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Kitty Calash

~ Confessions of a Known Bonnet-Wearer

Kitty Calash

Tag Archives: history

Military (History) Monday

13 Monday Oct 2014

Posted by kittycalash in History, Research

≈ 2 Comments

Tags

10th Massachusetts, digital humanities, history, John Buss, letters, maps, NEH, Northeastern University, projects

Map of the town of Providence by Daniel Anthony, 1803

Map of the town of Providence by Daniel Anthony, 1803

This past weekend, I went to an NEH workshop at the Northeastern that was really exciting: Digital Methods for Military History. If you’ve been following along here, you’ll know that I don’t just love clothes, I also love history, and military history. There’s an amazing amount of work being done that looks at the past in new ways, and that can hardly ever be bad.

I took notes both digital and analog, and tried to learn as much as I could. It’s all very exciting– I tried not to leap immediately to Map All the Data, but it’s hard not to. So much potential.

On Saturday, there were papers projects on Geographies of the Holocaust, and another on Viewshed Analyses of Iberian Fortifications— I’m mangling the title, for which I do apologize–but that last was so exciting. I began to see where the Young Mr’s love of gaming, history and warfare might come together to good effect in a scholarly way. I also saw how high school student projects mapping neighborhoods could build on work kids had already done collecting oral history narratives in grade school, and that really, high school students need digital toolboxes just as much as college students do.

Georectified map of Providence, using Mapwarper.

Georectified map of Providence, using Mapwarper.

Friday’s papers on networking were also fascinating: both the Muninn Project and Quantifying Kissinger. Digging into social and temporal connections illuminates new angles on history, or even helps find and locate men lost in battle. (Easier to do at Vimy Ridge than Stony point, of course, but applicable nonetheless.) Kissinger and the word collocation analysis was funny as well as insightful, and I think the two are often found together. Word analysis gave a sense of Kissinger and his personality that you would develop more slowly reading every document, which is why you want a historian to do the work for you.

Where does this leave me? (Map all the data!) With the firm knowledge that I need to focus very directly on one small project. John Buss seems ideal: one guy with known connections and origin, one set of letters, limited movement and short duration. (At least when compared to Arnold’s March to Quebec or all of Jeremiah Greenman’s diary.)

A discrete project seems likeliest to work on something like Neatline, once I figure out how to deal with the Omeka issue. Neatline was like a mash-up of database fields and Illustrator, so I felt pretty at home.

We also learned about Mapwarper, and georectification. That’s pretty cool stuff, too.

Georectified Providence without the underlay

Georectified Providence without the underlay

The process will require distilling the letters into data (places, dates, names); collecting maps; collecting data associated with the names– and that’s the easy part. I can imagine a map with clickable areas that link to letters, other images, stories– links building on links– but I haven’t sketched it all out yet, or even imagined a final product. First, I have to find a map.

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Malaise or Ennui?

09 Tuesday Sep 2014

Posted by kittycalash in Clothing, Events, Fail, Living History, Making Things, Philosophy, Reenacting

≈ 17 Comments

Tags

19th century, 19th century clothing, authenticity, Clothing, common dress, Costume, Events, fashion, history, interpretation, Newport, Newport Historical Society, Quaker, Quakers, Rhode Island, Rhode Island history, style

image Hard to say which, but I am ill at ease and dissatisfied with my costuming. You might even call it bratty. But I don’t wanna be like Bridget Connor!

It started the week of the Stamp Act protest, when I felt quite tired of being the shabby, unrefined woman of the regiment and street vendor, and wanted a nice cozy shop like the milliner had. I was also looking forward to being a housekeeper again, and several weeks of moving boxes and volumes with red rot at work had me feeling generally filthy and unappreciated. Bratty.

When in doubt, sew. A new dress can’t help but cheer you up, right?

Well… sort of…

Last Thursday, we did a reprise of the Williams family letters program at the Newport Historical Society. The Williams family were Quakers, and the letters were from the early part of the 19th century, so for the program in March, I made a green silk cross-front gown based on the Quaker gown in the back of Costume in Detail. (Check out the schematic on the 19thus.come page; I didn’t see this until I was mostly done with the dress, but thank goodness I got it right!)

But it’s September, and Thursday was expected to be quite warm, so I salved my bureaucratic wounds in the $1.99 loft at the local mill store, and made a new Quaker gown, also suitable for a maid.

I ask you! Even though it’s my very own pattern based on sketches of original drawings, even though it fits, even though it cost $10, even though every seam is overcast and the whole thing is made with period correct stitches, it still fails to make me happy and cheerful and delighted.

image

This brattiness has resulted in a reappraisal of my approach– and a trip to Sewfisticated in Framingham. What did I buy there? Yards and yards of pink taffeta? Gold taffeta? Blue taffeta?

No.

Because they didn’t have the right colors in the right weave– too slubby– or in enough yardage. Brace yourselves: I bought brown.

Many thanks to Sew 18th Century for taking the photos!

Many thanks to Sew 18th Century for taking the photos!

It appears I do not learn from my mistakes. When I think, “Gee, I’d like a pretty dress,” I end up buying fabric based on the texture as much as the color, and I have to tell you, that brown taffeta has the most wonderful l hand and sheen, and I will look much more like a Copley portrait than I ever have before, so that’s something.

It seems I have created a set of mental rules for myself, a mission, if you will, for the historic clothing I sew and the roles I take on, and I only play within those rules.

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Two Decades in…

01 Monday Sep 2014

Posted by kittycalash in History, personal, Thanks

≈ 1 Comment

Tags

antiques, China, China trade, consumer culture, exportware, history, mercantile trade, pottery, tureen

Tureen in the wild

Tureen in the wild

On Wednesday, Mr S and I will mark our twentieth wedding anniversary, and due to some unfortunate timing, one of us has a medical procedure scheduled for that day, so we won’t actually celebrate on the day itself. (In sickness and in health, you know…)

Instead, we went antiquing in New Bedford on Sunday, after Mr S spent Saturday clearing brush at Minute Man National Historic Park. New Bedford was a nice change from the places we usually go in Rhode Island, and I always enjoy looking in Massachusetts, because objects there are typically free of Rhode Island connections, which means I can actually make encumbrance-free purchases.

I don’t know how encumbrance-free this purchase was…for now we are encumbered with a large hard paste porcelain tureen decorated with cranes and a federal eagle.

The platter it sits on may not be its original platter, but do I care? No. Look at that fantastic, crazy thing. The face the Young Mr made when this was unwrapped in front of him was priceless, but he has long questioned my sanity; now he will question my aesthetics.

Pride of place, with a friend's painting and Mr B's hats

Pride of place, with a friend’s painting and hats by Mr B

It sits in pride of place on our mantle now, and as far as I can tell, it’s typical of the shape of tureens made for the American market ca. 1790-1810. I’ve not seen the cranes before, and I still haven’t found this pattern in a museum or auction house, though Winterthur’s tureen collection is pretty amazing.

If the thing is real (and it looks and feels like the real ones at work), its voyage has been  incredible: from China to a port in Massachusetts, down through time to a shelf in an old mill building, to my mantle.  Think of the person who ordered this– and the set it was likely part of– by letter, and then waited for months for the goods to arrive. Some sets were as large as 250 pieces, custom-monogrammed at the factory, and then packed into barrels and crates lined with straw and loaded onto ships bound back to the East Coast.

I’d love to know this piece’s story, but even without a provenance, the object itself is pretty astonishing, and fits into our already eclectic china (and yes, mantle business).  Now, for a soup party!

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More historical receipts online

22 Friday Aug 2014

Posted by kittycalash in Food, History, Research

≈ Comments Off on More historical receipts online

Tags

American Antiquarian Society, cooking, hearth cooking, history, New England, recipe, recipes, resources

server

Thanks to the American Antiquarian Society and a grant from the Pine Tree Foundation, you can now access digitized versions of the AAS’s manuscript recipe/receipt/cookery books. Pretty cool, right? Because I know you want to experiment with every variation possible of carrot pudding. (Mr S got a stomachache just now and doesn’t know why…)

I first read about this in a twitter link to the MassLive article, and I’d like to point out up front that you go to the AAS GIGI portal and search in the box for Pine Tree Foundation. That’s the quickest way to access the books. I also searched for cookery or recipe and ended up in some interesting places with carrot pudding recipes.

One of the AAS staff members has been trying out the various recipes, and blogging about them here. There appear to be manuscript books as early as the late 17th or early 18th century, which is very cool (and still about puddings!).

 

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Sunny with a Chance of History

20 Wednesday Aug 2014

Posted by kittycalash in Events, Living History

≈ Comments Off on Sunny with a Chance of History

Tags

history, living history, Newport, Newport Historical Society, Stamp Act Protest

Stamp Act Social Media Image

We’ll be there: will you? I’m looking forward to trying out a new Paul Sandby-inspired persona, and figure my filthy “Bridget” gown is just about right for a street vendor.

It promises to be an interesting day with much to see.

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