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Kitty Calash

~ Confessions of a Known Bonnet-Wearer

Kitty Calash

Tag Archives: Boston

History is Not a Competition

15 Sunday Jun 2014

Posted by kittycalash in Events, History, Living History, Reenacting

≈ 1 Comment

Tags

10th Massachusetts, 18th century, 18th century clothes, Amasa Soper's Company, Boston, historic houses, history, living history, Massachusetts, Paul Revere House, Reenacting, Revolutionary War

IMG_1583

Drilling by the Sergeant

Saturday was my first post-operative foray into costumed interpretation, up to Paul Revere House on Flag Day. This went much better than my first attempt at Paul Revere House, which ended in ignominy as I missed the train. In April, I managed to convince Mr S to drive in Boston, which he usually refuses to do (in fact, he nearly abandoned me once at the Old State House one Saturday after a miserable drive that had us stuck in the Downtown Crossing vortex).

I’m so glad we managed this, Despite anticipatory near-tears and epic pouting by the Young Mr, we managed to have a rather nice time.

Poise, with extra elevation by the Young Mr

Poise, with extra elevation by the Young Mr

We were in the courtyard, and Mr HC and Mr FC told the story of Amasa Soper’s company and its members several times to the streams of tourists. They solicited recruits and ran them through the 1764 drill using the nicest wooden muskets I’ve ever seen, though with mixed results. Some new volunteers held their muskets backwards, and the Young Mr’s ramrod got stuck in the barrel, though that is a known issue with that particular musket.

I sat on my ladder-back chair near the house and made the tiniest hems I could on Mr S’s next shirt, which will be for best. People asked about the sewing and my clothes, and I had a chance to talk about what women wore, typical fabrics and fibres, supplying the army, and who made what.

The day was warm, but fortunately not overwhelming, and as a museum person, I found the crowd quite interesting. This is a facet of Boston I don’t usually see: the tourist experience.

In one memorable moment, a pair of young women stood just outside the door to the house.
Young Woman Number One: “Is this really his house?”
Young Woman Number Two: “Yes, this is where Paul Revere lived.”
YWNO: “Oh, my God! I’m so excited! This is so neat!”
Kitty Calash: <eats heart out with jealousy> “Why can’t my museum do that?”

The celebrity factor of Paul Revere is undeniable. There were tourists with guide sheets in Chinese, and tourists who made me wish I still remembered my college German. Some seemed to be hitting every Boston landmark they could in one day, carrying white cardboard pastry boxes; some seemed to be going more slowly, looking, and trying to figure out what they were seeing, and what it meant.

Virtue Rewarded

Virtue Rewarded

What living history means is something I’ve been thinking about lately, or trying to. It’s tangled up with questions of authenticity and appropriateness, but what I learned on Saturday, or re-learned, was how very happy this business makes me. I like history, and historic costume. It doesn’t matter to me if we are talking Revolutionary War or New Republic or Lewis and Clark.

My favorite visitors were a mother and daughter from Steamboat Springs, Colorado, visiting Boston for the first time with a young man from New Hampshire. The mother said, “There’s so much more history here than where we’re from. Our town’s only 100 years old.”

That’s a challenge I’m always ready for, so I asked where they were from. Colorado to me means Native American settlements reaching back a thousand years, Spanish explorers and conquistadors, French, and then American, fur traders. It means hundreds of years of history, and a chance to remind people this isn’t a competition for “oldest” or “mostest.”

Knowing where our country came from is important: so yes, please visit Boston, and Paul Revere House, and Providence and Newport, too! But knowing where you are is just as important. There’s history all around you, and your local historical site, society and museum would love to tell you about it.

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Ballet Arthritique

28 Tuesday Jan 2014

Posted by kittycalash in Research

≈ 2 Comments

Tags

arthritis, Boston, historic medicine, medicine, newspapers, pain, Research, TJR, total joint replacement

Three men wearing orthopedic apparatus. Etching and engraving by Paul Sandby, 1783. Wellcome Library image L0019751

How was arthritis pain treated in the 18th century? One option was the mustard plaster, which operates on the principle that heat generated by the plaster increases blood flow, which will reduce inflammation. Frankincense supposedly inhibits the production of molecules that cause inflammation and break down cartilage tissue, which leads to joint pain, at least in knees. This level of scientific knowledge wasn’t available to the 18th century physick, but frankincense is an edible aromatic resin with a long history of use in treating ailments including arthritis. At least you (or your breath) would smell good.

The primary ailment treated of was gout, and the remedies above are mostly directed at inflammatory arthritis, the kind where joints grow red and swollen. Think of wealthy, overweight men drinking port with swollen feet propped up on footstools: that’s gout.

Models showing progressive arthritis in a knee, followed by joint replacement.

Then there’s osteoarthritis, or degenerative joint disease, once included in the catchall and obsolete term, rheumatism. This is a different matter, where changing your diet and icing the joint generally won’t bring much relief. When your cartilage is gone, your bones rub together. Osteophystes or bone spurs form is response to damage or inflammation, and cause both pain and noise.
In the pre-joint replacement era, treating this kind of arthritis was treating chronic pain. (In this era, that’s still the case: absent a TJR or resurfacing, all that’s treated is pain. Once the joint is replaced, there’s nothing left to hurt. It’s a neat little trick.)

Providence Gazette and Country Journal, June 16, 1764. V II, Issue 87, page 3

Providence Gazette and Country Journal, June 16, 1764. V II, Issue 87, page 3

In pre-Revolution Boston and Rhode Island, there were various cures advertised promising far more benefit than they were likely to deliver. Phillip Bourne, from Greenwich Hospital in England, promises to “undertake curing any Persons who are afflicted with the Gout and Rheumatic Pains, with the greatest Facility and Safety imaginable.” The caveat about “especially such as have not been visited with those Disorders for more than Seven Years” is particularly nice, since the longer pain persists, the harder it is to treat. He knew his limits, I suppose, if only of his patience, or the amount of time he could safely ‘practice’ in any location.

Boston Gazette, February 14, 1774.

Boston Gazette, February 14, 1774.

Edes and Gill sold Keyser’s Famous Pills, “So well known all over Europe,” and promising much, like Cures for Scorbutic Eruptions, Leprosies, White Swellings, Stiff Joints, Gout and Rheumatic Disorders, etc.” I don’t know about you, but I think I’d prefer to have my scurvy treatments separate from my arthritis treatments.

Ultimately, the best option was probably a crutch or cane, though braces were devised and are still used, along with crutches and canes. All that prevents their use or efficacy is the vanity of the user.

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Book Review: Book of Ages

17 Sunday Nov 2013

Posted by kittycalash in Book Review

≈ 1 Comment

Tags

18th century, book review, Boston, common people, history, Massachusetts, Research, resources, women's history

Book of Ages, by Jill Lepore.

Book of Ages, by Jill Lepore.

This is a book about reading and writing as much as it is a book about Jane Franklin, Benjamin Franklin’s little sister. Book of Ages has been reviewed elsewhere, and Lepore wrote a really lovely piece in the New Yorker called The Prodigal Daughter that is unfortunately behind a subscription firewall, but which I have read on actual paper. If you can get hold of it, I do recommend reading it before you read Book of Ages. It makes the book all the more poignant to know something about Lepore’s process.

This is, in many ways, another book about mud and misery (see the best bits of Longbourn). Because Jane Franklin Mecom (her married name– she married at 15) left behind so little, Lepore builds much of her story out of the context of Boston and New England in the mid-18th century.

It’s not exhaustive in its detail, and that’s fine: the book is an easy, comfortable read that still provides well-researched information about the lives of women in the 18th century. I finished it over a week ago, but details still remain (and that is a testament to Lepore– these could have been supplanted in my mind by details of exterior water meters, skunk removal techniques, or indexes for early vital records). Among the details I recall: Funerary and mourning customs, from published sermons to the distribution of mourning gloves and rings; soap making and trades practiced by small holders in home workshops; Jane Franklin Mecom’s wartime flight to Rhode Island; the power and practice of extended family networks.

It also reminded me of the differences in educational methods or standards for boys and girls, which helps remind us all of the importance and significance of the ideal of free public education for all. (We had some early proponents here in Rhode Island.) What might Jane Franklin’s life have been like in other circumstances? Honestly, even if she’d been well-off and well-educated, as as woman in the 18th century, she would never have had the same chances as her brother, no matter how evenly their intellects might have been matched.

If anything, that’s reason alone to read Lepore’s book, to celebrate the life of a woman who was both ordinary and extraordinary, and to recognize how much closer to all the anonymous, disappeared women of the past we can get through this example.

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A Favorite Gown, at Last

08 Monday Jul 2013

Posted by kittycalash in 1763 Project, Clothing, Living History

≈ 6 Comments

Tags

18th century clothes, authenticity, Boston, common dress, Costume, fashion, Paul Sandby, sewing, Thomas Marshall's Boston Militia, weekend


First wearing at the Martin House in Swansea, MA

Most of what I’ve made I’ve hated. It hasn’t been perfect enough. This is pretty much how it works when you are learning something new: your eyes outrun your abilities, and you have to keep working away to build the skills to match your dreams. I’m still building skills, but I have at least managed to get to a place where I can just about trust my ability to make something I can stand to wear.

I’ve also learned that you are likely, in the process of making a gown or what-have-you, to hate the garment in question. My friend hated her Green Gown of Doom, but when it was done and on she liked it. Midway through the Cherry Seller Robe, I hated it, thought it a failure, and wanted to quit.

Persevere: the moment when you are most frustrated is often the moment right before you figure out the thing you have been trying to learn.

Paul Sandby, London Cries: Black Heart cherries... ca. 1759. YCBA,  B1975.3.206

Paul Sandby, London Cries: Black Heart cherries… ca. 1759. YCBA, B1975.3.206

The story behind the Cherry Seller Robe is that I plan to wear it in Boston on August 10, so it is very old fashioned. Based on Paul Sandby’s Black Heart Cherries watercolor, it is open with robings, and made of Burnley & Trowbridge’s wool-cotton “Virginia cloth.” The gown fits in a “v” on the front, and to my eye, has a 1750s look. (I have not finished the cuffs, attached lacing strips, or finished the stomacher; once lacing and stomacher are done, it will fit more like How Now Brown Gown.)

It was windy. Catastrophic hat failure resulted.

For August, I’ll make a white linen petticoat and a tan “Virginia cloth” petticoat, a blue linen apron and, I hope, a new lappet cap. (I had one cut out around here somewhere…) The yellow and blue or yellow-blue-white striped petticoat may have to wait; I have a lead on some in a stash, but no sightings yet.  Making new, lighter-weight petticoats is in anticipation of August weather in downtown Boston. I’m still debating about the kerchief, which seems to be a solid color with a striped border; I may just wear the one I have.

Yesterday was hot and windy, with a chance of hat failure. All in all, a fine day to sew and wear wool.

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1763: It’ll be here before you know it.

03 Wednesday Jul 2013

Posted by kittycalash in 1763 Project

≈ 3 Comments

Tags

1763, Boston, Reenacting, Thomas Marshall's Boston Militia, website

PORTRAIT D'UNE FEMME EN BUSTE, by FRANCOIS-HUBERT DROUAIS ca. 1757

PORTRAIT D’UNE FEMME EN BUSTE, by FRANCOIS-HUBERT DROUAIS ca. 1757

Boston keeps me busy, along with a few other things, but as a means of wrangling the project information, I made a free website. You can visit it here to see how it progresses. Yes, I could have used wordpress, but this navigation seemed better for the intended audience. Of course, all this just makes the list of things I want to make longer, for example, this lovely gown.

Do I care that she’s French? No, all I care about is that she’s plaid, like the oyster seller. Somewhere I have brown and white cotton plaid…and a long list of other things to make!

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