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Kitty Calash

~ Confessions of a Known Bonnet-Wearer

Kitty Calash

Tag Archives: Events

Documented Fantasies

08 Monday Aug 2016

Posted by kittycalash in Clothing, Events, History, Living History, Museums, personal, Reenacting, Research

≈ 5 Comments

Tags

19th century, 19th century clothing, art history, authenticity, Events, fashion, Federal style, happenings, interpretation, living history, performance art, Reenacting

It was three years ago on a warm August afternoon in the museum room we’d turned into a photo studio when I quipped, “All my fantasies are documented.” It’s been hard to live down ever since.

With Mrs B watching Miss B self-perambulate upon the sidewalk.

With Mrs B watching Miss B self-perambulate upon the sidewalk.

Documentation, research: we all do it, everyone who reads this blog does it. What matters is how you use it– or, maybe even more importantly, how well you understand how you are using your research. This past weekend was the Salem Maritime Festival, and round number three for me in the West India Goods Store (WIGS, which sounds far more political than it is). The year was 1804, and as you may recall, that required a new dress.

Reader, I wore it. And it survived!

Yes, it is made from an IKEA curtain. The pattern is my own, derived from examples in Janet Arnold, at Genesee, and the KCI. Once again, I discovered the power of upper body strength and leverage. It’s not that my stays are too big necessarily. The busk is too long, that I will grant you. But I think the shoulder straps are as well, and the shift– that slattern! She was rolling a la Renaissance Faire, which is completely unacceptable, of course, as she slid down my right shoulder by the end of the day when the shop had been unpacked into the conveyance.

So let us focus on the non-slattern part of the day, when a mercantile enterprise briefly overtook the WIGS.

Behind the Counter
Behind the Counter
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There was some custom, though numerous debts were recorded in the ledger.  (Somehow, there are no images of Mr K sweating over the figures in the book, though I recall them clearly.)

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The shop was hot, but we attempted to stay fed and hydrated, as we discussed the various kinds of goods imported to places like Salem and Providence in 1804. Politics were rather difficult to discuss, as Mr K has a marked antipathy for Mr Jefferson that caused a mild agitation; expanding the country does seem a bold and perhaps unconstitutional move, given the deal Mr Jefferson has struck with Bonaparte, but perhaps this is for the best. The Indians will surely benefit from Christianity and education.*

It’s engaging in the moment, and we’ve done our research. But it’s a fantasy nonetheless, a kind of happening grounded in primary sources and material culture. I’m OK with that– I understand what I am doing– but I wonder sometimes if the people I’m watching on social media understand what they are doing with the fantasies they portray.

 

 

* To be SUPER clear, I’m staying in character here. I worked in Missouri and I have enough understanding of “manifest destiny” to disagree with this point of view.

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Friday’s Fright: A Dress in White

05 Friday Aug 2016

Posted by kittycalash in Clothing, Events, History, Living History, Research, Uncategorized

≈ 1 Comment

Tags

19th century clothing, art history, Costume, Events, fashion, Federal style, living history, Research, sewing

The Frightened Girl, oil on canvas by Cephas Thompson ca. 1810. MFA Boston, 1986.397

The Frightened Girl, oil on canvas by Cephas Thompson ca. 1810. MFA Boston, 1986.397

Two paths crossed for me this week, both in the early Federal era. Cephas Thompson, a self-taught New England painter, recently became very interesting to me. Although he grew up in Massachusetts, Thompson painted extensively in Virginia, but also in Providence, so of course the story resonated with me. But even more than the story, I loved the images. What a show the portraits would make– and he seems to have painted miniatures as well– so when I met with a local preservationist who turned out to be a fellow art school fugitive, wheels began to turn.

“What clothes!” my new friend said.
“I can get you a room full of people in those clothes,” I replied. And what fun would that be, a gallery opening where the people in the portraits appear to have come to life? Beats the pants off mere mannequins, but keep your Cossacks on: this one’s gonna take a while. In the meantime, what about those clothes?

Salem Register, July 14, 1803.

Salem Register, July 14, 1803.

Saturday marks the third time I’ve been part of the Salem Maritime Festival, and once again the West India Goods Store will be the base of operations for a mercantile enterprise. Millinery has its charms, but this year, the park historian shared fascinating notes on “She Merchants” of Salem, and the Hathorne sisters really intrigued me. Drunk Tailor dug into online newspapers (harder than ever to access remotely) and found an 1803 issue of the Salem Register

That’s an incredibly helpful list of goods to sell (and to pack from the Strategic Fabric Reserve), but a new year means a new dress, of course, and for reasons still not entirely clear to me, this seemed like exactly the right time to wear white. That’s sort of where Cephas Thompson comes back into play: white dresses.

Mrs. Cephas Thompson (Olivia Leonard). Oil on canvas by Cephas Thompson, 1810-1820. MMA, 1985.22

Mrs. Cephas Thompson (Olivia Leonard). Oil on canvas by Cephas Thompson, 1810-1820. MMA, 1985.22

There’s a pile of white cotton and white linen on my table, ready to be packed up this evening: with the dress on for a fitting, I felt like a bowl of whipped cream, the red silk Spencer and scarf the cherry on top. Happily, white and red are documentable to New England, though I would be mortified to be as frighted of a garter snake as the girl in Thompson’s painting. Strawberries and coffee are entirely different, and I shall probably require a bib for Saturday, lest my whipped cream be spoilt.

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Indocent Exposure

28 Tuesday Jun 2016

Posted by kittycalash in Events, Fail, History, Living History, Reenacting, Thanks

≈ 2 Comments

Tags

18th century, authenticity, common people, common soldier, Events, interpretation, living history, New Jersey, Revolutionary War

IMG_7288 Or, Confusion into Confusion.

Docents and volunteers: the backbone of any non-profit organization, right?

Well…sort of. I’ve worked with docents for more than a decade, and along the way I’ve learned what does and doesn’t work. What does work is intensive engagement and participation, though the occasional shock to the system can be necessary and useful. For special events, though, and in cases of turf, diplomatic relations must be opened with the enemy early and often.

That is not to fault the organizers of the “Order Out of Confusion” event this past weekend, for I was one of the people organizing the civilian, non-marching end of things, and due to turbulence in my own life, I failed to plan adequately in the arena of Docent Relations.

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We had a Retaliator, a Pine Robber, a Quaker, and a Slave-Owning Patriot. We managed a debate or two over slavery. We begged people to take the Quaker home with them. But we did not occupy the house, for the house was occupied by red-shirted volunteers who gave at least some of us the five cent Condescension Tour punctuated with, “But I suppose you’re not interested in that.”

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Actually, that look was one of sheer disbelief, sir, at the farm implements in a bedroom, the tidy piles of perfectly formed ashen coals under the cookware in the fireplace, and the roomful of flax accented with a snake charmer’s basket. In my line of work, I enjoy house tours, but find they generally go better when tour guides don’t point out all the flaws to me. Complaining about the state (which owns the site) and onerous regulations that make repairs expensive will also increase my look of horror and disbelief. But really, if you want full-on horror, kindly inform the Quaker that Japanese POW camps “really weren’t that bad” because we are thriving on confusion today.

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The volunteers were thrilled by the marchers, and were clearly very positive about the event. They love Craig House, and the battlefield, but that sense of pride and ownership made it impossible for them to share the house with us, or to see us as anything but invaders– an Army of Occupation in our own right.

It’s my fault that I’m not an agile enough negotiator to convince recalcitrant octogenarians that my friends and I are safe to play with and will respect the house, and it’s my fault that I didn’t put in place all the lessons I’ve learned in the past decade. Then again, I don’t know that I would have had time to travel for meetings with the volunteers to generate buy in and support, given the maelstrom that was my life this past spring.

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But it’s a lesson well-learned: interpreters will read voraciously, acquire tons of material, and turn that research into appropriately-dressed characters making interpretive points, but unless you work with the site and its volunteers or staff to create agreement about presentation, you’ll get about half the value of the work you put into the planning.

Many heartfelt thanks to everyone who participated, and to the organizers for letting me try out my interpretive model. Next time, I know I have to work with the site staff and volunteers to make sure that execution matches vision.

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15 Ways to Have a Bad Living History Event

13 Friday May 2016

Posted by kittycalash in Events, Snark

≈ 5 Comments

Tags

Events, living history, Opinion, Reenacting, some snark, The Public

The Enraged Musician. Chaos has a long history, and often I am for it.

The Enraged Musician. Chaos has a long history, and often I am for it. But not always.

For Organizers

  1. Do not advertise. Having no audience makes an event super-lame.
  2. Have no attendance limits on a closed site. Intense crowds and no security makes an event scary. Add alcohol for intensity.
  3. Do not publish participant standards or a schedule. Confusion and laxity breed chaos.
  4. Publish standards, but do not enforce them uniformly. Creating the appearance that standards are only enforced for people you don’t know erodes trust and credibility and discourages participation, reinforcing adolescent clique behavior.
  5. Do not highlight (or provide) participant amenities like water, toilets, or dry firewood.
John Greenwood, Sea Captains Carousing in Suriname. Good times, no?

John Greenwood, Sea Captains Carousing in Suriname. Authentically bad behaviour.

For Participants

  1. Don’t bring your own lunch, water, or powder.
  2. Don’t follow the rules at a new event. Standards are for chumps. Text your friends while minding a rope line and acting as an interpreter.
  3. Get drunk. Who doesn’t love an inebriate around gunpowder? Safety, schmafety. Besides, drunkenness is authentic.
  4. Smoke cigarettes on the field. You can always hide your hand behind your back, next to your cartridge box…what can go wrong? The captain will never notice.
  5. Make critical comments about the public and other reenactors just within their hearing. Don’t smile.

For the Public

The Death of General Wolfe, Benjamin West. NGC

What, no dogs? The Death of General Wolfe, Benjamin West. NGC

  1. Bring a dog. Dogs love guns, drums, and cannons. “Cry Havoc! And let slip the dogs of war,” right?
  2. Ride your bicycle through the crowd. Make disparaging comments about the crowd interrupting your ride.
  3. Touch things and people. Touch reenactors’ tools, weapons, clothes, children, food. Heck, use their tools. It’s not real, it’s history, so it has to be safe–right?
  4. Interrupt people answering your questions, or better yet, someone else’s questions, and answer yourself.
  5. Get drunk, especially on a hot, humid summer day or night.

Stop.

Breathe.

Think.

Then speak or act. Think about what you’re doing. Is it sensible? Is it kind? Is it how you would like to be treated? Does you behaviour foster a pleasant and welcoming environment?

If not, don’t do it.

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Of Chamber Pots and Train Seats

26 Tuesday Apr 2016

Posted by kittycalash in Events, History, Living History, personal

≈ Comments Off on Of Chamber Pots and Train Seats

Tags

18th century, chamber pots, Events, Fort Frederick Market Faire, pottery, shopping, Travel, weekend

DSC_0361

Why yes: I was able to carry all my loot.

The Northeast Regional: Bane and delight of my existence, for while the night train at least allows you to sleep through the agony of an eight hour trip, and although the quiet car allows some solid time to for reading and writing, one’s seat mate can be unpredictable.

I am not a good seatmate. My legs are long, and I have a marked tendency to cry through several station stops (or states) when leaving someone I love. But the foolproof way to maintain seat independence is writing: reading over someone’s shoulder is rude enough that I feel little guilt in writing all the things I write about. On train 86, it was chamber pots.

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How fantastic will that look with blue?

Part of my southward trip was to the Market Fair at Fort Fred, where I was pleased to visit old and make new acquaintances in addition to shopping. Handkerchiefs: can you ever have enough? I think not, and was delighted to find one pretty much guaranteed to clash with any blue gown.

You can never have too much to read.

You can never have too much to read.

Thread is always useful, and I find it easier to purchase in the flesh, when I can get a better sense of gauge and color. I’d had a request for a period-appropriate notebook and a replacement pocket knife, and was delighted indeed to find one (I bought two) that will hurt less to lose.

But, reader, best of all was the pottery. I possess enough self restraint to know I cannot venture near the mocha ware, for I might take leave of all common sense and purchase more than I can carry on the train, fit in my already full cupboard, or reasonably afford. Still, there was a custom punch bowl to see, kindly ordered for me some months ago, and, by the same potter’s hand? A chamber pot.

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Because I can, that’s why.

Not for me the lighthouse coffee pot (though of course I covet one). No, sir: the blue floral decorated chamber pot caught my eye, and have it I must. So I do.

I realize I have a bit of an obsession, and that one might consider this an unholy interest, but the utility of the device is not lost upon me, having had occasion to use one. Whilst staying in a 1787 house that remains unplumbed, I woke one Sunday at 2:00AM to pouring rain outside, and the urgent call of nature inside. Privies don’t faze me, but I lacked adequate rain protection and a fireproof light source. Happily, I had discovered a chamber pot in the house when I poked around it, and was able to find it by candlelight.

Two hip replacements make some activities more challenging than others, hence my tip: put it on a chair. Your floor will thank you.

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