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Kitty Calash

~ Confessions of a Known Bonnet-Wearer

Kitty Calash

Tag Archives: exhibits

The Checkered Past

26 Tuesday Nov 2013

Posted by kittycalash in Clothing, History, Research

≈ 3 Comments

Tags

18th century clothes, authenticity, Clothing, common dress, common people, common soldier, Costume, dress, exhibits, fashion, living history, Research, resources, Rhode Island

Coat, 1790s American CB: 38 in. Gift of The New York Historical Society, 1979.346.42. MMA
Coat, 1790s American CB: 38 in. Gift of The New York Historical Society, 1979.346.42. MMA
Textile Sample Book, 1771. British Rogers Fund, 156.4 T31, MMA
Textile Sample Book, 1771. British Rogers Fund, 156.4 T31, MMA

Some gentlemen I know should consider what they might want to do to avoid (or alternately, encourage) having this coat made for them. It’s really a lovely thing, found as the best things are, while looking for something else.

It reminded me, too, of the textile sample book at the Met, currently on display in the Interwoven Globe exhibition. (No, I haven’t seen it; I’m going to try, but…).

Wm Booth has a new linen coming in the winter, and as the men in my house have outgrown or outworn their shirts, I am thinking of making new check shirts. I did finish a white shirt at Fort Lee, which will go to the Young Mr (his small clothes being now his too-small clothes). I will have to make Mr S a white shirt for best wear, but they could each use a second working shirt. At least with checks you get “cut here” and “sew here” lines.

Last week, I found a weavers’ book in the Arkwright Company Records (Box 1, Folder 1, 1815). It’s a slim, blue paper-covered volume with small samplers glued in to the pages, and full of checks and stripes. Blue and white, red and blue, checks and stripes were prevalent in the late 18th and early 19th centuries. The more I look at extant garments, sample books, and ads, the more I think the streets must have been a vibrant, if grimy, visual riot.

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One Hot Banyan

11 Thursday Jul 2013

Posted by kittycalash in Clothing, History, Museums

≈ 1 Comment

Tags

18th century clothes, Costume, exhibits, fashion, Museums, Research, resources

Prince of Wales' banyan, ca. 1780. Royal Pavilion & Museums, Brighton. ID CT002728

Prince of Wales’ banyan, ca. 1780. Royal Pavilion & Museums, Brighton. ID CT002728

Alert! This item is currently on display at the RISD Museum of Art in Providence, through August 18, 2013. I have been to see it twice now.

As much as I am itching to get this on a table and investigate it, I am limited to craning my neck and squatting in front of the case. Awesomeness in cotton, this banyan has a five-button mariner’s cuff with a double arc like a broken pediment on a chest-on-chest. It would be a crazy thing for a Continental private to come strolling out of a tent in, not to mention impossible to make before the next camping excursion, but holy cats! that’s one fine banyan.

The RISD Museum is free on Sundays. You, too, can entertain the guards by craning your neck–photography is not allowed. Next visit: sketchbook.

There are a lot of other wonderful things to see, too–silk jersey breeches I expect to see on a colleague at some point, an indigo silk frock coat, the greatest great coat ever, and Fred Astaire’s tails, as well as a small section that I think does everything PUNK wanted but failed to do.

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Impressionism, Fashion, and Modernity

21 Tuesday May 2013

Posted by kittycalash in Art Rant, Museums

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Tags

Exhibitions, exhibits, fashion, Impressionism Fashion and Modernity, Metropolitan Museum of Art, Museums, painting

The authentic matters, the real matters. It is different. Great art leaps from the surface of the paper and lives. Photographs may burn into the paper, but in that depth, they, too, live and glow.

Gallery 2: En Plein Air

Gallery 2: En Plein Air

The Met’s installation of Impressionism, Fashion, and Modernity is worth seeing for the coalescence of so many real things in such a [relatively] small space. The monumental paintings, especially Monet’s Luncheon on the Grass in Gallery 2, En Plein Air, need to be seen for real, in the actual matter, to really be appreciated. The brushstrokes, the color, the enormity, all need to be in front of you to be appreciated—to be experienced. It doesn’t work any other way. (Click here for better views of the paintings and costumes; photography was not permitted.)

Gallery 5: The Dictates of Style

Gallery 5: The Dictates of Style

By way of an intimate contrast, consider the portrait of the gown and the gown itself in Gallery 5, The Dictates of Style. Here’s a lesson in the power of art, of paint, and an artist’s vision—and it’s Bartholomé, not Monet or some other genius, though a solid painter all the same.

Behold the cotton dress in conservator-approved lighting and yawn. Well designed, beautifully made, and real, right down to the stain on the upper bodice or collar, a pleat slightly misaligned at the hem. But yawn all the same. Now, the Bartholomé: bam! It’s not about the dress: it’s about light. This contrast is beyond a doubt one of the best lessons I have ever seen on the real nature of painting, and of impressionism: Light.

And if the authentic, the real is important, going to see the real thing is also important.

Here’s the Met’s catalog shot and record for a Degas drawing:

Degas

MMA, 29.100.185

And my iPad photo of the same drawing:

MMA, 29.100.185.

I’m not a wild fan of Degas; I’m more a Joseph Beuys/Caravaggio kind of art lover, but seen in person, this sketch was amazing.

This is an unfair comparison, and I had expected the catalog shot to be in color, because color is so important to this piece. In black and white, you miss the pop of the color contrast between the medium and the paper; you miss the bleed of the oil spot, more subtle in the black and white. You miss the way that image is fast and messy, the simmering tension between the artist and the sitter. Incredible as it seems, there is nothing like the real thing.

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Installation Progress

30 Tuesday Apr 2013

Posted by kittycalash in Museums

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Tags

Exhibitions, exhibits, John Brown House Museum, museum collections, Museums, Rhode Island Historical Society, work

Faith & Freedom Case 2: Establishment

Faith & Freedom Case 2: Establishment

It starts with words on a wall, and then we bring in the objects. They get hung up, placed, arranged, listed, reported. They’ve already been photographed and cleaned.

Faith & Freedom Case 4: Thomas Wilson Dorr

This might be my favorite case, though it is very brown. We’re adding a daguerreotype today. The Dorr Rebellion was a local phenomenon, but then, all politics is local.

The biggest goal this time? Washing the inside of the glass!

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Busy!

29 Monday Apr 2013

Posted by kittycalash in Museums

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Tags

18th century, busy!, exhibits, Museums, Rhode Island, work

[French Barracks] T. Rowlandson, 1786, Drawings R79 no. 13, Lewis Walpole Library

This is a busy week chez Calash, so here’s an image by Rowlandson, as described by the Lewis Walpole Library:

A view of the interior of busy French barracks shows a more domestic atmosphere than military although weapons and other gear adorn the walls and lay scattered on the floor.

And now you know what can feel like trying to get an exhibit mounted, though at least the cats are only at home and the children are in school.

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