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Kitty Calash

~ Confessions of a Known Bonnet-Wearer

Kitty Calash

Tag Archives: women’s work

Small Obsessions

09 Saturday Jan 2016

Posted by kittycalash in Uncategorized

≈ 6 Comments

Tags

18th century, 19th century clothing, art, art history, interpretation, living history, miniatures, paint boxes, paintings, Rhode Island, Rhode Island history, women's work

IMG_5625Some of you may recall that I am a recovering artist with a fairly constant need to keep my hands busy. To encourage industry and the domestic arts, and to keep me out of trouble generally, a thoughtful friend provided me with a start to furnishing an early nineteenth century-style paint box. They’re hard to come by, these paint boxes, and extant examples fetch far more than we can afford chez Calash, being in somewhat reduced circumstances of late.

Thomas Reeves & Son Artists watercolor paint box c. 1784 to 1794. Whimsie Virtual Museum of Watercolor Materials

Thomas Reeves & Son
Artists watercolor paint box c. 1784 to 1794. Whimsie Virtual Museum of Watercolor Materials

Researching paint boxes and miniature painting in the early Federal era has been a happy fall down a deep rabbit hole. It’s clear that Reeves watercolors were being sold in Providence in the early 19th century; Peter Grinnell & Sons include “Reeves watercolor boxes” among the extensive list of items for sale in an 1809 newspaper ad. Frames and cases were also to be had; John Jenckes, gold and silver-smith and jeweler, advertised gold miniature cases in 1800.

Distraction is always easy to come by, tunnels leading from main entrance to the warren. Painting manuals, scholarly articles, and extant examples, which prove most distracting of all. SO shiny.

George Catlin Artist: John Wood Dodge (1807–1893) Date: 1835 Medium: Watercolor on ivory Dimensions: 2 3/16 x 1 13/16 in. (5.6 x 4.6 cm) Classification: Paintings Credit Line: Rogers Fund, 1926 Accession Number: 26.47

George Catlin byJohn Wood Dodge, 1835, MMA 26.47

Searching the Met’s collection, I found a portrait of George Catlin, remarkably similar in pose to an image of a friend I considered copying, but had thought too modern. My assumption has been proved wrong, and I am delighted. And then I found the HIDEOUS checked neck wear, always distracting. Historic New England provided super-tiny-bowtie man, and then I really had to focus, since I’m only enabling, not making, neck wear.

My real focus, of course, is on female miniaturists, especially in Rhode Island (gallery of RI miniatures can be found here.) From the scant number of women I’ve found advertising in the local papers, (okay, two: Miss Mary R. Smith, in 1820, and Mrs Partridge in 1829) I’ll have to expand my search geographically. Nantucket Historical Association had an image attributed to Anna Swain, and ten attributed to Sally Gardner.

Eye

The Met, repository of so many wonders, has works by six women miniaturists, including Sarah “Wowza” Goodridge and Anna Claypoole Peale. For all we know, some of the works by unidentified makers might be the work of female painters. The extant miniatures in all collections, range in quality from excellent to amateur, giving hope to those of us unpracticed in portraiture, and regaining our hand.

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Lysistrata on the Lake (and elsewhere)

07 Monday Dec 2015

Posted by kittycalash in Fail, History, Living History, Philosophy, Reenacting

≈ 7 Comments

Tags

authenticity, feminism, history, interpretation, living history, progressive reenacting, women's history, women's work

Let me be clear: Fort Ti was amazing. It was everything I’d hoped for. Far away, made of stone, populated with people I like, with an event cleared of all the crap that makes me crazy.

File_000 copy

The issues that enrage me are both societal and hobby-specific.

While boys were boys and women were women this past weekend, I found myself tired out by biologically deterministic behaviour. For the love of Christ, you can listen to a woman, not talk over her or interrupt her even if:

a) she is not your boss or mother
and/or
b) you do not want or expect to sleep with her.

Gentlemen: we are human beings as smart as- if not smarter– than you. If we are smarter, society has taught us to manage that for you, so you won’t feel <ahem> small. I know that what men fear most is humiliation (the bravest ones will admit it) and what women fear most is violence (it’s true).

But a woman’s interest in history, or even military history, should be as joyous to you as your male friend’s interest.

So why the shouty?
Why the taking over of the conversation?
Why the relegation of women to a separate bench?
Why am I pointing this out?

Well… because even some of the best progressive reenactors have trouble getting past uber-traditional gender roles.

I get it, really, I do. I am accustomed to being a woman in a (hyper manly) man’s world.

I studied sculpture in college in the Dark Ages and I know from male-dominated fields. I ran a foundry in grad school, and a bunch of mostly-male work study students. I’m an owner’s rep for construction projects, and work with a lot of different contractors and construction workers.

But that doesn’t mean I have to like it or tolerate it, as any of my history, art, or construction associates will tell you. My younger counterparts have even less tolerance than I do, so I advise you to listen up, think about gender roles, gun shows, assault/predation and interpretation or consider Lysistrata the future you have earned.

It’s really simple.

You like living history?
We like living history.

Francis Wheatley, 1747-1801, British, Soldier with Country Women Selling Ribbons, near a Military Camp, 1788, Oil on canvas, Yale Center for British Art, Paul Mellon Collection

Francis Wheatley, 1747-1801, British, Soldier with Country Women Selling Ribbons, near a Military Camp, 1788, Oil on canvas, Yale Center for British Art, Paul Mellon Collection

Let’s play together better to more accurately represent the past without replicating crappy gender relations. If you start listening and stop interrupting, we’ll stop laughing at you.

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Fort Moonrise Kingdom

06 Sunday Dec 2015

Posted by kittycalash in Events, History, Living History, Reenacting

≈ 2 Comments

Tags

#nobletrain, 18th century, authenticity, common people, common soldier, Costume, Events, feminism, Fort Ticonderoga, history, interpretation, living history, progressive reenacting, women's history, women's work

Fort Ti was described to me as “Disney World for Re-enactors,” but my vote is for Living History’s Moonrise Kingdom.

Idyllic, ain't it?

Idyllic, ain’t it?

I almost didn’t go when my Saturday night roomshare cancelled on Monday and then I developed an ear ache on Wednesday, but on Thursday, Low Spark , Mlle Modiste and I arranged a carpool, so on Friday morning, a Carload of Rhode Islanders (a thing to behold and to be wary of) set off for points north.

Our initial plan was to to sleep in the soldiers’ huts, but they proved extremely crowded and smokey, so when Mlle Modiste and I were offered a bunk in the barracks, we took it… unfortunately, only one of the blankets I’d brought for us did not make it back up to the fort or into the car heading home.

Mlle Modiste at the huts

Mlle Modiste at the huts

Before supper, we stuffed bed ticks, started a fire, startled a bat (I was not the source of the shriek that brought officers, women, and soldiers running), and stuffed straw in the hole we thought it flew into (thank goodness I’m tall, I guess).

Smoke didn't just get in your eyes...

Smoke didn’t just get in your eyes…

The tavern moved up to the would-be armory at the barracks, though I’m certain multiple political deals and presidential candidacies could have been plotted and bought down at the smoke-filled huts. Instead, it was reenactor politics as usual: parallel experiences for men and women (not ladies, thank you, and if I hear you use “distaff” about me, expect to find one has become part of your anatomy). Just because I’m used to it doesn’t mean I don’t notice it, understand it, and still dislike it.

We’d expected to attend to “sick” soldiers in the hospital, but Saturday was such a lovely day that we spent most of it outdoors, starting and tending a fire to boil laundry and make dinner for the women’s mess. This pleased me mightily, even as I may have distracted troops despite my advanced age as I crouched at the fire being a human bellows. You try getting low in stays and see how you do: immodesty, thy name is fashion.

While I kept the fire going, much credit should go to Rory, a bad-ass woman in men’s clothing who split wood a-plenty for us.  Rory made me want badly to make myself a suit and wield an axe. I find myself wanting to do the same work as the men (I have always been this way), and I was intrigued by the debate that was reported to me: should a woman do men’s work in women’s clothes, or in men’s clothes? In the end, they chose men’s clothes, and Rory wore them well. Reader: I was jealous. I was also covetous of an axe, having realized all the cutting and hewing tools are no longer domiciled with me.

Aunt Kitty's coming' for you. boys.

Aunt Kitty’s comin’ for you, boys.

Saturday really revolved around three things for me: food, free agency, and feminism:

  • I ate some interesting things, including a smoked chocolate cake (left overnight in a hut, I can describe its flavor best as sucking diesel exhaust through a chocolate cupcake).
  • Now that I’m a free agent attending events sans unit, I have much more fun.
  • I am determined and dedicated to effecting well-researched roles for women in living history events of all kinds.

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A Side of Oysters

24 Tuesday Nov 2015

Posted by kittycalash in Art Rant, Events, Fail, History, Reenacting

≈ 2 Comments

Tags

authenticity, common people, history, interpretation, living history, Reenacting, women's history, women's work, work

Or, Fleshing Sexism into History

06512-2

Here’s a bitter blog post instead of the angry one someone expected after the Turkey Shoot. It started elsewhere with a discussion of this print: there’s more going on in this, and in many genre images of oyster girls and oyster sellers, than you notice at first glance. (First glance is that fab-u-lous bonnet.) There are clues, though, that she is selling more than just oysters. It’s a code, remember? The gaze is one clue, though it reminds me of a cholera victim’s languor.

Yes: this image suggests she is also selling herself.

It’s something I’ve thought about doing as part of my street vendor/Bridget impression. Transgressive, dangerous: true. As a milliner, I’ve had a money bag shaken in my face, coins rattling suggestively, a sailor eager to spend his pay. Milliners and seamstresses both had reputations as women of exploitable, if not overtly easy, virtue. They’re a classic trope in 19th century literature, though I suspect the real reason for the suggestion of looseness was economic independence. But women certainly were selling themselves in the past, so why not portray that reality with carefully selected, trusted role players?

circle_of_francis_wheatley_ra_the_oyster_girl_d5466162h

For one thing, it’s dangerous. You’d have to script it, and interact only with really trustworthy people. It’s not family friendly, though despite the strenuous efforts of some sites, actual history isn’t family friendly either. (I’m looking at you, CW .)

I ponder this role, and women’s lack of power historical, as I ponder Fort Ti and nurses’ reputations, carefully maintained in Army hospitals in later wars. (Not to fear, I will behave, honest.) And I also ponder it as I continue to struggle to understand the Gun Show, the misogyny in the hobby, and the general misogyny of American culture. Like many others, I’ve read this blog post,, and some of the more annoying comments. Yes, I, too, de-escalate now and have in the past. Some of the changes I’ve made in my life revolve back to this concept, and have to do with authenticity and stepping back from de-escalation, subsumation, and self-repression. So why would I not continue that process into my historical work and play?

philip_mercier_the_oyster_girl_d5714611h

As I wonder how to spin a feminist interpretation of women’s marginal roles and drudgery in the past, it occurs to me that forcing the women’s economic disparity and lack of agency to the foreground might provide an answer. Selling myself along with oysters, apples, or cherries might finally make the points I want to not just about women’s lives historically, but about women’s roles today.

(I’ve already made the jokes about hands-on demonstrations, so y’all can keep ‘em yourselves, okay?)

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Good Grief

25 Sunday Oct 2015

Posted by kittycalash in Events, History, Living History, Museums, Reenacting

≈ 4 Comments

Tags

19th century clothing, authenticity, Federal style, first person interpretation, funeral, historic house museums, interpretation, John Brown, John Brown House Museum, living history, memorials, mourning, Providence, Rhode Island Historical Society, Rhode Island history, What Cheer Day, women's work, work

1803 dress and hair

Pre-sweat melted hair

I had my doubts about this event, since we were interpreting the death and mourning of John Brown a full month after it actually happened, and initially resisted somewhat strenuously. But people change, and by the time I was operating a motor vehicle at high speed on I-90 six months later, I could be– and was– convinced. Knowing little, if anything, about early Federal mourning customs mattered not at all. There’s always time to learn, right? Well… if you read fast enough, you can do anything.

Esther and Kitty draping the mirrors

Esther and Kitty draping the mirrors

Despite the bustle, Esther and I found time to cover many of the mirrors with sheets, and the portraits with black crepe; this is a time of reflection, not vanity. It gave our rooms a gloomy mien, and reminded us of our short span on this earth.

Visitors in the front hall of the John Brown House, Providence RI

We had many callers

We did have many callers Saturday afternoon, as John Brown was such a significant figure in Providence. He accumulated significant wealth, as Mr and Mrs Thurber attested when they came to inquire about the profits from the voyage Mr T had invested in– $30,000!

Callers pay respects to Mr Brown

Mr and Mrs Thurber pay their respects to Mr Brown

Thirty thousand is a fine sum indeed, though one wonders where Mrs Thurber might spend those proceeds. While a generally refined person, she made many inquiries about sherry, so I was relieved I’d had the foresight to lock away the decanters. So many people call during a time of grief that you cannot be too careful.

1803 ladies ponder fashion plates

Considering mourning dress options

The mantua maker came to call, bringing black silks and plates for the ladies to choose from. We have had a mix of joy and sorrow in this house, and it is only of late that Mrs Francis (on the left, in blue), has left behind her more matronly garb following the death of her beloved husband John Francis in 1796. It was a crushing blow for her, but she does seem to have recovered now.

1803 woman and baby

Mrs H and her darling daughter, Anna

Mrs Herreshoff was with us, visiting from Point Pleasant in Bristol, and her mother found baby Anna, now just more than five months old, a great consolation indeed. Anna was dressed in mourning for her grand-papa, though she will not remember him. Despite the many callers, baby Anna was truly an angel.

Historical minister and coffin

The Congregational minister called.

The ladies upstairs were a respite for us servants, though we were comforted by the visiting minister from the Congregational church. They cannot make up their minds to a new minister, now that their beloved Dr Hitchcock has left them for heaven. They try on new ones for size nearly every week, and while that is not my congregation, I do think the Reverend Cooke is an excellent choice, combining devotion with humor.

costumed interpreters

The sexton’s son came to inquire if Mrs B wished rent the hearse

A more troublesome caller was Mr Richard Hoppin, son of the sexton at First Baptist church. They do possess the sole hearse in our town, and kindly (for a fee) provide it in times of need. I’m not certain of Mr Hoppin’s stability, for he was inclined to– well, to hop!– in our hallway, a most inappropriate action. The widow did seem to cause him fright (she is a formidable personage, as one would be, after so many years married to Mr Brown), so perhaps he was merely addled by his encounter with her. She wisely inquired after the solidity and soundness of the hearse, for Mr Brown was a substantial figure.

1803 widow and coffin

The widow Mrs Brown reflects upon her late husband

Mr Brown was a great support to us all, and his absence will truly be noted in our household and in our town. I do expect the house will feel empty without his presence, and that Esther, Goody and I will much remark upon the quiet as we go about our tasks.

costumed interpreters on the steps of the John Brown House

The obligatory group photo finale.

From an administrative and managerial stance, this What Cheer Day was different: we cut the interpreted day in half, running the event from 1:00 till 4:00, but still saw about the same number of visitors as we had in a six-hour day. A shorter day meant interpreters were somewhat less exhausted by the close of the day (costumed staff who started their day at 5:00 AM excepted), and the schedule did not have to be as detailed as in previous years. We also reprised a “make your own miniature” activity from the August George Washington 1790 event, and brought in period musicians, who played in the Washington Wallpaper room while people colored miniatures. We also put out an exhibit of memorial art and mourning jewelry, to help contextualize the miniature activity. Since we’ll be leaving the coffin on display and the mirrors and portraits draped through next weekend, a small display (three cases, labels finally finished at 11 AM on the day of the event) seemed like a good idea and opportunity. Upsides: chance to show off the collection, engage people in a hands-on activity, multi-sensory experiences. Downsides: Slightly more to accomplish than hands to do the work, still short a servant, always a little rough the first time you change topics. Unexpected bonus: slightly bumpy transitions in personal life make a suitably sad housekeeper. Score!

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