Category Archives: Reenacting

Research for Reenactors

26 Saturday Apr 2014

Posted by in Living History, Reenacting, Research

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that's Old School. The Library at the University of Göttingen (18th Century)

that’s Old School. The Library at the University of Göttingen (18th Century)

I could not figure out where the hits were coming from, but looky here: Research for Reenactors links to some previous posts here (in the days before Frivolous Friday).

If you are a beginning reenactor, or someone who wants to refresh your presentation, I think this librarian’s guide is a good one. There’s excellent logic in the tabs and good suggestions. Thank you, Laura, for including me, and for such a wonderful resource.

Interpreting Bridget

24 Thursday Apr 2014

Posted by in Events, History, Living History, Reenacting

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Shirts? What shirts?

Shirts? What shirts?

This weekend, we’ll be at the Brigade of the American Revolution’s School of Instruction, taking anxiety to the Hudson Highlands as I give a presentation on interpretation. Sure, it’s part of my day job to interpret objects and documents and even, sometimes, to do costumed interpretation, but experience has never prevented me from worrying. It has allowed me to focus my worries more productively and specifically. One of the things we’ll be trying, or attempting to try, are vignettes based on the shirt-stealing and selling ring of 1782.

Events from Captain Abbot’s Orderly Book for interpretive vignettes

Soldiers Steal a Shirt and dispose of same (~July 13-14, 1782)*
Cast: Two soldiers, officer who catches them
Props: shirts

Court-Martial July 15, 1782: Paul Poindexter and Titus Tuttle, for theft of a shirt
Cast: Two soldiers, accusing officer, three officers of the court
Props: Shirt; table and seats, orderly book (optional)

Discovered buying a shirt (~July 21-22, 1782)*
Cast: Bridget, soldier selling shirt, officer who catches them
Props: Shirt(s), money

Court-Martial July 23, 1782: Bridget tried for buying a ‘publick shirt’
Cast: Bridget, accusing officer, three officers of the court
Props: Shirt & money; table and seats, orderly book (optional)

Insolence to Officers of the 10th Mass (~July 23-24, 1782)*
Cast: Bridget, officers (two preferable, one adequate)
Props: None required, large stick probably handy

Court-Martial July 25, 1782: Bridget tried for insolence
Cast: Bridget, accusing officer, three officers of the court
Props: Table and seats, orderly book (optional)

Expelled from camp, July 25, 1782*
Cast: Bridget, drummer, officer(s), jeering onlookers; Francis skulking at the edge
Props: Drum, Bridget’s chattel

* Events are extrapolated from the Orderly Book as things that must have happened to cause the events that followed.

We’ll see…in the meantime, I’m finishing up a shirt for the Young Mr, so that his small clothes will no longer be too-small clothes, and so we have extra shirts for this black market ring.

Pockets 2.0

09 Wednesday Apr 2014

Posted by in Clothing, History, Living History, Making Things, Reenacting

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Pockets the First

Pockets the First

At left, Pockets 1.0 or perhaps beta. The far left pocket, when worn alone, was definitely beta. Then came the striped pocket, and then sewing them both to the tape. That helped– and I use the small pocket for things like wallet, phone, car keys and Band-aids, and the larger pocket for interpretive things. I try to follow the Under the Redcoat kind of model: one pocket is modern, one is historical; that way I don’t pull the car keys out along with the knitting, or am at least less likely to.

Too much stuff.

Too much stuff.

Here’s the stuff I carry in my purse today, actually a backpack-purse, downsized from a messenger bag. That’s a lot of stuff. But if you compare the list to the list of what might have been in an 18th century pocket, you’ll find a lot of similarities.

There’s a pen and a pencil, wallet and checkbook, granola bar, chewing gum, change purse, keys, more keys, and phone. All of those are just modern analogues for paper money, coins, orange or apple, candy, book and notebook, since the phone can fill in for so many things– notebook, money, keys, pen, book…

DSC_0174

The historical assortment is much more attractive, in part because I don’t use these things every day, and they don’t get tangled up and worn in a bag. Mitts, kerchief, hankie, my husband’s pay, knife, thimble, spoon, and knitting (I may never get a pair of stockings knit): these are all accurate to carry, though the knitting needles will have to change before that’s taken out in public.

DSC_0173

All that, or some combination of like things, will go into one pocket, and the modern mess into the other. I fear these new pockets are, for now, too nice for Bridget. I may just stick with my old, mis-matched ones for now.

Mail Call!

05 Saturday Apr 2014

Posted by in Events, History, Living History, Making Things, Reenacting

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writing letter0001Gentle Readers, would you be writers?

You can join the fun this year by providing mail for the HMS Acasta‘s mail bag at the Jane Austen Festival. Maybe you can’t go, but why shouldn’t your letter?*

Read more here about the suggestions for types of letters, and the characters to whom you may write. It’s on my list of neat things to try to get done.

*Hot tip: Jo Baker, author of Longbourn, will be there. Creative writing, author talks and dressing in high-waisted gowns? Why am I not going? (Because I have too much to do in July!)

Pockets of Evidence

02 Wednesday Apr 2014

Posted by in Clothing, Reenacting, Research

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Or is it evidence of pockets?

Pocket, 1770-1780 Rhode Island Linen, cotton and silk RIHS 1985.1.9

Pocket, 1770-1780
Rhode Island
Linen, cotton and silk
RIHS 1985.1.9

In any case, I thought it time to upgrade my pockets, since I have given so much attention to the rest of Bridget’s clothing. I have also been talking with a colleague about a pocket game activity, similar to the process I’ve used in thinking about Bridget: what is in your pocket? If I’m going to try that out in public, then I’d like not to be embarrassed about my pockets.

The first pocket I made was based completely on one in the RIHS Collection, and it annoyed the daylights out of me as it had exactly the same loop on top and twisted around under my petticoats, making the opening hard to find. I also realized that it was too small to be really correct for a woman’s pocket: those tend to be larger. Sew 18th Century has a really nice article on pockets here.

Pocket, 1789 American linen Gift of Miss Blanche Vedder-Wood, 1940 MMA Costume Institute C.I.40.159.4

Pocket, 1789
American
linen
Gift of Miss Blanche Vedder-Wood, 1940
MMA Costume Institute C.I.40.159.4

So I made a larger pocket based on this one at the Met, and made of a grey and cream striped linen with the slit bound in red calico. It’s dated to 1789, and technically that’s too late for my uses.

Pocket 1720-1730 block printed cotton and linen

Pocket
England, 1720-1730
Cotton; Linen
Winterthur Museum Collection 1960.0248

But the next one is too early.

Well, it has survived this long, and Wm Booth has that lovely shell print cotton, so what’s a sister to do? Pockets don’t take much fabric, so making a matched pair of printed pockets seems the thing to do.

Now the question is, what should be in those pockets?