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Kitty Calash

~ Confessions of a Known Bonnet-Wearer

Kitty Calash

Tag Archives: Reenacting

Musical Monday: Chester

16 Monday Jun 2014

Posted by kittycalash in Events, History, Living History, Reenacting

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Tags

10th Massachusetts, common people, common soldier, history, living history, Reenacting, Revolutionary War, singing

Virtue Rewarded

Virtue Rewarded

Saturday was Flag Day, but you knew that, right? There are a lot of holidays we no longer pay much attention to, from Armed Forces Day (when Mr S and I once hosted a very amazing and lengthy party in an 1870s brick row house in St. Louis) to Arbor Day to Flag Day.

To celebrate the Bicentennial of the Star Spangled Banner, the Paul Revere House asked us (which means Mr HC) to lead the visitors in the national anthem. “Never miss an educational opportunity” could be one of the 10th Massachusetts’ mottoes, so with the regimental colors unfurled, the time was right to lead the assembled company in a rendition of Chester, written in 1770 and perfected in 1778 by William Billings, and the song to which the men are accustomed to march. (It is also the song mostly likely to play accidentally on my phone while it’s in my pocket.)

So here they are, the 10th Massachusetts and Members of the Publick, led in Chester by Mr Cooke.

IMG_1590

IMG_1590

 

As mentioned elsewhere, it is nearly impossible to read and sing simultaneously. It is also clear that we do not generally sing in our daily lives, or not nearly as often as people did in the past. Most of us think we have awful voices and refuse to sing, though we endure singing in school, or did. It’s an art that we should enjoy more and more often. You don’t have to be Idina Menzel to please the right audience (in my case, some cats).

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History is Not a Competition

15 Sunday Jun 2014

Posted by kittycalash in Events, History, Living History, Reenacting

≈ 1 Comment

Tags

10th Massachusetts, 18th century, 18th century clothes, Amasa Soper's Company, Boston, historic houses, history, living history, Massachusetts, Paul Revere House, Reenacting, Revolutionary War

IMG_1583

Drilling by the Sergeant

Saturday was my first post-operative foray into costumed interpretation, up to Paul Revere House on Flag Day. This went much better than my first attempt at Paul Revere House, which ended in ignominy as I missed the train. In April, I managed to convince Mr S to drive in Boston, which he usually refuses to do (in fact, he nearly abandoned me once at the Old State House one Saturday after a miserable drive that had us stuck in the Downtown Crossing vortex).

I’m so glad we managed this, Despite anticipatory near-tears and epic pouting by the Young Mr, we managed to have a rather nice time.

Poise, with extra elevation by the Young Mr

Poise, with extra elevation by the Young Mr

We were in the courtyard, and Mr HC and Mr FC told the story of Amasa Soper’s company and its members several times to the streams of tourists. They solicited recruits and ran them through the 1764 drill using the nicest wooden muskets I’ve ever seen, though with mixed results. Some new volunteers held their muskets backwards, and the Young Mr’s ramrod got stuck in the barrel, though that is a known issue with that particular musket.

I sat on my ladder-back chair near the house and made the tiniest hems I could on Mr S’s next shirt, which will be for best. People asked about the sewing and my clothes, and I had a chance to talk about what women wore, typical fabrics and fibres, supplying the army, and who made what.

The day was warm, but fortunately not overwhelming, and as a museum person, I found the crowd quite interesting. This is a facet of Boston I don’t usually see: the tourist experience.

In one memorable moment, a pair of young women stood just outside the door to the house.
Young Woman Number One: “Is this really his house?”
Young Woman Number Two: “Yes, this is where Paul Revere lived.”
YWNO: “Oh, my God! I’m so excited! This is so neat!”
Kitty Calash: <eats heart out with jealousy> “Why can’t my museum do that?”

The celebrity factor of Paul Revere is undeniable. There were tourists with guide sheets in Chinese, and tourists who made me wish I still remembered my college German. Some seemed to be hitting every Boston landmark they could in one day, carrying white cardboard pastry boxes; some seemed to be going more slowly, looking, and trying to figure out what they were seeing, and what it meant.

Virtue Rewarded

Virtue Rewarded

What living history means is something I’ve been thinking about lately, or trying to. It’s tangled up with questions of authenticity and appropriateness, but what I learned on Saturday, or re-learned, was how very happy this business makes me. I like history, and historic costume. It doesn’t matter to me if we are talking Revolutionary War or New Republic or Lewis and Clark.

My favorite visitors were a mother and daughter from Steamboat Springs, Colorado, visiting Boston for the first time with a young man from New Hampshire. The mother said, “There’s so much more history here than where we’re from. Our town’s only 100 years old.”

That’s a challenge I’m always ready for, so I asked where they were from. Colorado to me means Native American settlements reaching back a thousand years, Spanish explorers and conquistadors, French, and then American, fur traders. It means hundreds of years of history, and a chance to remind people this isn’t a competition for “oldest” or “mostest.”

Knowing where our country came from is important: so yes, please visit Boston, and Paul Revere House, and Providence and Newport, too! But knowing where you are is just as important. There’s history all around you, and your local historical site, society and museum would love to tell you about it.

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More than Just a Pretty Hat

04 Wednesday Jun 2014

Posted by kittycalash in Clothing, History, Living History, Research

≈ 2 Comments

Tags

1812, 19th century, 19th century clothing, fashion, living history, milliner, millinery, millinery shop, Reenacting, Research, resources, Rhode Island, Salem event, style

While pretty hats were pretty important parts of the milliner’s trade, many more things were sold in a millinery shop.

Colonial Williamsburg’s Margaret Hunter shop is probably the best-known living history milliner’s shop, and they provide a nice definition and explanation of the trade. But that’s never enough: what’s the primary source information for New England milliners?

While there is documentation of a Rhode Island milliner in the 1830s, and even a thesis on her work, Sew 18th Century and I are working on an earlier shop. I started with Rhode Island newspaper advertisements, because I like the sound of “lately arrived from Providence,” and because I understand that context.

The Rhode-Island American, December 25, 1810. III:20, p. 1

The Rhode-Island American, December 25, 1810. III(20), p. 1

Here is Mrs. Sands, just returned from New York to Newport and vicinity, with a long list of things for sale, “selected from the latest European importations, an elegant assortment of the most fashionable MILLINERY.. viz,:–” (you have the love the punctuation, which is like the Chicago Manual of Style on New Republic crack)

What is she selling? In addition to what we think of as traditional millinery, the “variety of ladies’ Caps and Turbans, Straw, silk and velvet Hats and Bonnets; Straw Trimmings of various kinds,” listed at the bottom of the ad, Mrs. Sands carries:

  • Lace Shawls
  • Caps, Handkerchiefs and Whisks;
  • Infants’ Lace Caps
  • Plain and figured mull mull and jaconet
  • –Muslins, of a superior quality;
  • Handkerchiefs and Habit Shirts,
  • India and British book Muslins,
  • Plain and figured Lenos,
  • Long black, white and coloured Beaver and Kid Gloves;
  • Silk and cotton lace Armlets,
  • A large assortment of Ribbons,
  • Artificial Flowers, Featehrs and silver Wreaths
  • Tortoise Shell Combs of Various sizes;
  • Merino long Shawls
  • Worsted Tippets
  • Gentlemen’s Neck Pads

Whew! That’s a lot of stuff, and many different kinds of things, though all broadly in the ‘accessories’ or supplies range. I am delighted to see Habit Shirt on the list, as I buy my chemisettes, and I am intrigued by the range of handkerchiefs and by the Tortoise Shell combs, in part because I did not buy an assortment of them at a shop in western Rhode Island a month ago (kicks self).

Newport Mercury, December 11, 1811. L:2593, p.1

Newport Mercury, December 11, 1811. L(2593), p.1

In the December 21, 1811 Newport Mercury, Mrs Sands again advertised her goods lately arrived from New York. This is a less exhaustive, but no less interesting, list. “Ladies elegant green velvet mantles, with and without spencers” is particularly intriguing for a Spencer fan, and not particularly clear to me.

November 21, 1812. Essex Register

November 21, 1812. Essex Register

In Salem, which is where we will be in August, Elizabeth Pierce advertises her “Fashionable Goods” for sale. She, too, has a long list of things she will sell, from Canton crapes to imitation shawls, hosiery, lace sleeves and armlets, one box of English flowers, and American Straw bonnets.

I suspect that just as retailers do today, milliners of the late 18th and early 19h century probably had an assortment of things designed to bring buyers in to shop (new bonnet styles), and small items to tempt them into impulse purchases (English flowers). You can’t buy a new bonnet every week, but you can refresh an old one.

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Frivolous Friday: Fashionable Reading

02 Friday May 2014

Posted by kittycalash in Clothing, History, Research

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Tags

19th century clothing, anna maria von Phul, drawings, fashion, fashion plates, Frivolous Friday, Reenacting, Research, style, watercolors

Portrait of a seated young lady, watercolor on paper by Anna Maria von Phul, 1818. Missouri History Museum, 1953 158 0013
Portrait of a seated young lady, watercolor on paper by Anna Maria von Phul, 1818. Missouri History Museum, 1953 158 0013
Ladies' Monthly Museum, v. 5, plate 71. July 1, 1816. Casey Fashion Plate Collection, Los Angeles Public Library
Ladies’ Monthly Museum, v. 5, plate 71. July 1, 1816. Casey Fashion Plate Collection, Los Angeles Public Library

Anna Maria von Phul’s delicate watercolors of Saint Louis in 1818 (example at left) remind us that cities in the hinterland of America have never been as far behind the times as coastal dwellers might imagine. As a former resident of the Great Fly Over, I know how defensive people can be about their relative sophistication, and that could be why our Young Lady here appears slightly defensive in her posture.

The young lady is certainly fashionable in that white gown, and literate, too, though we cannot see what she is reading; perhaps Maria Edgeworth.

It took some doing to find a similarly posed and dated fashion plate with a book, for fashion has always been more fantasy than reality.

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Dirt Stew & The King’s Oreo

29 Tuesday Apr 2014

Posted by kittycalash in Events, Food, Living History, Reenacting

≈ 4 Comments

Tags

10th Massachusetts, authenticity, Brigade of the American Revolution, food, Reenacting, Revolutionary War

What Lights through Temple window Break?

What do you do when the kettle tilts off the pothook and spills onto the floor?
Scoop the food back in and keep cooking.

That’s how you make dirt stew, with just enough ash to keep the texture interesting at the bottom of your bowl, plus ham, onion, turnips, parsnips, potatoes and carrots. If you wash the inside of the kettle later in your motel bathtub, you will add to the list of very bad things you’ve done in the bathrooms of temporary accommodations.

On Saturday, the original event plan called for a camp kitchen demonstration; this was nixed because a long string of permissions could not be obtained in time, so we fell back on bringing the three sticks and two kettles. Outdoor fires of all kinds were nixed Thursday because of red flag warnings, and after downpours Friday night followed by rain on Saturday afternoon, we ended up cooking in the back room of the Temple building.

Third from the left, Mr S in the ‘Ugly Dog’ coat.

Some of us were too focused on getting food into the kettle to tidy up the surroundings, and that is why you need several people in any group: someone has to keep their head and clean up the wreckage of previous occupants. Fortunately for us, Mr McC managed that while the Young Mr swarmed around like a cat wanting its dinner, I cut vegetables and Mr S stewed about spilling the stew.

In the end it was a cozy evening boiling roots and hearing stories. I took no photos because that would have ruined it, but Mr S kneeling before the fireplace in the Ugly Dog coat and overalls as the last of the light came through the watery glass made a Vermeer-like and beautiful sight.

On Sunday morning, Our Musician Friend (who has turned his coat, and now sports yards and yards of lace and a bearskin hat nicknamed Lamb Chop), produced a package of Oreos from his haversack, and the Young Mr and I took the King’s Oreo with pleasure and no commitment.

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