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Kitty Calash

~ Confessions of a Known Bonnet-Wearer

Kitty Calash

Category Archives: Events

Sheer Madness

10 Wednesday Jun 2015

Posted by kittycalash in Clothing, Events, Living History, Making Things, Reenacting

≈ 3 Comments

Tags

19th century clothing, Clothing, Costume, dress, Events, fashion, fashion plates, Federal style, Genesee Country Village, living history, Reenacting, sewing, style

Mercury is retrograde and the schedule is tight, even for me, as I made the plans I’ll put into action at the end of this week: a special event Thursday night at work, followed by mad packing and a drive pretty far into New York.

I did say sheer.

Yes: I am going to Genesee. It’s a long drive from here, so I’m happy to be picking up some friends in Albany (neither of whom live there) for company and some relief behind the wheel. Of course we’re taking our car: it’s the Quartermaster cart.

Since this is one of two occasions when I can portray someone in trade rather than in service (and a better trade than selling fruit on the street), I made a new gown. And a new Spencer. And a new reticule. And cut out a new coat for Mr S, with a newly (fingers crossed!) patterned collar, based on plates in Lapsley and Queen and images texted from a friend.

Yes, I am a little crazy, but it does make life interesting.*

Finished –even hemmed– days before the event!

The gown is made from fairly sheer block-printed Indian cotton found on eBay. The pattern is based on one in Nancy Bradfield’s Costume in Detail with a bib front and tucks in the center back. To help with measurements, I also referred to the bib-front dress in the back of Bradfield’s book, as patterned on the fabulous 19th US site, as well as Janet Arnold.

The first bib-front gown I made ended up a little slanted: your mileage may vary, but I find patterning on opioids is not recommended (I sewed while recovering from hip replacement surgery). This one seems a little better, though the fabric came in for some commentary when I was working on this in a room full of light infantry “men.” We devolved from “chicken on flower” to “Seagull on a bush” in describing this buta-like shape. I only bled a small amount on the tucks, despite texting while sewing.

Canezou de Velours, 1810

Inspired by this 1810 fashion plate, I made a black velvet Spencer as well. That’s finished, save for the buttonholes, though there will be no texting while button holing.

Men’s waistcoats often have cotton or linen at the CB neck.

It got pretty matchy-matchy when I did the lining.

You will note that the plate describes a “Canezou de Velours.” Canezou was new to me, and while I don’t trustthe internet too much, here we are with Larousse: Vieux. Corsage de femme en lingerie.

Huh. It seems to be a lightweight-bust length garment for women.

Here’s the OED:

Oxford English Dictionary

canezou canezouHist.

(ˈkanzu)
[Fr., of unknown origin.]
A woman’s blouse-like garment of muslin or cambric. Also attrib.
1827 Lady’s Mag. Sept. 510/2 A canezou spencer of embroidered muslin. Ibid. 511/1 Muslin canezous over high dresses. 1893 G. Hill Hist. Engl. Dress II. 241 A cambric canezou..with sleeves full to the elbow. 1898 Daily News 26 Sept. 6/4 When the Restoration came in 1815,..Fleur-de-lys appeared on everything… The canezou replaced the hideous spencer.

 

Ah, the hideous Spencer. I rather like them, myself.

 

*A very long time ago, I had a drawing teacher who said there is never an excuse for being bored. There is always something to do, to see, to observe. That was my first lesson in being present. Perhaps I take this statement a bit too literally.

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Frivolous Friday: A Feather Kerfluffle

22 Friday May 2015

Posted by kittycalash in Clothing, Events, Fail, Frivolous Friday, History, Living History, Reenacting, Research, Snark

≈ 3 Comments

Tags

18th century clothing, Costume, interpretation, millinery, Research, some snark

Miss Caroline Vernon by François-Xavier Vispré (c.1730 – London 1790). pastel on paper. ©National Trust Images/John Hammond.

I troll the interwebs in the fishing and not the under-the-bridge sense: there’s a lot to read out there. Still, I’ve kept one eye on the feather-and-flower kerfluffle that erupted in certain circles this week, but have been much more interested in documentation of one kind and another.

Miss Vernon is really my favorite image of feathers on hats, and I wish I could say that a) I have replicated this fabulous creation or b) that I have seen such a thing, but alas! I have not.

Still, scouring sundry repositories for tayloring manuals (more on that another time), I found this delightful broadside. We can’t use 1782 to document 1780, and no means of using any of these items is mentioned or implied. Still, there they are, those inflammatory terms: Feathers, Flowers.

1782 Broadside. Early American Imprints, Series 1, no. 45771  (filmed)

1782 Broadside. Early American Imprints, Series 1, no. 45771 (filmed)

To paraphrase Max, Let the wild rumpus continue.

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Room, Officers’, for the use of.

30 Thursday Apr 2015

Posted by kittycalash in Events, Food, Living History

≈ 6 Comments

Tags

10th Massachusetts, 18th century, common soldier, Events, interpretation, living history, Reenacting, Revolutionary War

IMG_3458
IMG_3461

Sometimes I feel like a third wheel at Rev War events. There is not always a lot for women to do besides chores, and the public often ignore us. Still, there is one maxim I know to be true: if you’re bored, work.

Thus, when I found myself drifting off Saturday, I started dinner. The best part was where I got to make dinner: in a chamber off the main room of the Temple at the New Windsor Cantonment. These two rooms were occupied by the 10th Mass this year. Last year, the unfinished room had been the scene of Dirt Stew.

Cutting vegetables on a table was a major upgrade; last year, I think I used the kettle lid, the floor being too gritty even for me.

IMG_3470

It’s End of Stored Root Vegetable season here, so largish carrots and parsnips went into the pot, along with potatoes, onions, and a cooked chicken disjointed by hand (a task I have experience in).

This year, we brought the only iron we own, a small trivet-like stand to put the big kettle on; the little one went on bricks from the Temple’s other fireplace. Was that slim piece of iron wrong? Probably, but in a place where we can’t dig a kitchen or make a fire outdoors, we compromised in the name of keeping supper unspilled.

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Why no fires outdoors? Red flag warnings, due to high winds and low RH. That all hobbies will be affected by climate change was clear on Saturday, as we discussed invasive species, transporting wood across state lines, and various site rules on using brush to build shelters. It’s not just about digging fire pits or kitchens and archaeology anymore.

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Surreal School

29 Wednesday Apr 2015

Posted by kittycalash in Events, Living History, Reenacting

≈ 2 Comments

Tags

10th Massachusetts, authenticity, Brigade of the American Revolution, common people, common soldier, interpretation, living history, Revolutionary War, vacation

On the King's Highway, behind Knox's HQ

On the King’s Highway, behind Knox’s HQ

The School of Instruction is always interesting, and this year was no exception. One of my favorite activities is walking with the troops (well, behind). The experience is usually surreal, and the walk we took behind Knox’s Headquarters met expectations.

Clash of the Time Periods

Clash of the Time Periods

Knox’s Headquarters was a new location for us, with new activities: we played a Jingling Match, which resulted in as much giggling as jingling, and felt like the Walking Dead met the 18th Century.

Jingling without Giggling is the hard part

Jingling without Giggling is the hard part

The game is pretty simple: mark out an area, blindfold as many as are willing to play, and set one without blindfold loose. The object is to touch the person ringing the bell, and it is a hilarious and merry game indeed, though I do agree with Mr McC that playing with a number of men full in their cups, or at certain sites (Stony Point comes to mind) would be too dangerous.
WildJingling

Still, it’s simple and fun, if a little Kubrickian when you first tie on the blindfold. The person who catches the jingler is the next one to taunt the blindfolded.

tomBrianwill

Next stop? Bell research, of course. I definitely want to play this in Newport later this summer.

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Battle Road Made a Man 

22 Wednesday Apr 2015

Posted by kittycalash in Events, Living History, personal, Reenacting

≈ 9 Comments

Tags

10th Massachusetts, 18th century, 18th century clothing, authenticity, Battle Road 2015, common people, fashion, menswear, Revolutionary War, style

(with apologies for the child-centered content.)

Well, sort of.  The Young Mr sported a brand-new, all-hand-sewn frock coat and breeches, as well as brand new size 15 shoes (thank you, USPS Priority  Mail and Robert Land’s stock of the rara avis size 15.)  He was spotted in photos that were shared with me later, and there he is, front and center, in his new, blue wool broadcloth suit. (I do like the side eye Mr C is giving as he checks on the second row.)

When he was dressed on Saturday, the Young Mr had a real presence. There is something about a suit that changes a man– well, in this case, a boy into a man. On the ride home, he told his father, “Now that I’m growing up, it feels weird to call you mom and dad. I think I should call you by your first names.” (I’ll wait here while you finish laughing. Yes, it is funny. No, we did not laugh at him.)

It’s a curious idea to us now, marking transitions with clothes. For some, coming of age is marked with a car or at least a driver’s license. For others, it may be a first job, or apartment. But once, stages were marked in clothing, as boys moved from gowns to breeches, and later from dresses to short pants to long pants.

 Our clothing is so much less formal, that we are less accustomed in most cases to seeing men in suits. Even as young as I was in those last “Mad Men” years, I remember more formal times, and shopping with my parents, seeing coats marked up in chalk and thread for my father, and the ranks of shirts and heavy-hangered trousers and coats at Brooks Brothers downtown in Chicago.  (I went there once as a teenager with a friend to buy a present for her father; we were not warmly welcomed in our punk clothes, but the glass cases were unforgettable.)

For the Young Mr, that kind of formality is lost. There’s not much point in buying him a modern suit: he’s all t-shirts and hoodies and hand-me-downs from a friend at work he’s rapidly growing past. He’d never wear a suit, except as he steps into the past, and his fittings happen in private homes or workshops, and not in front of a three-panel mirror.

The Young Mr steps into the past to step into adulthood, and comes back to a present where he has many more years and rites of passage before he will truly be an adult.

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