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Kitty Calash

~ Confessions of a Known Bonnet-Wearer

Kitty Calash

Tag Archives: stays

History Hurts

23 Thursday Feb 2017

Posted by kittycalash in Clothing, Fail, History, Living History, Making Things, personal

≈ 10 Comments

Tags

18th century clothing, alterations, authenticity, common dress, common people, living history, Reenacting, stays, women's work

We have been here before: terrible stays, stays in need of minor mods, and “it isn’t history till it hurts.” New this past weekend was the Busk Bust Blister (Bursting) which didn’t make History hurt, but sure did bring a sting to the wind-down afterwards.

 

Insides!
Insides!
I was determined, and now they are bound.
I was determined, and now they are bound.

These new stays are, so far, the best I’ve ever had and well worth the blood, sweat and swears it took to make them. Gowns do seem to fit better over these stays; they held up well at muggy Monmouth and in polar Princeton, but the last two rounds at Ti left me feeling like I’d taken a hoof to the ribs.

What gives, kidneys? At least this time I made it past Fort Ann and all the way into a private room in Glens Falls before I had to free the sisters and release the lower back.

IMG_7298

But this time, there was a bonus: the previously indicated Bust Blister. On the left side (I’m right handed), I developed a fairly robust .25” x .125” blister that crowned the top of a nearly 2” red mark, mirrored on the right by a less red and slightly less long mark. The culprit?

The Busk of Doom, of course.

 

dscn4568

Strictly speaking, I should not sport a busk when I desport as Captain Delaplace’s serving woman, or as a refugee cooking up the last of the bread, eggs, and milk. I’ve earned these marks and (potential) future scars by dressing above my station, and need to adjust accordingly.

Step one: Rounding down the busk edges (now in the capable hands of Drunk Tailor).
Step two: Foregoing the busk when working.
Step three: Wearing partially-boned stays when working.

Two is the easiest; three is the hardest. Which do you think I am, therefore, actually contemplating as a necessary next step?

But of Course: Step Three, Pathway to Finger Cracks and Stained Stays.

d'oh! surgical tape made this *much* better later.

d’oh! surgical tape made this *much* better later.

Fortunately I have people close to me who will ensure that I work through steps One and Two before embarking upon step Three, but I certainly want to know more about (and will look much more closely at images of) working women in the third quarter of the 18th century. My suspicion is that women who are performing labor that requires movement– up and down before a fire, back and forth across a floor, bending over a tub– may not be wearing stays made in exactly the way high style stays are made for ladies who bend over an embroidery hoop, glide back and forth across a ballroom floor, or move up and down the stairs of a well-built home they supervise.

Or my busk pocket is too big, my busk edges too square, and my actions too fast and continuous.

Paul Sandby. At Sandpit Gate circa 1752 Pencil, pen and ink and watercolor. RCIN 914329

Paul Sandby. At Sandpit Gate circa 1752
Pencil, pen and ink and watercolor. RCIN 914329

What are these women wearing? They certainly look fully boned. What can I change to make my stays work better for working? No matter what, where there are variables, there are experiments to run, and that’s what really makes history fun (even when it hurts).

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Bloody, Bratty, Boning

27 Friday May 2016

Posted by kittycalash in Clothing, Fail, Living History, Making Things

≈ 1 Comment

Tags

18th century clothing, infrastructure, mistakes, sewing, stays, underwear

File_000Sometimes I am a terrible brat, as in this past weekend, when the autocorrect on my phone insisted that the proud four-letter Anglo-Saxon words I was typing were not what I meant to say. Darn tootin’ they were.

This is not my first rodeo with stays, but somehow I’d forgotten about the special stabby hell of boning the beasts. I’m machine sewing the channels for these, mostly because I calculated the time required to completely hand-sew them and realized I would not finish them before I needed them. I’ve rationalized this by acknowledging that I’m not using the hand-woven brown wool sateen I covet, but instead a dark blue wool twill.

A bloody, messy business
A bloody, messy business
all around
all around

I know, I know: there’s a reason staymaking was a man’s trade. My hands are pretty strong, but it took some doing to figure out how to slide the pieces in neatly without jabbing the ends repeatedly into the freshly re-opened split on my thumb.

d'oh! surgical tape made this *much* better later.

d’oh! surgical tape made this *much* better later.

It takes discipline to keep doing this, the way it takes some discipline not to eat ice cream for breakfast just because you can (though I did, just this week). Spencers and dresses are so tempting, but there’s not point to making a new dress of wonder unless I have the stays to wear it over: infrastructure is required.

The stomacher and the two front pieces are boned… six more pieces plus whipping and eyelets and binding, oh, my! It’ll be a race to have them done by June 24th:  Discipline’s the thing.

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Stay Thy Hand

02 Monday May 2016

Posted by kittycalash in Clothing, Fail, Making Things

≈ 7 Comments

Tags

18th century, 18th century clothes, 19th century, 19th century clothing, Costume, dress, fail, sewing, stays

IMG_6784

Stays. They’re infrastructure: absolutely necessary, a major time commitment, and decidedly unsexy. I am in dire need to two new pairs, one for late 18th century use and one for early 19th century, and each with deadlines looming.

I can manage 19th century attire and Genesee with the chopped-and-dropped corded stays I already have, but New Jersey will not happen at all unless new stays are made. It was like a weekend of penance chez Calash, two straight days of stay mocking up and making.

Of course I bled on them. That’s how I know they’re mine.

IMG_6786

And let’s get this out of the way: I thought backstitching the back seam was a little more difficult on this side, but ascribed it to sore fingers. Wrong! I failed to notice that I was stitching through all the layers, and not leaving one free to fold over and finish.

IMG_0806

A glass of cider and an hour later, I’d rectified the error. These are now fully bound along the bottom edge, and ready for the top edge binding. Somewhere there’s coutil for the straps, and then numerous hand-sewn eyelets later, I will have a finished pair of hand-sewn stays.

New stays deserve a new gown, and since I found this lovely image, I know what that new gown should look like (as well as a portfolio).  Happily, there’s a dress in Cassidy’s book that will serve as a reasonable basis for recreating this image. I’m still pondering the portfolio, and what it might be made of: paper or leather covered pasteboard? As the clock ticks down to June, I suspect I will be using a portfolio I already have on hand.

And then there are the the 18th century stays, with their history of woe.

File_000

I’ve gotten this far with the new 18th century pair, and an interesting business it is. I altered the front side pieces and the stomacher, but cannot see the back well enough (even with a camera and a mirror) to adjust it by myself, so further changes will have to wait until I have some assistance.

The tabs aren’t right in the back, and while the advice is to shorten the stays when the tabs flare this way, I found the fronts were still too low, once again riding at nipple-cutting height. Finally it occurred to me that the problem– slippage–might actually be one of waist. I lengthened the fronts half an inch and nipped the waist in, and found the fit more pleasing.  I suspect the back pieces need to be trimmed a bit before they’ll fit (they’re stitched closed in this version, so you know they’re too big).

Another weekend of work awaits– with focus, those early 19th century stays may be done by then, if there are no more finger injuries.

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Bustin’ Out

06 Wednesday Apr 2016

Posted by kittycalash in Clothing, Living History

≈ 3 Comments

Tags

18th century, 18th century clothes, 18th century clothing, authenticity, fail, interpretation, living history, stays

tightlacing_lg

Tight Lacing, or, Fashion before Ease

Grand weekend, right? Spent a happy day cleaning, missed any hints of the reported near-fracas, inappropriate hostility, or snide commentary, and thus had a perfect weekend, you think.

Almost…except of course the whole thing nearly derailed into a visit to the Princeton Art Museum. Why, you ask? The Great April Stay Failure.

Confessions of a Known  Bonnet Wearer are what we’re all about, so here you go: Despite a quick stay alteration that appeared to solve the too-big shimmy, the Stays of Yore continue to chafe and annoy.

Bent and Broken Bones
Bent and Broken Bones
Seemed okay at the time
Seemed okay at the time

Turns out that lacing yourself up the back is nowhere near as effective as having someone else lace you up. Leverage: you don’t has it the way another person standing behind you does. And if that person naturally possesses greater upper-body strength than you, well, there you are. You will find yourself experiencing a great deal more containment than you might find desirable. Actually, the stays were more like nipple guillotines, as the fault shown here made itself all too well known.

Yes: the fool things were not made properly in the first place, exacerbating any fit issues that can be ascribed to weight loss, fabric stretch, or general high-level-of-activity use. Reader, I am up against it.

Not only do I have a pair of 1800 stays on the table needing to be finished, I have a banyan to make up and a bedgown to finish, all by April 21 for a program at work. A mere two weeks later, I will need really serviceable and decently-fitting stays if I plan to go back up to Fort Ti. Quickie torso measurements, anyone?

It tried, and did well, considering the circs.

It tried, and did well, considering the circs.

Of course, the thing is that these ought not to be done quickly, but correctly. I recognize that after four years of wear, these imperfect stays made of modern (linen and caning instead of wool and baleen) materials could legitimately be wearing out. But the really important thing is this: They turned out to be so (literally) painfully wrong that turning them around and wearing them backwards was better. No, that was not an ideal solution. I have a sizable bruise on my left underarm area and a red wear spot on the right and my poor handmade (just finished!) sketchbook is bent from use as a stomacher/busk.

Granted, I do have the materials I need to make new stays, but what I lack is more critical: time and a second pair of hands to help me measure torso length. I suspect that even a new pair (of wool and linen, thank you for reducing stretch) will take more alterations than I currently credit. Hilariously, while these pattern pieces may require some lengthening, the 1800 stays needed shortening to fit properly. So on my table sit one pair, shortened, and another pair, seemingly in need of an opposite alteration. Get fit or die tryin’, right?

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