Tags
18th century clothes, 18th century clothing, bonnets, cotton print, milliner, millinery, reproduction, wrapping gown
A friend regularly sends me bonnet descriptions from the inventories she’s researching; one description was of a white silk bonnet with a red cherry silk lining from Rowan County, N.C. in the 1770s. Hot stuff, right? Less hot if you made it in white linen, but even North Carolina has winter sometimes. I made two, of course, in sightly different shapes.
Strawberry shortcake? Whipped cream and cherries? You tell me, but I always maintain that bonnets are the cupcakes of costuming: pretty, fluffy, low-calorie and quick to make.
Once she’d sent me the description, I got hung up on finally finishing my wrapping gown.
There are enough events where I sleep over that a wrapper for the morning is a useful thing. My characters don’t rate the silk of the one I made for Potts Grove Manor, but I used the same pattern with a reproduction cotton print from Burnley & Trowbridge. I love it– but I do feel a bit like a candy cane.
Because I’ve seen so many instances of sun shade bonnet (herein known as “lampshade,” making one up in that form seemed like a good idea– and the crowning glory to the red and white striped wrapper.
Now I really need a cherry red silk quilted petticoat to wear with this ensemble. Some other autumn, when I have more space and time perhaps.
