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Kitty Calash

~ Confessions of a Known Bonnet-Wearer

Kitty Calash

Category Archives: Clothing

To Wash or Not to Wash

20 Thursday Jun 2013

Posted by kittycalash in Clothing, Events, Living History, Reenacting

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Tags

18th century clothes, Clothing, common dress, laundry, Reenacting, Revolutionary War

Mr S and his waistcoat at Monmouth

Mr S and his waistcoat at Monmouth

Sometimes I can almost hear, “Good God woman, what are you thinking?!” but so far I have only seen it in a man’s eyes. This is usually in regard to laundry.

I erred once in asking if one wanted his hunting shirt laundered, and I had planned only on cold water and hand washing, as the item seemed a bit crunchy and crumpled to my eye and hand. But, no, some other woman had washed that shirt some time ago, and it had taken considerable time—years—to reestablish fringe from fluff.

Well patinated now, formerly embarrassingly white.

Now, I give you Mr S’s waistcoat and overalls. Mr S’s waistcoat was completed on the New Jersey Turnpike in November 2011 while headed to Fort Lee. Since then, it has a acquired a smattering of powder specks, a patina of grunge, a stain or two of greasy beaver (curry, actually) and, most recently, spots of toothpaste. This is where I draw the line: the toothpaste spots must go, as they are inauthentic.

Shirts, shifts, stockings, aprons, and waistcoat

One doesn’t want one’s clothes too clean for reenactments or living history events: you’re “living” in the pre-detergent era, but that doesn’t mean you should never wash your clothes. We know that the armies employed women to wash clothing, and we know that linens–shirts, shifts, and drawers–were washed more frequently than outerwear like breeches, waistcoats, and gowns. It’s not so different from today, when we don’t clean business suits as often as we launder shirts or underwear. Still, we do clean our clothes, and there comes a point when those overalls will get washed. Right about when you figure you need gloves to handle them…

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5 Days till Monmouth

10 Monday Jun 2013

Posted by kittycalash in Clothing, Events, Living History, Making Things

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Tags

18th century clothes, Brigade of the American Revolution, fringe, hunting frock, Monmouth 235th, Monmouth NJ, preparations, Reenacting, Revolutionary War, sewing, uniforms

This is not Cassandra's idea of a nice frock.

This is not Cassandra’s idea of a nice frock.

Cassandra doesn’t like wearing uniforms and bayonets. She wants to wear a dress. She will have to be patient. (Actually, she is wearing a chintz jacket in need of a hem, and if I revolt against buttonholes, I might finish that tonight. More fringe must be made this evening for the hunting frock.)

I switched to Mr S’s overalls for awhile, and we’ve done the first fitting, which gets us to buttonholes and then re-basting the inseam and outseam. In the process, I discovered that he does, in fact, have a twisty leg. I do not think it is statistically probable that the two pairs of overalls I have cut for him and the pair cut by Mr Cooke would all include the same slightly on the bias leg. So I reversed my plans to get those done, and will stick with getting them to fitting number two. They will need a master’s hand and eye for fitting.

Sunday: One last strip o' fringe required.

Sunday: One last strip o’ fringe required.

But I think I have a plan for food for Monmouth, have confessed to Mr S that, based on the Monmouth sutler list, we must leave room in the car for possible additions to the Strategic Fabric Reserve, and have convinced the child to try learning a new song on the drum. I also started a new pocket, but I’m not sure if my hands can take the backstitching. Slipstitching and whipstitching aren’t too painful, but backstitching proved quite painful last night. It’s totally annoying, because it’s pointless to post a photo until it’s done and right-side out!

You can see the binding, but not the stripes. Silly!

You can see the binding, but not the stripes. Silly!

But this will be a panicky, intense week of samplers, reference, grant applications, and event prep. I suppose that’s not too different from many other weeks…though the last time I had this combination, we were only going to Sturbridge. I took comfort in the idea of how close we were to home, the way the cat knows how long it takes to dash to the basement when the doorbell rings. From Monmouth, it’s a long way back to my own basement.

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[Another] Wild & Crazy Idea

07 Friday Jun 2013

Posted by kittycalash in 1841 Flash Mob, Clothing, Events, Museums, Research

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1841 Flash Mob

Fashions, 1841. Fashion Plate Collection, Ella Strong Denison Library, Claremont College

Fashions, 1841. Fashion Plate Collection, Ella Strong Denison Library, Claremont College

Perhaps the Young Mr is correct: I may be crazy.

I have agreed to, at the very least, explore a project and grant funding to recreate an April 17 1841 Suffrage Parade for my workplace. We still have to decide to what lengths we’ll go, but the idea is so appealing that I want to give it a shot. (Orator positions opening soon?)

Public promenade dress, 1842. Claremont College

Public promenade dress, 1842. Fashion Plate Collection, Ella Strong Denison Library, Claremont College

Why is this crazy? Another year-specific event, with the event part to organize, plus wardrobe for at least some people? Pure madness, utter delight. Blame it on the Godey’s Lady’s Magazine paper dolls I bought at the Chicago Historical Society all those years ago. It could even mean another corset, and we all know how much I love making corsets. But I was thinking about how at my age in 1841 I’d be accustomed to an earlier style…but the key, as always, is looking. And looking tells me I need more of a waist than I can perhaps achieve with the stays I have in hand.

To my Pinterest board (thanks for so many wonderful leads, Cassidy) mix of extant garments and accessories, I’ve been pinning from fashion plate collections, including the well-cataloged collection at Claremont College Library.

Fashion plates are one of the sources you have to be careful with. Like Vogue, in fact exactly like Vogue, these are high-style images that are as mannered in their rendering as fashion images are today. Waists will be slimmer and skirts rounder, but the silhouette and shapes will be recognizable in extant garments, painted portraits, and thankfully, photography.

Mrs. Thomas Easterly. Daguerreotype by Thomas M. Easterly. Missouri Historical Society, PHO:17434

Mrs. Thomas Easterly. Daguerreotype by Thomas M. Easterly. Missouri Historical Society, PHO:17434

The year of the Suffrage March, 1841, is early for photography but not impossible (thank you, M. Daguerre). It’s not the right state, but there is a fantastic collection of images in Missouri. These portraits give a good sense of what people were actually wearing, and what shape their bodies took inside their stays and corsets. (Hot tip: don’t clear daguerreotypes with Scotch-brite pads.)

This is, really, a mad scheme that goes far beyond dress. But a banner painted with an ox and the slogan “I die for Liberty” carried by butchers? A wagonload of disenfranchised Revolutionary War veterans? Enlisting students (not in costume) to follow along behind costumed interpreters marching the known route of the 1841 parade? It’s too tempting not to try.

Bonus: Patterns and plaid!

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HSF # 11: Squares, Rectangles and Triangles

05 Wednesday Jun 2013

Posted by kittycalash in Clothing, Historical Sew Fortnightly, Reenacting

≈ 1 Comment

Tags

10th Massachusetts, authenticity, Brigade of the American Revolution, fringe, Historical Sew Fortnightly, hunting frock, hunting shirt, Research, Revolutionary War

Hunting frock from the side. Just two sizes of one curve

I drifted away from the HSF. While, at some point, I had plans for HSF #11: Squares, Rectangles and Triangles, and they were even written down somewhere, something like table clearing and recycling happened…but, hey wait a minute, if you will allow me one curve done twice, I give you the Hunting Frock! (also, the checked bag).

Since there was a search for “best rifle frock for rev war reenacting,” I think this probably bears going into.

Presented, for your consideration, The Facts.

The Challenge:  HSF #11: Squares, Rectangles and Triangles

Without fringes or hem

Fabric: 100% “Osnaburg” linen, acquired from Henry M. Cooke IV of Historical Costume Services. I think he orders from the Ulster Linen Co. We are talking bolts here, people.

Pattern: Cut by Mr. Cooke, who used a yardstick, chalk, and an extant shirt (for the cape curve). I have watched him cut two now, and it’s pretty cool.

Year: 1778-1781 <choke> I forgot to ask.

Notions: Does thread count? That’s all this takes.

resolver

How historically accurate is it? Based on Mr. Cooke’s research into the hunting shirts worn by Massachusetts troops, and revised to reflect recent research by Neal Hurst, this frock pattern reflects the most current, accurate representation of the hunting frocks (sometimes called shirts) worn by Continental troops during the American Revolutionary War. The garment is entirely hand-sewn using, as much as possible, the correct (thankfully basic) stitches. Flat-felled seams, all that good stuff. Any place it is incorrect is purely my own genius.

Triangles and trapezoids!

Hours to complete: Remember those soul-crushing hours? Yes, these were among them. Actually, no, it’s not too bad. Perhaps twenty-four? You can power down on one of these, but even once you have the initial fringing done and the fringes attached, you will have more thread-pulling ahead of you.

First worn: Monday, May 27, 2013, for the Memorial Day Parade in Warren, Rhode Island.

Total cost: $45, for the linen and the cutting. Your mileage may vary, as the Young Mr and Mr S are in the regiment for which Mr. Cooke is the adjutant.

Hunting Shirt/Frock Schematic

Hunting Shirt/Frock Schematic, no scale whatsoever

To the person looking for the “best rifle frock for rev war reenacting,” I have to say, it depends. If you are with a Rhode Island regiment, for example, the linen you choose could be brighter, to reflect the fact that the state called for “whitened towcloth” for hunting frocks for Rhode Island troops. I have found some I think might be likely at Burnley and Trowbridge, but I have not checked it with the RI captain. You need to know if your regiment or group favors hunting shirts (pull over) or hunting frocks (open down the front), and then you need to figure out what kind of linen they were wearing in the period.

But, like a shirt of the period, these garments are very simple: triangles for the gussets (or squares), rectangles, and just the curved cape. The pattern (schematic) at right is adapted from what I have seen Mr. Cooke cut, which is quite similar to the Brigade of the American Revolution pattern I had for the Rhode Island frock I made (also entirely by hand). Since these were so close to shirts, they would have been very easy to construct, and since they’re large, measurements could be generalized. The BAR pattern does not use the under-arm gussets, and the sleeves are not tapered; there is more fringe on the standard Rhode Island frock than on the Massachusetts frock, but there seem to have been variations at the time.

You may also wish to consider whether or not there is a difference between hunting frocks and rifle frocks (I do not know, please don’t ask, I wasn’t told this would be on the test).

For more, here is Neal Hurst, on Fringe on the American Hunting Frock. You can read it before or after you pull threads out of those two inch strips until only 6 to 8 remain in the center. Happy fringing! 

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What’s behind that green suit?

04 Tuesday Jun 2013

Posted by kittycalash in 1763 Project, Clothing, Events, Reenacting, Research

≈ 5 Comments

Tags

1763, 18th century clothes, alterations, authenticity, Battle, Clothing, Events, fashion, frock coat, frock coats, menswear, planning, Reenacting, style

The American School, by Matthew Pratt, 1765. MMA 97.29.3

The American School, by Matthew Pratt, 1765. MMA 97.29.3

Mr S. has a green linen suit in the making; that is, he has breeches which mostly fit, and a frock coat in need of serious alteration. Since I will need to alter this coat eventually (that is, take it apart, re-cut and re-assemble it) I have started looking for images of green suits.

Portrait of a Boy, probably of the Crossfield family. William Williams, MMA 65.34

Portrait of a Boy, probably of the Crossfield family. William Williams, 1770-75, MMA 65.34

The green linen the suit was made from is no longer available, so there will be no matching waistcoat. If I can get the thing tweaked to an approximation of ca. 1763, we should be set for the August event (if that happens) and for Battle Road next year, though I know he might want wool. The taunts of “bet you wish you had the rest of that coat” from this year linger in my mind, at least.

The jacket is, admittedly, too short. I begin to wonder if I need to cut it down even more, like a workman’s short coat; the Massachusetts line “Bounty Coats” are cut shorter, and similar to a coat at the Connecticut Historical Society (1981.110.0, search by number here, the links are not stable).

Mr S last June, in the unfinished 36-hour-frock coat

The problem with that plan, at least for 1763, is that the cuffs are clearly larger and coats longer, in 1763, than they are in 1775, at least for gentleman. I realize that this means I am better off starting over completely for the 1763 coat from a muslin up (which against all instinct and principles, I did not do for the 36-hour-frock coat). So I’m waffling here, as Mr S doesn’t always want to portray the day laborer/tenant farmer, but would like some pretensions to artisan and property owner. That means more fabric, and that means starting over completely is in order–breeches, waistcoat, frock coat and all. But wait, there’s more!

The events in the queue before the August 10th event for 1763 include Monmouth on June 15-16 (for which overalls and hunting frock are in production), Washington’s Arrival in Cambridge on July 14, which requires militia clothing, and Old Sturbridge Village the first weekend in August, for which a regimental coat is requested. Somewhere along the line, I’d like to make myself something…but it looks more and more like a summer of menswear. Perhaps cutting down that green coat and altering the breeches for July 14 is the most sensible plan…though where that will leave 1763, or the regimental coat, I do not know.

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