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Kitty Calash

~ Confessions of a Known Bonnet-Wearer

Kitty Calash

Tag Archives: Revolutionary War

Tactical Strategies

30 Wednesday Apr 2014

Posted by kittycalash in Events, Living History, Reenacting

≈ Comments Off on Tactical Strategies

Tags

10th Massachusetts, 18th century, authenticity, Brigade of the American Revolution, common soldier, interpretation, petite guerre, Research, Revolutionary War

One of the things I liked best about this year’s School of Instruction was the Petite Guerre demonstration that followed a discussion of those tactics by Dr Stoltz of the 5th NY.

Mr McC & the Young Mr share a tree; note British officer and Hessian

Demonstrating skirmishes instead of linear warfare makes sense, given the numbers of men who take the field at events, and the smaller engagements will reflect exchanges common between the sides during the war.

What I like in particular is that using ‘petite guerre’ tactics requires the commanders and soldiers to tailor their actions to a site (site specific immersive experience: you cannot go wrong) and as the action unfolds, soldiers at all ranks are forced not only to move but also to think. Any action where the interpreters have to think is likely to create a better experience for visitors—and no great surprise, that usually makes a better experience for interpreters. It also flatters the site managers and visitors, who will appreciate that you’ve taken the time to explore and understand their place, and its place in history.

While you don’t necessarily want to fight the Battle of the Comfort Station, skirmishing around a site with buildings provides an objective, while multiple buildings and some woods or undergrowth provide cover for the Light Infantry troops and opportunities for deceit.

Of course, depending on troop size, it may be that each man needs his own tree. On Sunday, the Young Mr kept close to Mr McC, demonstrating troop [leg] length.

It’s hard to be invisible when you’re tall.

But I do mean this seriously: scaling events to available resources allows for a better interpretation.

That’s common sense, and sound museum practice, and that’s pretty much the business living history practioners (aka reenactors), are in: interpreting the past to visitors. Best practices for professionals and hobbyists are grounded in the same principles:

  • Primary source research
  • Material culture research
  • Site, resource, and audience- appropriate delivery
IMG_1386

Direction provided by Mr C with spontoon.

Building an encampment and tactical demonstration on the first two principles grounds the event in in historical authenticity. Adding the third principle, and increasing the use of smaller group tactics, tailored to the participants and site, would be a subtle but strategic shift to build a more engaging experience that better educates visitors and might even attract new recruits.

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Dirt Stew & The King’s Oreo

29 Tuesday Apr 2014

Posted by kittycalash in Events, Food, Living History, Reenacting

≈ 4 Comments

Tags

10th Massachusetts, authenticity, Brigade of the American Revolution, food, Reenacting, Revolutionary War

What Lights through Temple window Break?

What do you do when the kettle tilts off the pothook and spills onto the floor?
Scoop the food back in and keep cooking.

That’s how you make dirt stew, with just enough ash to keep the texture interesting at the bottom of your bowl, plus ham, onion, turnips, parsnips, potatoes and carrots. If you wash the inside of the kettle later in your motel bathtub, you will add to the list of very bad things you’ve done in the bathrooms of temporary accommodations.

On Saturday, the original event plan called for a camp kitchen demonstration; this was nixed because a long string of permissions could not be obtained in time, so we fell back on bringing the three sticks and two kettles. Outdoor fires of all kinds were nixed Thursday because of red flag warnings, and after downpours Friday night followed by rain on Saturday afternoon, we ended up cooking in the back room of the Temple building.

Third from the left, Mr S in the ‘Ugly Dog’ coat.

Some of us were too focused on getting food into the kettle to tidy up the surroundings, and that is why you need several people in any group: someone has to keep their head and clean up the wreckage of previous occupants. Fortunately for us, Mr McC managed that while the Young Mr swarmed around like a cat wanting its dinner, I cut vegetables and Mr S stewed about spilling the stew.

In the end it was a cozy evening boiling roots and hearing stories. I took no photos because that would have ruined it, but Mr S kneeling before the fireplace in the Ugly Dog coat and overalls as the last of the light came through the watery glass made a Vermeer-like and beautiful sight.

On Sunday morning, Our Musician Friend (who has turned his coat, and now sports yards and yards of lace and a bearskin hat nicknamed Lamb Chop), produced a package of Oreos from his haversack, and the Young Mr and I took the King’s Oreo with pleasure and no commitment.

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Interpretation 101

28 Monday Apr 2014

Posted by kittycalash in Events, History, Living History, Reenacting, Research

≈ 4 Comments

Tags

10th Massachusetts, 18th century, Bridget Connor, Brigade of the American Revolution, common dress, common people, common soldier, first person interpretation, interpretation, living history, museum practice, Museums, Reenacting, Research, resources, Revolutionary War

This slideshow requires JavaScript.

On Saturday morning, I gave a presentation at the BAR School of Instruction on Interpretation. The slides are above, and the presentation (with my notes) is here.

The handouts and bibliography I used in thinking about Bridget Connor an be found on the Interpretation 101 page.

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Interpreting Bridget

24 Thursday Apr 2014

Posted by kittycalash in Events, History, Living History, Reenacting

≈ 3 Comments

Tags

10th Massachusetts, Bridget Connor, Brigade of the American Revolution, Clothing, common people, common soldier, Reenacting, Research, Revolutionary War

Shirts? What shirts?

Shirts? What shirts?

This weekend, we’ll be at the Brigade of the American Revolution’s School of Instruction, taking anxiety to the Hudson Highlands as I give a presentation on interpretation. Sure, it’s part of my day job to interpret objects and documents and even, sometimes, to do costumed interpretation, but experience has never prevented me from worrying. It has allowed me to focus my worries more productively and specifically. One of the things we’ll be trying, or attempting to try, are vignettes based on the shirt-stealing and selling ring of 1782.

Events from Captain Abbot’s Orderly Book for interpretive vignettes

Soldiers Steal a Shirt and dispose of same (~July 13-14, 1782)*
Cast: Two soldiers, officer who catches them
Props: shirts

Court-Martial July 15, 1782: Paul Poindexter and Titus Tuttle, for theft of a shirt
Cast: Two soldiers, accusing officer, three officers of the court
Props: Shirt; table and seats, orderly book (optional)

Discovered buying a shirt (~July 21-22, 1782)*
Cast: Bridget, soldier selling shirt, officer who catches them
Props: Shirt(s), money

Court-Martial July 23, 1782: Bridget tried for buying a ‘publick shirt’
Cast: Bridget, accusing officer, three officers of the court
Props: Shirt & money; table and seats, orderly book (optional)

Insolence to Officers of the 10th Mass (~July 23-24, 1782)*
Cast: Bridget, officers (two preferable, one adequate)
Props: None required, large stick probably handy

Court-Martial July 25, 1782: Bridget tried for insolence
Cast: Bridget, accusing officer, three officers of the court
Props: Table and seats, orderly book (optional)

Expelled from camp, July 25, 1782*
Cast: Bridget, drummer, officer(s), jeering onlookers; Francis skulking at the edge
Props: Drum, Bridget’s chattel

* Events are extrapolated from the Orderly Book as things that must have happened to cause the events that followed.

We’ll see…in the meantime, I’m finishing up a shirt for the Young Mr, so that his small clothes will no longer be too-small clothes, and so we have extra shirts for this black market ring.

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Visual Illiteracy

23 Wednesday Apr 2014

Posted by kittycalash in Art Rant, Clothing, Fail, Research, Snark, TV Review

≈ 4 Comments

Tags

art, Banastre Tarleton, Captain Tallmadge, Colonel Tarleton, dragoons, helmets, light, museum collections, National Gallery, paintings, Research, Revolutionary War, Turn

Banastre Tarlteon by Joshua Reynolds

Portrait of Sir Banastre Tarleton (1754-1833) by Joshua Reynolds, 1782. National Gallery (UK)


See update below!

By 9:00 on Sunday, I was asleep and missed “Turn,” which Mr S wasn’t even watching because, as he declared, “It’s just a bad show.” On Monday evening, I made it through the opening of the show and gave up for good. But those minutes made me think of the Banastre Tarleton portrait by Sir Joshua Reynolds, and the suggestion on Twitter that “Turn” had no historical consultant.

It occurred to me, as I stared at the rather curious headgear worn by Captain Tallmadge (I think it’s stretch lycra over a “Roman” gladiator costume helmet glued to a baseball cap visor and edge-taped with gold foil) that perhaps the people doing the costumes simply lacked visual literacy. This could explain the refugees from Fort Lee who looked like they stepped out of an Emma Lazarus poem, and it could explain the very unfortunate helmet.

Tarleton_notes

Let us look at Banastre Tarleton, hunky bad boy of the British dragoons: he came to mind on Monday night, and what visual relief he is.

Note the light edge of the visor: this is a highlight. The leading edge of a polished surface will shine, and helmets, even of leather, will be reflective. Over time, the edges will polished by wear if not on purpose. I cannot speak to the helmet habits of the horse-mounted, but I know from paintings, and that edge is a highlight.

The Boys last July. Look, shiny, not-taped visor edges.

The Boys last July. Look, shiny, not-taped visor edges.

Reynolds painted what he saw, and just as the Young Mr’s cheekbones are reflecting light off the underside of his visor and Mr S’s helmet edge is shining in the direct light, so too is Colonel Tarleton’s helmet edge shining.

(Yes, there are both mounted and unmounted dragoons within a unit; but I just can’t help feeling that an officer would be mounted more often than he has appeared to be thus far.)

ETA: Heather has graciously pointed out a very nice blog on Turn, which is doing a far more even-handed and informed job of watching and commenting on the show. Thank you, Heather!

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