weight linen. Might also have come from Booth, I forget.

Pattern: Kannik’s Korner Man’s Waistcoats, 1790-1815

Year: Call it 1799. That’s the year where it will be worn.

Notions: 9 brass buttons from Wm Booth Draper

What monkey did those buttonholes?

How historically accurate is it? Well…the pattern has good documentation and the fabric is within reason for the period. The waistcoat is entirely hand-sewn, but the button holes were apparently accomplished by drunken crack-headed monkeys, which is what you get for trying to finish a garment on New Year’s Eve. I was neither drunk, nor on crack, and have no helper monkeys, but all the same…thank god for jackets to hide the sins of my buttonholes.

Best welt I ever made–aside from butting heads with a colleague once.

Hours to complete: Don’t ask. It’s a soul-robbing number. The buttons and buttonholes alone took 1 full and two half Abbot & Costello movies, and two “Monarchy” episodes. Probably 25 hours total (I started in November, but stopped sewing after December 2). Total time may include naps taken when I fell asleep while sewing.

First worn: To be worn by the new owner (Mr S) January 19, at the Winter Frolic.

Total cost: Blood, sweat, tears… sorry, wrong war. Buttonholes bring that out in me.

  • Fabric:  $13.50
  • Lining: Leftover, hence not factored in.
  • Buttons: Used 9, but bought 10 because I’m not as simple as I look, so $12.50
  • Pattern: Also from Wm Booth, $16.

That puts the cash outlay at $26 for materials, and $16 for pattern, which I will use again starting yesterday. Yes, sports fans, another bloody waistcoat to sew. Lucky for me, it’s red, so the blood won’t show. Checking the HSF schedule, I can see that the only 1813 garment I can make is another waistcoat (1790-1815, remember?) for the Young Mr, who needs a full set of clothes made by January 19. Waistcoat underway, pattern pieces assembled and two more pieces of broadcloth remnant order for a jacket, leaving trousers to wrestle with. At least I have fabric. 

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Start Your Needles!

31 Monday Dec 2012

Posted by kittycalash in Clothing, Historical Sew Fortnightly, Making Things

≈ 1 Comment

Tags

1813, Clothing, fashion plate, Historical Sew Fortnightly, Making Things, petticoat, sewing, waistcoat

LAPL- Casey Collection

LAPL- Casey Collection

I haven’t sewn anything in nearly a month, and it has been delicious. Really. No buttonholes, no hems, no seams. Nothing! I ripped a button off my winter coat and pocketed it, people. I didn’t sew it back on. That’s cold turkey.

But spring beckons, or so I’m told it will, eventually, and the sewing must start again. There are many, many things I want to make and several I need to make. Wants and needs…and more meditation.

I’ve been watching the Historical Sew Fortnightly that The Dreamstress is running, and I’m in. What the heck! I need another kick in the pants,  breeches, what-have-you, to get back to sewing. I really do enjoy it, so why not?

To start with something simple due by midnight? Hmm. I have at least two ideas already, but one garment under construction might allow me to meet the deadline. Well, the North American midnight, anyway. I’ll have to cheat to start, and that isn’t usually the Calash way…

Looking ahead, I see a possible 1813 garment in my future. How about this 1813 Winter Walking Dress? I could make it just for fun, which would be a good task for me.

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Portrait of a Waistcoat

21 Friday Dec 2012

Posted by kittycalash in Clothing, History, Museums

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Tags

18th century clothes, Clothing, Costume, fashion, mercantile trade, museum collections, resources, robert jenkins, silk velvet

RIHS-Robert Jenkins

Meet Mr. Jenkins. There are references to a Robert Jenkins, Vestryman of Christ Church, Boston and merchant of Salem, MA and Newport, RI. A Robert Jenkins married Elizabeth Champlin of Newport, and we have a pendant portrait of Betsey Jenkins, suggesting stronger ties to Newport. The records are confusing, but one thing is clear: that’s his waistcoat and he’s happy to have you see it.

This 1748 portrait by John Greenwood shows a man associated with a port city, perhaps connected with shipping and mercantile trade (see the ships in the background), and who has made enough money to a) commission a portrait and b) either own that sweet silk velvet waistcoat or to have one painted. It is entirely possible that he owned it.

Met-Waistcoat

And it probably looked a lot like this 1750-1755 one from the Met, but without the sleeves. There is fragment (two fronts) of one very like this in the collection at work. It’s not Robert Jenkins’, but it is Rhode Island, so we know these kind of garments were available and worn. The last piece to track down would be an account book, to get some idea of what this might have cost.

What I like in particular about the Met’s waistcoat is the cuff detail. The sleeve, which would be heavy if fully made of velvet, is not. Only the cuff is the velvet, while the sleeve itself is lighter weight silk.

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