Tag Archives: living history

An Insomniac Dreams of Pudding

11 Friday Jul 2014

Posted by in Events, Food, Living History, Reenacting

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Thomas Rowlandson, 1756–1827, British, Gypsies Cooking on an Open Fire, undated, Watercolor and with pen and brown ink and pen and gray ink on medium, slightly textured, cream wove paper, Yale Center for British Art, Paul Mellon Collection

Thomas Rowlandson, 1756–1827, British, Gypsies Cooking on an Open Fire, undated, Watercolor and with pen and brown ink and pen and gray ink on medium, slightly textured, cream wove paper, Yale Center for British Art, Paul Mellon Collection

Once again, I’m sleeping 18th-century-style, but without of the luxury of sleeping late. What wakes you in the middle of the night? Whatever woke me, I finally fell back asleep after 4:00 thinking of what to make for Stony Point.

This will be a cold camp, with very limited cooking, which presents a stiff challenge for the caffeine-dependent, as I must confess I am. (There are gentlemen in the expected party who are also not quite themselves until they’ve had their coffee, too, and they know who they are.)

I’m up against it, this time, given how I will be spending the week leading up to Stony Point (very busy) and that Friday (giving a talk in Newport, instead of baking). As a devoted fan of breakfast, I usually spend the Fridays before a weekend event baking and assembling the provisions for the weekend; this time, however, I will be crossing and re-crossing a bridge.

As I considered prepping a pork-apple-and onion pie Thursday night for Mr S to bake on Friday morning, and the logistics and food safety concerns associated with transporting and eating meat, it finally came to me: Indian pudding. Simpler, easier, filling: all the remains to be done is to talk the Young Mr into eating it, though when presented with no other option, he may acquiesce, at last, to reality.

Breaking Up By Letter

09 Wednesday Jul 2014

Posted by in Events, Living History, Reenacting

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Mr S, always slightly suspicious

Mr S and I joined other members of the 10th Mass and National Park Service staff and volunteers at the North Bridge in Concord, Mass last Saturday for the postponed reading of the Declaration of Independence. It was one of those perfect New England summer days, breezy blue skies and dry wind smelling of grass and flowers: days like that I finally get the Transcendentalists.*

Some of those present in modern and historic clothes alike had never heard or read the Declaration all the way through; it is one of my favorite documents, and not just because I was in a 5th grade play about the document. Questions of slavery and principles aside, the Declaration is a great poem of a break-up letter. It makes poetry of the list of King George III’s crimes and reminds us of the core principles that undergird our government and that began with the Magna Carta, limiting the power of the king.

Governments are instituted among Men, deriving their just powers from the consent of the governed

Leaning against a tree near the North Bridge, you could close your eyes to the shorts and kayaks and baseball caps and listen to a document being read as it would have been 238 years ago, and imagine what it was like to hear this for the first time (at least until the airplane passed overheard).

I have a complicated relationship with patriotism, which makes me a curious candidate for this living history business. But that moment in Concord reminded me of the enthusiasm I had for history as a child, and the passion I had for what educators now call narrative play, and what some of us now grown up call reenacting, and others call historical re/creation.

There is something we can learn, as participants, and that the public can learn, as we go about this business of re-investigating the past, through making clothing and reading and cooking and re-learning historic processes and crafts. We may not always learn what we expect to about the past or about our selves, but if some in the audience enjoyed the smell of grass in the wind, and heard the true poetry of Jefferson’s text, maybe that’s enough to be getting on with. Because for all the questions about how a musket works, the real point of all of these events isn’t the musketry, it’s the history.**

*They clearly did not wake up to the “what the hell’s that smell?” game tidal canals like to start on summer mornings.

** Sorry, lads, but I think it’s true: wars are about words backed by muskets or other weapons.

Six Toiles, a Coat and a Bonnet

07 Monday Jul 2014

Posted by in Clothing, Events, Living History, Making Things, Reenacting

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14557116394_73c2d5ea9f_zYes, six toiles.
That’s how many it took to get a coat pattern to fit Mr S the way I thought it should. I finally built the pattern around a sleeve and arm scye that I knew worked and suited the period. From there, I built out the back, altering the center back seam curve to suit Mr S’s figure. Arm scyes are still hard for me to figure out, although sleeves are often my favorite part of a garment. I like how flat pieces become three dimensional in a sleeve, and I enjoy setting sleeves– go figure.

Thanks to the three-day holiday weekend and sitting out a parade to pad stitch, I have a coat body.

I’m not thrilled about the size of the lapels, though I have found extant examples and fashion plates showing lapels this size, and sleeves, too. While I’ve pinned up the sleeves in the back, thinking there’s too much fabric there, I can also see from the images that the subject’s posture was not the best– and that was the moment when I realized that I really did want a mannequin for menswear as the subjects are hard to catch at any age, and variable in posture and wiggliness. They also object to being pinned accidentally.

But there is at least a coat body on the way to being done, so I took a break and made a bonnet, which is really the point here <ahem> milliner’s, not tailor’s, shop, after all.

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Pasteboard brim, blue silk taffeta lined with white silk taffeta (they had new things at the fabric store, very exciting!), trimmed with silk ribbon from Wm Booth and paper flowers from the V&A.

Now, more bonnets, two waistcoats, a gown, an exhibition, a lecture, and Stony Point are all that stand between me and the milliners’ shop in Salem…

Musical Monday: Chester

16 Monday Jun 2014

Posted by in Events, History, Living History, Reenacting

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Virtue Rewarded

Virtue Rewarded

Saturday was Flag Day, but you knew that, right? There are a lot of holidays we no longer pay much attention to, from Armed Forces Day (when Mr S and I once hosted a very amazing and lengthy party in an 1870s brick row house in St. Louis) to Arbor Day to Flag Day.

To celebrate the Bicentennial of the Star Spangled Banner, the Paul Revere House asked us (which means Mr HC) to lead the visitors in the national anthem. “Never miss an educational opportunity” could be one of the 10th Massachusetts’ mottoes, so with the regimental colors unfurled, the time was right to lead the assembled company in a rendition of Chester, written in 1770 and perfected in 1778 by William Billings, and the song to which the men are accustomed to march. (It is also the song mostly likely to play accidentally on my phone while it’s in my pocket.)

So here they are, the 10th Massachusetts and Members of the Publick, led in Chester by Mr Cooke.

 

As mentioned elsewhere, it is nearly impossible to read and sing simultaneously. It is also clear that we do not generally sing in our daily lives, or not nearly as often as people did in the past. Most of us think we have awful voices and refuse to sing, though we endure singing in school, or did. It’s an art that we should enjoy more and more often. You don’t have to be Idina Menzel to please the right audience (in my case, some cats).

History is Not a Competition

15 Sunday Jun 2014

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Drilling by the Sergeant

Saturday was my first post-operative foray into costumed interpretation, up to Paul Revere House on Flag Day. This went much better than my first attempt at Paul Revere House, which ended in ignominy as I missed the train. In April, I managed to convince Mr S to drive in Boston, which he usually refuses to do (in fact, he nearly abandoned me once at the Old State House one Saturday after a miserable drive that had us stuck in the Downtown Crossing vortex).

I’m so glad we managed this, Despite anticipatory near-tears and epic pouting by the Young Mr, we managed to have a rather nice time.

Poise, with extra elevation by the Young Mr

Poise, with extra elevation by the Young Mr

We were in the courtyard, and Mr HC and Mr FC told the story of Amasa Soper’s company and its members several times to the streams of tourists. They solicited recruits and ran them through the 1764 drill using the nicest wooden muskets I’ve ever seen, though with mixed results. Some new volunteers held their muskets backwards, and the Young Mr’s ramrod got stuck in the barrel, though that is a known issue with that particular musket.

I sat on my ladder-back chair near the house and made the tiniest hems I could on Mr S’s next shirt, which will be for best. People asked about the sewing and my clothes, and I had a chance to talk about what women wore, typical fabrics and fibres, supplying the army, and who made what.

The day was warm, but fortunately not overwhelming, and as a museum person, I found the crowd quite interesting. This is a facet of Boston I don’t usually see: the tourist experience.

In one memorable moment, a pair of young women stood just outside the door to the house.
Young Woman Number One: “Is this really his house?”
Young Woman Number Two: “Yes, this is where Paul Revere lived.”
YWNO: “Oh, my God! I’m so excited! This is so neat!”
Kitty Calash: <eats heart out with jealousy> “Why can’t my museum do that?”

The celebrity factor of Paul Revere is undeniable. There were tourists with guide sheets in Chinese, and tourists who made me wish I still remembered my college German. Some seemed to be hitting every Boston landmark they could in one day, carrying white cardboard pastry boxes; some seemed to be going more slowly, looking, and trying to figure out what they were seeing, and what it meant.

Virtue Rewarded

Virtue Rewarded

What living history means is something I’ve been thinking about lately, or trying to. It’s tangled up with questions of authenticity and appropriateness, but what I learned on Saturday, or re-learned, was how very happy this business makes me. I like history, and historic costume. It doesn’t matter to me if we are talking Revolutionary War or New Republic or Lewis and Clark.

My favorite visitors were a mother and daughter from Steamboat Springs, Colorado, visiting Boston for the first time with a young man from New Hampshire. The mother said, “There’s so much more history here than where we’re from. Our town’s only 100 years old.”

That’s a challenge I’m always ready for, so I asked where they were from. Colorado to me means Native American settlements reaching back a thousand years, Spanish explorers and conquistadors, French, and then American, fur traders. It means hundreds of years of history, and a chance to remind people this isn’t a competition for “oldest” or “mostest.”

Knowing where our country came from is important: so yes, please visit Boston, and Paul Revere House, and Providence and Newport, too! But knowing where you are is just as important. There’s history all around you, and your local historical site, society and museum would love to tell you about it.