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Kitty Calash

~ Confessions of a Known Bonnet-Wearer

Kitty Calash

Category Archives: Making Things

Fitful Friday: Art Still Has Truth

20 Friday Jan 2017

Posted by kittycalash in Clothing, Fail, Frivolous Friday, Historical Sew Fortnightly, Making Things, personal, Philosophy

≈ 7 Comments

Tags

empathy, fortitude, interpretation, living history, Making Things, projects, sewing

Pitt and Napoleon carve up the world.

Pitt and Napoleon carve up the world.

It’s been one of those weeks, hasn’t it? Up and down, emotionally, as we all prepare for change. Whig or Tory, these are turbulent times.

I’ve been surprised by recent fabric arrivals in the mail, disappointed when I waited a day too long to register for a dance, and now I’m at loose ends. What comes next?

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Last weekend I cut out a black wool Spencer to line in lettuce green silk because why not? And teeny tiny backstitches later, I have one sleeve finished. Focus is hard to come by of late.

I meant to join the Historical Sew Monthly to give my sewing life some structure, and I still can, though I cannot seem to settle down. Clearly, I have Firsts & Lasts that could be made (not always in the time remaining, mind you, so I would have to choose wisely).Re-Make, Re-Use, Re-Fashion? Probably much there as well– at least if one counts the quilted petticoat worn at Princeton, which was remade and altered from its original form.

Red. I do love red.
Red. I do love red.
Delicious wool, tasty price.
Delicious wool, tasty price.

July: Fashion Plate, could become the shawl gown I’ve dreamt of for years, since, as you can see above, I’ve found one that might work, lured by a fair price on a sizable piece of wool– but wherever shall I wear it? Why can I not get past utility? The Dreamstress’ Kashmiri shawl gown and her research are there to emulate, and explain.

Oh, I have projects and events to research and plan, housework to complete, and plans to execute. But they all seem abstract and unreal at the moment when we hang on the pivot point between the future and the past. It’s been a strange year in many ways and places, and constructive projects help focus.

Art Still Has Truth Take Refuge There

Art Still Has Truth Take Refuge There

Long ago, in the first turbulent times I was old enough to understand, I lived in St. Louis. Then, as now, I think the Art Museum’s motto holds, and reminds those of us who work in or appreciate sometimes frivolous-seeming fields and hobbies that all our actions have meaning. I’ve thought for a long time about the utility of sewing historic clothing, cataloging objects, and running around recreating the past.

Getting outside one’s own experience is incredibly hard; it’s hard to have an open heart, and to encourage openness to others. But that’s one of the most important roles museums and libraries play: we help people develop imagination and empathy. I know it’s part of why I do the work I do. I like to think that ultimately, helping illuminate the complexity of the past will help us all understand the present and make a better future.

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My Life as a Chair, or, Warm in Winter

11 Wednesday Jan 2017

Posted by kittycalash in Clothing, History, Living History, Making Things

≈ 6 Comments

Tags

18th century clothing, common dress, fashion, interpretation, living history, quilted petticoat, Reenacting, sewing, winter

Can I get an “Aw, yiss” for being warm outdoors?

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After the aftermath. Photo by Drunk Tailor.

They may not be the most accurate <cough>machinestitchedoffabolt<cough> quilted petticoat and waistcoat, but they sure do make a difference.

These aren’t exactly base layers– a white wool flannel shift would not be amiss–but the quilted layers make a big difference to a day in the cold. When I added up the layers, I came to 8 without counting accessories like neck handkerchiefs and stockings:

  • Shift
  • Stays
  • Waistcoat
  • Lightweight Wool Petticoat
  • Heavy Wool Petticoat
  • Quilted Petticoat
  • Gown and Stomacher
  • Cloak
The underneaths. Photo thanks to Drunk Tailor.
The underneaths. Photo thanks to Drunk Tailor.
The insides.
The insides.

It isn’t always pretty, but in cold, wet weather, function trumps fashion (not that I’m not pretty pleased with this upholstery). The waistcoat ties on, so you have some adjustment should your weight or shape fluctuate. The petticoat, in this case, works like every other petticoat, with the sole exception of a short pocket slit on one side due to operator impatience (this was finished just a few days before it needed to be packed for Princeton).

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Thanks to Drunk Tailor for more patience.

The quilted fabric (originally intended, I am sure, for a bedspread) is lined with a plain weave wool for extra insulation and body; the waist band is bound with wool tape, as is the hem. Down in the basement, there’s a camblet- wool batting- linen lining sandwich on a frame, ready for quilting, if I only I would drag it up stairs and start, and I know it would be both more insulating and more accurate.

Does it all fit? Well…pretty much! An open robe with stomacher makes it easier to fit all these layer underneath, and, happily, I don’t have the best sense of my own size, so my clothes tend to be a little bigger than they must be. Fortunately, historical clothing generally involves adjustable closures that make fluctuations and layering easy to accommodate.

After Anna B’s and Anna K’s comments on the overview of the event, I was reminded that these are the confessions of a known bonnet-wearer, and I will humiliate self for history, so in case you are wondering: no, I didn’t wear drawers of any kind, or leggings, or long underwear. A pair of silk stockings under a pair of wool stockings kept my lower extremities warm, but my nethers were sometimes chilly, in a highly specific, localized, but small way. I think this may be where the wool shift comes in– or one that fits a bit better than my current garment, which is a tad too large.

On the porch at Morven, a range of head coverings. Photo by Matt White

On the porch at Morven, a range of head coverings. Photo courtesy Matt White

When it comes to ears, you can see that we adopted a range of solutions. Ear-covering caps under bonnets, under straw hats, and under kerchiefs, were worn by some. At far left, my cap perched on top of my head, so I tied my bonnet on with a kerchief and pulled my hood over all of that. Mistress V (at far right) wore a cap, a kerchief and a hat (which was summarily removed in the afternoon, by Mistress S at her left). Mistress F, holding the cream colored blanket with a wide black stripe, wore a wool hood over a cap and under her straw hat. Wear enough layers– and the right layers, meaning mostly wool and silk– and you will be warm, perhaps even sweaty if you’re active. Still, I might trade in my “Hobo Woman of Princeton” look for a quilted silk hood if the right one came along.

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Make Mine Menswear: The finished banyan

28 Wednesday Dec 2016

Posted by kittycalash in Clothing, Living History, Making Things, Reenacting

≈ 2 Comments

Tags

18th century clothing, banyan, cotton print, menswear, patterns, sewing, stripes

Banyan, 1750-1775. T.215-1992, V&A Museum

Banyan, 1750-1775.
T.215-1992, V&A Museum

Banyan or wrapping gown, either will do to wear as the year winds down. This project took longer than I wanted it to, mostly because I have a tendency to take on too many things at once and promptly get sick. I like to think of this ability as a gift.

In any case, this is a simple garment to make, made more fun by piecing– it’s the challenge that keeps you awake, when the majority of the work is in teeny-tiny back stitches.

I measured the subject and made up my own pattern, using the chintz banyan in Fitting and Proper and this one at the V&A as models.

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Patterning is a simple thing, really. Maybe too simple. Measure the gentleman’s chest, bicep circumference and arm length, neck, and back length. With those, you know how wide to made the body, the center back length you need to achieve, how wide to cut the neck hole, and how wide and how long the sleeves need to be. Really, not that hard.

You can use a diagram like this to start you off. I did wing the bottom width, guessing at the angle to give the garment a fullness similar to the chintz at the V&A.

Pieced more than once.
Pieced more than once.
A lining in two colorways.
A lining in two colorways.

I didn’t have quite enough fabric to accommodate the recipient’s full height, nor could I get enough of the red print lining material; I had to piece both the stripes and the lining.  Trying to match up the stripes was remarkably satisfying, both when I succeeded and when I was  little off. Life Goal: Dizzying, please.

Again with the two color lining.

Again with the two color lining.

It contrasted well with a blue woven coverlet, making a nice bright note as the rooms were prepped for What Cheer Day. This was the effect I had hoped to achieve waaay back in April when I failed to finish anything I wanted for the After Dark program thanks to a bout of strep throat.

By October, though, I was able to finish the entire item and make a matching cap, allowing Billie Bowen to recuperate in style from an evening at the Cold Meat Club.

Next up, using this as the base pattern: a wool bedgown, lined in wool, and pieced. More mis-matched stripes, please!

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Frivolous Friday: Fashion Flashback

18 Friday Nov 2016

Posted by kittycalash in Frivolous Friday, History, Making Things, personal, Research, Thanks

≈ 3 Comments

Tags

18th century clothing, authenticity, Costume, cotton print, East India trade, fashion, friends, party clothes, sewing, thanks

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I don’t know about you, but the past ten days or so have been surreal in a way that I haven’t experienced in a dozen years or so. Numerous creative folks I know are working hard to find new, engrossing projects and sharing what they find with others. As always, Satchel Paige has excellent advice: Don’t look back, something might be gaining on you.

What project shall I take up again, to distract myself from the shorter days and colder temperatures?

This is actually making reasonable progress, and might even be done by early December.
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It’s satisfying work, pleating and stitching this lightweight cotton, tiny stitches in white linen thread. I’ve made some modifications to the pattern, but not many, aiming for a 1780-1782 style. Judicious cutting and generous friends will, fingers crossed, even yield a matching petticoat, which is very exciting indeed– and an unusual fashion statement chez Calash. Here, we focus on clash, but the fabric itself takes care of that for me.

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Now, if only I had bright red morocco leather shoes to wear with this, that would be a sight indeed.

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Would I Lye to You?

03 Monday Oct 2016

Posted by kittycalash in History, Living History, Making Things, Research

≈ 1 Comment

Tags

18th century, authenticity, cleaning, Hannah Glasse, interpretation, living history, maids, Research, women's work

Now, really, would I lye to you?

img_7993Some people will tell you I overextend myself, and while those people may be correct, my enthusiasms compel me to do more, try more, travel more, and to that end I found myself preparing for an event by turning my 1962 Ossining kitchen into an experimental laboratory.

I was taken by Hannah Glasse’s receipt for cleaning pewter, copper, and tin in her section for The Scullion, so of course I had to try it. It’s simple enough: boil wood ash with unslaked lime for half an hour, let cool, and pour off the clear liquid. Easy-peasy, until you realize you have forgotten your high school chemistry, the Young Giant is not at home, and google searches for lime turn up too wholesome uses and unsavory quantities.

Happily, a more scientific brain than my own pointed out potash/pearl ash/potassium carbonate, which Amazon can provide in small quantities. Wood ash proved a little more challenging. Happily for me, I am one of those East Coast foodie fools with a backyard grill and a fondness for hardwood charcoal, so an overdue chore later, I had an enamel kettle of ash.

I did do a little sifting
I did do a little sifting
to end up with finer ash
to end up with finer ash

The receipt calls for “a pail” of wood ash to a “half- pail” unslak’d lime, boiled in four pails of soft water. Since “pails” is a general sort of term, I decided to use the quantity of wood ash I scavenged as the approximate measure of a pail, figuring that proportions mattered more than actual grams or liters. I have resigned myself to the fact that this is more art than science. Four pails of soft water included the remains of a few gallons of water stockpiled for hurricane preparedness years ago, bolstered with water from the tap.

Pail, schmail.

Pail, schmail.

Fortunately, art did not turn into science gone wrong. The boiling was rather placid, considering, and dissolved the fine ash and the potash. I filtered the liquid mixture through a screen (ok, the spatter screen for my frying pan) to ensure that when I poured off the clear, it would be as clear as possible.

Boiling. Not to stinky
Boiling. Not to stinky
sacrificed to a good cause
sacrificed to a good cause

By the time it had cooled, I had fished out appropriate containers into which I could “pour off the clear.” This recipe, seat-of-the-pants as it is, makes a fair quantity, a mason jar of which I have left with the Drunk Tailor so that he might better clean his officer’s pewter and copper, because, yes! This does work to brighten silver and copper. Tune in next time for details on getting shiny.

Front and a center: A liquor for cleaning pewter, etc.

Front and a center: A liquor for cleaning pewter, etc.

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