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Kitty Calash

~ Confessions of a Known Bonnet-Wearer

Kitty Calash

Tag Archives: personal

Rodentia, or, A Parable for Our Times

29 Wednesday Jul 2015

Posted by kittycalash in Fail, personal, Philosophy

≈ 4 Comments

Tags

Chicago, fail, French class, high school, John James Audubon, Lord of the Flies, narrative, personal, substitute teacher

Once upon a time, as most of us were, I was in high school. It was not a stellar experience for me, but it was defining. Aside from the very few people who became my friends, and whom I follow along with even now, high school was populated with people who did not particularly care for me. Then as now, détente was a reasonable, if not always achievable, hope. But for some, there was a literal breaking point: a Rubicon, if you will. It started in sophomore French class.

John James Audubon. Marsh Shrew, Plate CXXV

John James Audubon. Marsh Shrew, Plate CXXV

We had a substitute teacher one Fall Monday. Her English was not perfect, though her French was; she was a regular teacher stepping in for our regular instructor. This was a pre-lunch class, but there were three 20-minute lunch periods. My class had second lunch; this meant that about 20 minutes into French class, a bell would ring, signaling the beginning of first lunch. After another 20 minutes, a second bell would ring, signaling the end of class and the beginning of second lunch.

John James Audubon. Bridled Weasel, Plate LX

John James Audubon. Bridled Weasel, Plate LX

On our first day with the substitute, when the first bell rang, two boys convinced her that class was over, and no one contradicted them: we left at the 20-minute bell. The next day, the same boys tried the same ruse. Three quarters of the class walked out, but at least two other girls and I stayed: I raised my hand and explained that the first bell was not the end of our class period.

John James Audubon. Black Rat, Plate XXIII

John James Audubon. Black Rat, Plate XXIII

My nickname became then and stayed The Rat. My classmates taunted me and chanted The Rat in the halls. Drawings of rats were stuck to and shoved inside my locker. This lasted until graduation, when we had almost forgotten the origin of my nickname.

When I tell this story now, I don’t look for pity or sympathy: this is a pathetic Lord of the Flies played out in the grey-carpeted halls of a Chicago Gold Coast private school, where the stakes were low so the repercussions were high. This was where I learned about clothing conformity in the guise of Polo shirts, Tretorn sneakers, Levi’s 501 jeans, and Brooks Brothers shirts. I wore my classmates’ fathers’ hand-me-down shirts from the thrift shop; I wore their grandmothers’ dresses. A Rat requires some style.

John James Audubon Cat Squirrel, Plate XVII

John James Audubon. Cat Squirrel, Plate XVII

As an adult, I find that people haven’t changed all that much. The cliques still exist, and while adults don’t usually shout at you, ostracism and snubbing are deployed regularly. But I learned long ago how to be alone, or with a few true friends. Evidence always speaks for itself.

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That Glint in Your Eye…

14 Thursday May 2015

Posted by kittycalash in personal

≈ 1 Comment

Tags

children, friends, living history, personal, play

Winslow Homer, Snap the Whip. oil on canvas, 1872. Metropolitan Museum of Art, Gift of Christian A. Zabriskie, 1950, 50.41

Have you ever wondered what your friends would have been like to play with as kids? Mr S likes to, but he does have long hours on the commuter trains to fill, and I think by now he’s counted all the Bigfoot shelters along the route twice.

Sometimes we imagine one of our friends as the dirty, shirtless boy who plays hard until dark, until he realized he’s actually cut you with the stick sword, and you have to go home to get the blood cleaned up.

Another one might really be into building, but likes the process more than the result. Expect frank critiques, and lots of small parts, which ends in satisfaction and cookies. Sadly, when you come back, the creation is disassembled into neatly sorted constituent parts.

There’s the one who you partner with on a science fair project: you do the three-fold display with little samples of something, captioned. Too bad that when you win second prize and ask to take the display you designed and created home, you get hit under the eye with a lunch box for your trouble.

The Children of Nathan Starr. Oil on canvas by Ambrose Andrews, 1835. Metropolitan Museum of Art, 1987.404

Some friends are a little wilier: I don’t know how you get talked into licking something weird, but it can happen when you’re under ten. It’s not poisonous, but it is nasty. Sorry about that. Have some milk.

The bookish types aren’t all that safe either! Suddenly, on a windy day, you’re falling downstairs because Mary Poppins was far too convincing, and now Dad’s umbrella is ruined. Two strikes, and now your friend hears her mom calling her home? Pro tip: don’t play Wuthering Heights, Mill on the Floss, or Tess of the d’Urbervilles. Bonus note, and just trust me here: just leave the Brontes to Orson Welles.

Girl Skipping Rope. Tempera on board by Ben Shahn, 1943. MFA Boston,  1971.702

Girl Skipping Rope. Tempera on board by Ben Shahn, 1943. MFA Boston, 1971.702

Don’t get me wrong: I enjoyed all the games and stories we made up and played when I was kid with all kinds of friends, and I enjoy everything my friends and I do today. But sometimes I see the glint in a friend’s eye, and I know we are in for something I might wish my mom wouldn’t let me do.

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Getting Cultured

25 Saturday Apr 2015

Posted by kittycalash in Art Rant, Museums, personal

≈ 1 Comment

Tags

art, art history, Hudson River Valley, interpretation, New York, personal, Storm King, Travel, vacation

Mark di Suvero at Storm King

Mark di Suvero at Storm King

Cats don’t like travel. You might, therefore, expect that Kitty Calash would prefer to stay home, but I’ve had a few travel adventures, and the hardest part is usually finding decent and strong coffee early in the morning, though sometimes dinner is a challenge: like my cats, I like my own bowl.

Happily, we’ll be cooking our meals for real tomorrow, boiling roots and meat and slabbing cheese on bread. Thank goodness for the 10th Massachusetts’s own John Buss and his love of cheese, but why did I forget the Massachusetts man who carried a pound of chocolate in his militia knapsack? We could have had drinking chocolate!

We’ll be at the New Windsor Cantonment tomorrow, but today, the last blustery snow-squally day of April School Vacation, we spent at Storm King.* The Young Mr enjoyed our visit last year, so we went back again.

 

Fun with framing

Fun with framing

This year, we did another quarter or so of the park, mostly di Suveros but also Magdalena Abakanowicz and Andy Goldsworthy. It was an interesting exercise in scale, and specificity. I used to joke that the worst part about making sculpture was that once it was done, you’d have to dust it forever, but Storm King presents another issue: the sculpture that must be weeded.

In St. Louis, we experienced Mark di Suvero pieces at Laumeier Sculpture Park , but not on this scale. They’re more interesting together; as with so many things, mass makes a difference—though with di Suvero, acres of ‘gallery’ are required for mass.

Goldsworthy at Storm King

Goldsworthy at Storm King

Goldsworthy has long been a favorite, the site-specific and temporal nature of the work appealing and similar to the kind of immersive, living history performance I prefer. Here, the wall wraps the trees and runs through the lake like a low, grey and solid version of Running Fence .

It’s a funny thing, walking the acres of art, and thinking about the kind of parkland gentlemen used to maintain—Pemberley and Stately Homes—and how yesterday’s folly is today’s site-specific sculpture.

Mozart's Birthday: another di Suvero, with snow. Snow!

Mozart’s Birthday: another di Suvero, with snow. Snow!

*Not for nothin’ is it called Storm King, as they would say in No’t Providence.

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By Jupiter!

24 Friday Apr 2015

Posted by kittycalash in History

≈ 1 Comment

Tags

astronomy, history, Ladd Observatory, personal, Providence, Rhode Island history

Ladd Observatory, 1898, back of the transit room.

Ladd Observatory, 1898, back of the transit room. Brown University image

On Tuesday, after a long hiatus, the local observatory was, at last, able to open to the public. Between the Snow on Monday theme of this winter, and the tendency to clouds and rain in what New England calls Spring, Ladd had been closed, and sending plaintive and apologetic emails, for weeks.

We walked up shortly after the 8:00 PM opening to find long lines, and a crowd as large or larger than the Halloween open house nights, when the staff and students turned the Observatory into a haunted house, neighborhood naughties swiped too much candy, and the roof deck was open for star gazing. Being Tiny Town, the Young Mr’s middle school art teacher was in line ahead of us with her young son and wife. To his credit, he did acknowledge her.

The telescope used by Benjamin West to observe the Transit of Venus, 1769

The telescope used by Benjamin West to observe the Transit of Venus, 1769. Brown University image.

There’s a long history of astronomical observation here, with a street named Transit for the 1769 Transit of Venus, observed by Benjamin West and other local notables.

We were happy to join the queue to look through the much larger telescope to see Jupiter, easily visible now.

It is really is a “wow!” moment, cooler even than the packages that make it here from India and astonish me. All that distance, light. How truly awesome the view through a telescope must have been in the 18th century, when we, collectively, knew less about the world and universe. How awesome it is now, to be able to see a world so far away, and to wonder what it is like.

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Rude Boys and Reenactors

06 Friday Feb 2015

Posted by cyclokitty in Frivolous Friday, History, Living History, personal

≈ 7 Comments

Tags

authenticity, Frivolous Friday, London Calling, music, personal, philosophy, punk, the Clash

This morning, the Twitterz provided me with a link I’d missed back in November, to a piece about the Clash’s Vanilla Tapes. I listened to the cut of London Calling, and heard the ways in which it was not the final cut, and thought of authenticity. What a fabled state of grace: authenticity.

You think, if I just get this one thing right, I’ll be done.

portrait as a process test

process test poser portrait

But you won’t. And that’s okay. You’re still not a poser. (That’s an old Chicago punk term that got thrown around the way farb gets thrown around now.)

I’m pretty familiar with the album version of London Calling, but the Vanilla Tape version really reminded me: it’s not a destination, it’s a process.

It can mean taking coats apart and making them over till our eyes bleed. It can mean thinking and rethinking a character.

What matters is the process. I know, how tiresome: it’s the journey not the snow leopard.  But it’s true: what makes history in any expression fun are the questions, the new things to learn.

Yes, I have always like to dress up, and to get my friends to join me.

Yes, I have always liked to dress up, and to get my friends to join me.

I realized, too, that the joy I felt seeing the Clash at the Aragon ballroom none-of-your-business years ago was not unlike the pleasure I get from living history– and that’s not just because of the funny clothes and loud noises, though both sub-cultures share a taste for natty dressing and unusual music.

I find joy in the physicality of living history*, for although a milliners’ shop is no mosh pit, when your  clothes, shoes, and accessories are as right as they can be, you will move and feel differently than you do in your office or workout clothes.

There’s joy for me in the difficulties, too: from Saratoga to cooking, I like a problem to solve, a process to learn.

I’ll never get everything just right: I’ll get closer to right, and the fun is in figuring out how.

 

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